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Featured Piano Teachers Near Clearwater, FL

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Here are just a few of the many teachers offering Piano lessons in Clearwater . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Alison B

Instruments: Piano Voice

I'm a very passionate and caring teacher who loves nothing more than to share my love for music. I've had sixteen years of formal professional training in piano starting at the age of four, as well as six years of cello which I played in the ASYO for four years. I also was the middle and high school pianist, church and choral accompanist from grades 6-12. I was pointed towards being a concert pianist had I continued in performance. Read More

Charlie C

Instruments: Piano Voice Music Keyboard

Music and teaching it to others has been my life's work and passion. I am classically trained (obviously) and I am the first and still only person in my family to graduate from a four year college and later graduate school, having earned BM and MM degrees in Piano Performance with a minor in organ at Shenandoah University. In addition to 27 years of music ministry, 26 years as an accompanist and/or MD (classical and music theatre settings) and of course 16 years of private piano teaching, my greatest professional accomplishment is having played at Carnegie Hall in June 2014. Read More

Brian S

Instruments: Piano Violin Cello Viola Electric Violin Fiddle Double Bass

I begin with developing sheet music literacy in my students right off the bat if they have no experience in reading music. I believe music literacy is one of the most important aspects of learning an instrument. I've always said, "not being able to read sheet music is like trying to be a writer who can't read, it makes no sense". I also begin with teaching proper form. Meaning how to hold the instrument and how to use proper technique. Read More

Trevor M

Instruments: Piano Guitar Violin Cello Viola Synthesizer Electric Violin Music Keyboard Electric Guitar Acoustic Guitar

I also began working in the Music Technology Lab teaching music theory. I went on to become the Music Technology Lab Manager at the school, then became the school's Assistant Director in 2021. I am able to teach the following instruments and levels: Violin & Viola: all levels Cello: beginner Electric & Acoustic Guitar (non-classical): beginner-intermediate Piano: beginner-intermediate Music Theory: all levels Music Composition & Song Writing: all levels Recording Arts and Music Production: beginner-intermediate Read More

Kathryn C

Instruments: Piano Voice Ukulele Recorder Keyboard

My methods are unique and created to fit the individual musician, because we all learn differently! For beginners, I incorporate elements of Orff and Kodaly. For the young beginner musician, I like to use games to hone in and sharpen aural comprehension. For intermediate and advanced pianists, my go-to piano repertoire comes from Nancys and Randall Fabers Piano Adventures. For vocalists or music theory students, I use tools straight from my collegiate, educational repertoire. Read More

Filip S

Instruments: Piano Trumpet Trombone Euphonium French Horn Tuba Music Keyboard

I am a professional jazz musician and composer in the Tampa Bay Area, playing gigs whenever I can, subbing in for USF, writing music for marching bands and other jazz groups, and more! I also teach lessons over at Northside Christian School in St. Petersburg, Florida. I teach there twice a week, and I have overall 12 students that I teach private individual lessons, mostly trombone, but also euphonium, tuba, and also trumpet as well. Read More

Jeremy W

Instruments: Piano Trumpet Drums Keyboard

I graduated from Marshall University in 2006 with a degree in Music Education. A former professional music educator, my desire for freelancing and travel led me on a varied path all over the U.S. and Europe. Finally having settled in St. Pete, I hope to return to an endeavor I love so much - teaching musicians! I've played on cruises, in orchestras and operas, for musicals, as a soloist, and as many jazz, community, marching, symphonic, brass, etc. ensembles as you can imagine! Read More

Teacher In Spotlight

Nicholas L

Instruments: Piano Violin Viola

How do I know if my child is ready to start lessons?
The great Suzuki taught through the mother-tongue method. He believed that learning music was similar to learning a language. My view aligns with his philosophy. I believe that students are ready to start learning music as soon as they are ready to begin learning how to speak. The process of learning music is very similar to the process of learning language: trial and error is essential, and mapping the meaning of musical tones is a lot like learning to map the meaning of words.

When will I start to see results?
Results are not about speed. The first thing to understand about music is that almost all of the difficulties are due to not understanding something. If you start from the standpoint that music should be easy, then the only task is learning how to make it easy. In this way, music is a series of exercises in self-exploration. I believe that results can be achieved every time you pick up your instrument. If you try to make it better each time you play, you are learning something. On the other hand, it can take more than a lifetime to master. It ultimately depends upon your goals and your level of determination.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I was very lucky to have good teachers growing up. I started playing the violin before the first grade. My elementary school had a Suzuki program, so I learned how to play by ear for the first four or five years of my training. My elementary school teacher was my first major inspiration because he showed us how good it felt to achieve something. My private teachers, especially my theory teachers, really solidified my interest in music. In particular, my violin teacher in high school played with a major symphony orchestra, and he showed me what the highest level of musicianship looked like.

What advice do you have about practicing effectively?
Practicing effectively is a very subjective experience, but I have a few words of advice. The most important aspect of practicing is realizing that almost every musical issue happens above the shoulders, not below them. In other words, you should approach practicing from the perspective that all difficulties are due to a lack of understanding and not a lack of physical skill. If you start from the assumption that everything should be easy and it is only a matter of figuring out how to make it easy, it is a lot more effective than starting from the standpoint that it should be hard.

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