Featured Violin Teachers Near Clearwater, FL

Jimmy B

Jimmy B

Instruments:

I use quite a variety of methods that my students benefit from. Some are school based and others are arrangement I write and invent. Most of my writings are a result of fitting the needs of the student and always works. The key to any teacher would be to insure and develop a program of study that will benefit him or her greatly. Early in my career,I used the Jamie Ambersold Methology that helped the player use the written music in a band setting music minus their instrument. Many band method books are good as well but there are numerous studies out there to be used. Solo music is given as the music is written and many stores have this available. The music should be fun and yet challenging at the same time to be practiced on a daily basis. This will boost the interest level greatly. There are many techniques that are used to better to get across subject content.Improvisation plays a big part in instructional knowledge. Development of modes and scales bring the improvisation. Also auditory development can be taught by teaching phrasing and scale tones. In my development as a teacher and music professional, sets had to be taken to obtain all the necessary material to be a professional teacher and musician.

Hallie C

Hallie C

Instruments:

I have been teaching private lessons for 11 years. I taught in a school in India for the past three years. I attended the Prague and Czech Budweiss conservatories in the Czech Republic. I graduated from Interlochen Arts Academy.

Brian S

Brian S

Instruments:

I believe each student is different. Therefor, lessons should differ depending on each students particular needs, taste in music, and age. I would never treat an adult student like I would a young student and vice versa. I always try to set weekly goals with each of my students in order for them to have something to work towards on a consistent basis. If my students don't reach their weekly goal I simply have a little bit of a review with them in the beginning of the lesson and then proceed with that weeks work. I do this to ensure that their skill level and understanding of music is constantly progressing, not regressing.

Constance R

Constance R

Instruments:

I have found some terrific methods that get students playing VIOLIN well right away and building up their muscles and endurance. For the first 4 books students get to play along with CDs so their intonation is honed; they learn to "keep up with others playing" and they are encouraged to stick with it through each piece. Later, the harder things like reading music notation, scales, vibrato and the positions are added. As technique improves, so will the sound. I work on intonation and a good bowing arm technique. I can play and they repeat. It helps that I can accompany on the piano if one is available, but if not, the students can listen to me play to help with intonation. Having access to the CDs allows the student to progress at his own speed with an always available accompaniment that makes things SO much easier than it is having to play all alone.

Gregory d

Gregory d

Instruments:

A native of Florida, I recently graduated from the University of South Florida in Tampa under the tutelage of Scott Kluksdahl, an internationally renowned cellist and pedagogue. My other primary cello teachers include Loran Stephenson (National Symphony Orchestra), Helga Winold (Indiana University) and John Kaboff (Arlington, VA). I have participated in masterclasses with David Requiro and the Baumer String Quartet, Noreen-Cassidy Polera, Rhonda Rider, Jan Müller-Szeraws, Joshua Gordon, Carol Ou, Rupert Thompson, Robert Jesselson, Ross Harbaugh, Rebecca Penneys and Norman Fischer. As a strong advocate of new music, I have actively participated in numerous student composer concerts that have presented new and viable works from USF's esteemed composition program. I have also participated in the Apple Hill Chamber Music Festival (2012 and 2013) and the annual Tennessee Cello Workshop (2009). I was the principal cellist of the 2009 National Philharmonic Summer String Institute under the direction of maestro Piotr Gajewski and I was recently the Assistant Principal of the University of South Florida Symphony Orchestra. Throughout my high school career, I taught and performed actively as a guitarist and pianist in many varying ensembles ranging from improvisatory ensembles to rock and roll groups.   As a motivated instructor, I focus on building depth of experience and knowledge regarding music and all of its aspects in students of all ages. Furthermore, I proclaim the importance of the fact that musicians create and communicate directly through their presentation of musical works at any level and on any instrument.

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