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Featured Piano Teachers Near Clearwater, FL

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Here are just a few of the many teachers offering Piano lessons in Clearwater . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

William Z

Instruments: Piano Music Keyboard

My teaching experience started with Olivet Boys and Girls club in college. There, I started teaching a choral group, glee club, private piano lessons, and group piano lessons. I did this for roughly ~5 years. I also taught lessons prior to this to beginner students throughout high school. I took private lessons from the age of 7 years old for about 13 years, and continue to practice and play daily (it's important to keep challenging yourself). Read More

Caitlin P

Instruments: Piano Keyboard

The most rewarding thing is to start a new student-wherever their abilities are- and watch their passion for music and musical abilities grow. The most rewarding thing to me is when I see something that a student has struggled with "click" and they master it and move on. I encourage students through every lesson and each process of learning piano. I strive to keep it at a pace that is neither too fast or too slow for the students, all while keeping the lessons fun. Read More

Jon R

Instruments: Piano Synthesizer Keyboard

I have been using the Bastien method since I studied it in the Engel School of Music in Orlando since I was six years old. I have been playing original composition since I was 10 and encouraged the pure enjoyment of playing the piano. I have studied the Robert pace method at Rollins College, as well as the Hanon Virtouso Methed. I have studied at a Collegiate level the musical forms a various methods in Electro acoustical music from Paul Reller local in the area as graduate of Eastman, as well as other top and staff of the University of South Florida in Tampa. Read More

Jeremy W

Instruments: Piano Trumpet Drums Keyboard

I graduated from Marshall University in 2006 with a degree in Music Education. A former professional music educator, my desire for freelancing and travel led me on a varied path all over the U.S. and Europe. Finally having settled in St. Pete, I hope to return to an endeavor I love so much - teaching musicians! I've played on cruises, in orchestras and operas, for musicals, as a soloist, and as many jazz, community, marching, symphonic, brass, etc. ensembles as you can imagine! Read More

Brian S

Instruments: Piano Violin Cello Viola Electric Violin Fiddle Double Bass

I believe each student is different. Therefor, lessons should differ depending on each students particular needs, taste in music, and age. I would never treat an adult student like I would a young student and vice versa. I always try to set weekly goals with each of my students in order for them to have something to work towards on a consistent basis. If my students don't reach their weekly goal I simply have a little bit of a review with them in the beginning of the lesson and then proceed with that weeks work. Read More

Katie N

Instruments: Piano Voice

I have been teaching since I was studying at The University of Tampa in 2006. Since, I have taught students in Upstate New York while studying and graduating from SUNY Adirondack. Most recently Ihave been teaching studentsin the Riverview area while studying for my bachelors degreefor thepast 3 years. I encourage all creativity and I am passionate about education and the effects music has on educational abbilities. I like to focus on discipline while making learning fun and interactive. Read More

Nil P

Instruments: Piano Guitar Drums Bass Guitar Organ Harmonica Ukulele Mandolin

The best thing about teaching is when my students get frustrated at some concept or technique and I am able to show them a simple and easy solution to the problem. This usually lights up my student's faces and helps them get better not only at their instruments, but also at problem solving. I always try to reward those students who are able to answer music theory questions or those that complete their assignments. Read More

Teacher In Spotlight

Nicholas L

Instruments: Piano Violin Viola

How do I know if my child is ready to start lessons?
The great Suzuki taught through the mother-tongue method. He believed that learning music was similar to learning a language. My view aligns with his philosophy. I believe that students are ready to start learning music as soon as they are ready to begin learning how to speak. The process of learning music is very similar to the process of learning language: trial and error is essential, and mapping the meaning of musical tones is a lot like learning to map the meaning of words.

When will I start to see results?
Results are not about speed. The first thing to understand about music is that almost all of the difficulties are due to not understanding something. If you start from the standpoint that music should be easy, then the only task is learning how to make it easy. In this way, music is a series of exercises in self-exploration. I believe that results can be achieved every time you pick up your instrument. If you try to make it better each time you play, you are learning something. On the other hand, it can take more than a lifetime to master. It ultimately depends upon your goals and your level of determination.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I was very lucky to have good teachers growing up. I started playing the violin before the first grade. My elementary school had a Suzuki program, so I learned how to play by ear for the first four or five years of my training. My elementary school teacher was my first major inspiration because he showed us how good it felt to achieve something. My private teachers, especially my theory teachers, really solidified my interest in music. In particular, my violin teacher in high school played with a major symphony orchestra, and he showed me what the highest level of musicianship looked like.

What advice do you have about practicing effectively?
Practicing effectively is a very subjective experience, but I have a few words of advice. The most important aspect of practicing is realizing that almost every musical issue happens above the shoulders, not below them. In other words, you should approach practicing from the perspective that all difficulties are due to a lack of understanding and not a lack of physical skill. If you start from the assumption that everything should be easy and it is only a matter of figuring out how to make it easy, it is a lot more effective than starting from the standpoint that it should be hard.

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