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Featured Violin Teachers Near Ontario, CA

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Here are just a few of the many teachers offering Violin lessons in Ontario . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Seulgee C

Instruments: Violin Viola

I started playing the violin when I was 7 years old and changed to viola at age 15. I am a passionate instructor who does best for understanding and enjoying the music. I've participated in 4+ orchestras, film music, contemporary music. I have 2+ year of teaching experience, played the viola over 10 years. While I was in orchestras, I volunteered at hospitals, though some people aren't able to communicate, they could feel and enjoy the music with me. Read More

Jordan K

Instruments: Violin Cello Viola

I became the musician I am today because I was privileged to have many mentors who not only provided me with excellent technical training and numerous rare opportunities, but also with strong motivation and clear emotional guidance. Now I strive to be that kind of mentor and teacher for my students, engaging each one on a personal level, and providing the kind of opportunities for growth that my teachers provided for me. Read More

Circe D

Instruments: Piano Guitar Violin Cello Viola Mandolin Acoustic Guitar

The methods use for young children are the series of Sassmannshaus books. Piatti for adults. All for strings and essential elements books for violin and viola., among other methods books. I also use innovative methods to teach all instruments. I encourage my students to select their own repertoire. It is also encourage to perform at least 3 times a year in recitals. I also prepare my students for auditions for orchestras and other ensembles. Read More

Candace W

Instruments: Violin Electric Violin Fiddle Music

I specialize in teaching classical Suzuki method, however, my teaching skills are broad. Starting from beginner level students and teaching them technicalities and specifics of classical violin to teaching students of any age creative writing and spontaneous playing. I also specialize in creative pop song writing and alternative recording. This includes training students who see themselves pursuing playing violin for bands and in more diverse musical cultures. I train everyone with at least a basic skill set and understanding of classical violin and sight reading, then allow them to choose if they want to stick with classical violin or dive into ear training and creative writing. Read More

Juan I

Instruments: Violin

My teaching style is more relaxed and less strict than other teachers, especially for beginner students, though I do emphasize the importance of consistent practice and listening. I believe that not only practicing, but also listening to what you are practicing, especially, pieces is very important for the development of the musical ear. When teaching, I like to have the student practice and play many examples from the book that is being used, especially if they are short examples. Read More

Isaac T

Instruments: Piano Guitar Violin Cello Accordion

I use All for Strings, Suzuki, Klengel (scales) at the beginning level. I proceed to Concerto repertoire, Popper, Dotzauer etc. The usual classical repertoire. I will also transcribe popular pieces or pieces that the student enjoys to really increase motivation. I also test weekly to inform students of where their practice ability is at and what they need to improve on. I have a very effecient practice style that I have developed on my own and am quite proud of. Teaching is my life and it makes me happy to see students improve. Read More

Angela C

Instruments: Piano Violin Cello Viola

I believe that every student has their own learning style and I strive to teach to the student. Therefore, every student is taught differently, according to what works for them, and how the student is comfortable being taught. Student's will learn at their own pace while being encouraged to go beyond what they believe they are capable. Students will be given playing opportunities in an annual rectial, and semi annual group performances. Read More

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Recent Articles from the Musika Blog

Beginner Guitar Solos: Getting Started with Improvisation

...Scales Pentatonic scales are simple 5-note scales that are found in nearly every genre you can think of. If we can learn just one major and minor pentatonic scale shape, we’ll be able to borrow notes from those scales to learn how to create solos in any key. This is mandatory knowledge for anyone wanting to write, improvise, or imitate common solos found in popular music.     Major Pentatonic Scale:         Major pentatonic scales are basically just major scales with a few notes removed. If we remove the 4th and 7th scale degrees from a major scale, we’ll end up with... Read More

Piano Terminology: Top Terms to Know for Beginning Pianists

...marking.   ENERGICO   This dynamic marking means to play a piece of music with energy, enthusiasm, and zest. Energico is the opposite of grave.   RUBATO   This dynamic instruction was popularized in the Romantic era of music. A Rubato section of music is to be played without a strict tempo. During the Romantic era, emotion ruled over everything, and this piano terminology reflects that idea.   Terms for Form   CODA   A coda is a closing section of a movement. Codas typically are filled with resolutions and music that comes to a head. Think of what function ... Read More

Jazz Scales: The Augmented Scale

...But then again, applying any scale to improvisation should be a trial and error process. You shouldn’t just play a diminished scale over a diminished chord because you know that it works there. It should be a sound in your ear; you should know what it’s going to sound like before it comes out. In order to accomplish this, you need to practice a given scale over different chords and in different situations. You should sit at a piano, play a chord, and play a scale in different permutations over that chord. That’s the only way to get a particular ... Read More

Cello Technique Exercises

...are countless technical etude books available for cellists of every level. Your teacher will guide you and suggest methods he or she feels are appropriate based on individual teaching philosophy. There are three main reasons musicians use and study etudes and technical studies:   To facilitate fingering and bowing technique To practice reading music or sight reading To develop muscular strength and coordination   The increasing difficulty inherent in most etude method books also serves as a constant challenge which helps the musician attain a higher level of playing and technique. Technical exercises are of the utmost importance for making you ... Read More

Why Music Theory Still Matters for Musicians

...to play specific frequencies.   Traditional theory still has its place and is still worth studying. This particularly applies to art and antique music. You could, of course, break down all the frequencies for the notes in one of Beethoven’s symphonies and understand the piece in that regard, but it wouldn’t give you insight into the composer’s thought process when he was writing the piece in the same way that studying the symphony in the framework of traditional theory would. Traditional theory training still has its place and, even in a world of electronic music, it’s still a very valuable tool to have ... Read More
Beginner Guitar Solos: Getting Started with Improvisation
Piano Terminology: Top Terms to Know for Beginning Pianists
Jazz Scales: The Augmented Scale
Cello Technique Exercises
Why Music Theory Still Matters for Musicians

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