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Featured Violin Teachers Near Ontario, CA

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Here are just a few of the many teachers offering Violin lessons in Ontario . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Seulgee C

Instruments: Violin Viola

I would like to inform little of music theory as needed for better understanding of music. Mainly I would focus on letting students make their goal and achieve it. The way I teach students is starting with setting a goal for each lesson time. After setting a goal, I will organize time to spend to go through anything we need to work on together. I will assign my student to read next part until we meet next lesson. Read More

Maria M

Instruments: Violin

I have been teaching privately for fourteen years now. I studied under Dr. Ernest Salem at Cal State Fullerton and received various master class from members of Talich Quartet, Mary Straub, Wei-Wei Lu, and most notably James Buswell. My former teacher, Andrea Byers, studied with world renown, Ivan Galamian. I received my bachelor's with an emphasis in music education. After completing my undergrad, I was accepted to the Bob Cole Conservatory at California State University of Long Beach on scholarship, and studied violin performance. Read More

Omar G

Instruments: Piano Guitar Voice Violin Cello Viola Bass Guitar Double Bass Music Classical Guitar Acoustic Guitar

When receiving a student I first like to get to know the student by friending them. Asking question as to what their likes are and just getting to know them. For the beginner we start of with a Method book that fits their age and personaity and go from there. For the student that already has had past music experience I like to hear them play at first and see at what level they are to be able to place them on the correct method. Read More

Jiawei Y

Instruments: Violin Viola Music

For beginning students who are children, I typically start with the Suzuki Violin Method (Viola version available) with occasional ear training with the piano with the Kodaly method. For intermediate and advanced students, I introduce a variety of etudes, scale books, and solo repertoire, e.g. Carl Flesch, Kreutzer, Mazas, Dont, Dounis, and Unaccompanied Bach, etc. For viola students or violinists who are looking into doubling the viola, I introduce many techniques including Karen Tuttle and Primrose Scales to help along with the transition. Read More

Gabriel D

Instruments: Piano Guitar Violin Viola Drums Conga Latin Percussion Music Electric Guitar Djembe Acoustic Guitar

I am a composer and performer who relishes music education! I hope to be a perfect fit to your needs as a teacher and I am determined to bring the best out of you, whether a beginner, intermediate or advanced student. I am a graduate of Berklee College of Music, where I majored in Contemporary Writing Production (Music Production Arranging) as well as Jazz Composition. At the college, I had to privilege to perform with Arnie Roth at the Boston Symphony Hall as a violinist, as well as perform and record with microtonal pioneer, David Fiuczynski on Drums. Read More

Juan I

Instruments: Violin

I began teaching lessons about three years ago to a small number of students that included close friends and family members. Over these three years I have had about twenty students that were all at the beginner level. Teaching at a beginner level has helped me develop my style of teaching, as well as discover new ways of helping each individual student according to their learning capability. While I prefer to teach older students and adult students, I have also taught a small number of younger children, though it is often difficult for me depending on their age, and so I prefer older students. Read More

Shirley T

Instruments: Piano Violin

Most students were sometimes getting good but sometimes they have a hard time playing with difficult notes that I teach. Some students were getting good on the beginning methods and understanding what the music book is going to read and learn about. I encourage the students to practice the beginning methods seriously for about 30 minutes. If the student is getting a little hard, she can take a break for 10 minutes and go back to the homework. Read More

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Recent Articles from the Musika Blog

Beginner Guitar Solos: Getting Started with Improvisation

...Scales Pentatonic scales are simple 5-note scales that are found in nearly every genre you can think of. If we can learn just one major and minor pentatonic scale shape, we’ll be able to borrow notes from those scales to learn how to create solos in any key. This is mandatory knowledge for anyone wanting to write, improvise, or imitate common solos found in popular music.     Major Pentatonic Scale:         Major pentatonic scales are basically just major scales with a few notes removed. If we remove the 4th and 7th scale degrees from a major scale, we’ll end up with... Read More

Piano Terminology: Top Terms to Know for Beginning Pianists

...marking.   ENERGICO   This dynamic marking means to play a piece of music with energy, enthusiasm, and zest. Energico is the opposite of grave.   RUBATO   This dynamic instruction was popularized in the Romantic era of music. A Rubato section of music is to be played without a strict tempo. During the Romantic era, emotion ruled over everything, and this piano terminology reflects that idea.   Terms for Form   CODA   A coda is a closing section of a movement. Codas typically are filled with resolutions and music that comes to a head. Think of what function ... Read More

Jazz Scales: The Augmented Scale

...But then again, applying any scale to improvisation should be a trial and error process. You shouldn’t just play a diminished scale over a diminished chord because you know that it works there. It should be a sound in your ear; you should know what it’s going to sound like before it comes out. In order to accomplish this, you need to practice a given scale over different chords and in different situations. You should sit at a piano, play a chord, and play a scale in different permutations over that chord. That’s the only way to get a particular ... Read More

Cello Technique Exercises

...are countless technical etude books available for cellists of every level. Your teacher will guide you and suggest methods he or she feels are appropriate based on individual teaching philosophy. There are three main reasons musicians use and study etudes and technical studies:   To facilitate fingering and bowing technique To practice reading music or sight reading To develop muscular strength and coordination   The increasing difficulty inherent in most etude method books also serves as a constant challenge which helps the musician attain a higher level of playing and technique. Technical exercises are of the utmost importance for making you ... Read More

Why Music Theory Still Matters for Musicians

...to play specific frequencies.   Traditional theory still has its place and is still worth studying. This particularly applies to art and antique music. You could, of course, break down all the frequencies for the notes in one of Beethoven’s symphonies and understand the piece in that regard, but it wouldn’t give you insight into the composer’s thought process when he was writing the piece in the same way that studying the symphony in the framework of traditional theory would. Traditional theory training still has its place and, even in a world of electronic music, it’s still a very valuable tool to have ... Read More
Beginner Guitar Solos: Getting Started with Improvisation
Piano Terminology: Top Terms to Know for Beginning Pianists
Jazz Scales: The Augmented Scale
Cello Technique Exercises
Why Music Theory Still Matters for Musicians

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