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Featured Piano Teachers Near New Orleans, LA

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Here are just a few of the many teachers offering Piano lessons in New Orleans . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Evan W

Instruments: Piano Bass Guitar Organ Synthesizer Double Bass Music Keyboard Classical Guitar

Teaching has always been apart of my career whether on the bandstand, the studio or in the classroom. When i graduated from Grambling State in 2013, i was hired as band director at MLK Jr High School in Ouachita Parish as well as two feeder elementary schools. I've learned that relating to the kids own musical experiences will help me expose them to detailed principles that they experience every time they listen to their favorite songs or watching their favorite movies. Read More

Aaron R

Instruments: Piano Guitar Violin Viola Drums Bass Guitar Mandolin Double Bass Music Electric Guitar Acoustic Guitar

I understand that as a teacher, my job is to not just teach the instrument or a song, but to inspire a deep, passionate love for music. The teachers that had the biggest impact on me and that I enjoyed the most were the ones who cared the most about my relationship to the music I was playing. Because of this, I make sure the student is always engaged in what they are playing and are enjoying it. Read More

Jennifer W

Instruments: Piano Voice Organ Keyboard

I began teaching private lessons seven years ago while pursuing my bachelor's degree in piano performance. I have had the opportunity to teach students with ages varying from 3 to adult. While in college, I studied Piano Pedagogy and our course taught in a group setting with 16 adults each week. I have given vocal lessons for the last year, and I have experience as a musical theater, operetta, and adult choral director. Read More

Reid M

Instruments: Piano Guitar Voice Drums Bass Guitar

After I graduated from Roosevelt University I had more time outside of academics to start a teaching practice. In 2011, I worked at Lynn Marcel School of Fine Arts in Hillside, IL. As a drum instructor I helped design a corruculum plan and taught younger students ages 8-14. In 2013 and 2014, I worked at School of Rock in Oark Park, IL teaching drum set, voice, and piano for students of all age groups. Read More

Max W

Instruments: Piano Voice Saxophone

I like to create my own lesson plans and materials, though if the student (or their parent) would like a specific method, I would be happy to oblige. For beginner, I start with the fundamentals of reading music: reading note names in different registers, reading rhythms (I like to use the Eastman system for speaking rhythms), and sight-reading skills using movable do solfeggio (all this in a manner that suits the student, whether a child or an adult. Read More

Julian H

Instruments: Piano Guitar Voice Bass Guitar Harmonica Banjo Ukulele Mandolin Lute Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

For me, it's about building or finding moments. Finding out what is going to motivate you to learn that song, practice that chord, and try to instill the desire to show it off for next time. Once I find out where the student is at, wether they are learning their first chords or songs, or they have been trying for a while or just getting back to their old habit of picking up the instrument, the goal is to set the mark where one will wait eagerly for the next lesson, to show off their new found skill. Read More

Mario Z

Instruments: Piano Guitar Bass Guitar Keyboard Electric Guitar Classical Guitar Acoustic Guitar

My teaching experience started in 2009. Since then I have consistently taught students ranging from 3 years old to wise adults over 80 years. I generally teach in my home studio because I find students benefit much more than being at their home. I make exceptions for those with busy schedules (however I highly recommend having lessons outside your home). Encouraging a personal lesson and education is one of my focuses as it tends to help the student progress and maintain a passion for the instrument and music. Read More

Teacher In Spotlight

James Y

Instruments: Piano Guitar Voice Violin Drums Bass Guitar Ukulele Mandolin Electric Violin Fiddle Electric Guitar Djembe Acoustic Guitar

What advice do you have about practicing effectively?
The most important things to remember about practicing are consistency and joy. I treat my instruments like pets, in that they are a part of my life every day and I love them, and the more attention I give them the more they will love me in return. I focus on starting a practice session with something I enjoy and am motivated to learn and then zero in on the weak points of the piece and from that decide what mechanical things I need to practice, like scales or bowing or picking exercise or drum rudiments. My rule of thumb is that 10 min per day of practice means you are not getting worse, and 30 min or more is where you start improving. I also give myself the freedom to jump between different pieces of music as I get tired of one. It's important to enjoy the process of practicing and improving.

When will I start to see results?
It depends on what results you are looking for, and I would say about two weeks of practicing 30 minutes a day is when you will start to see the beginning results. There are good videos on youtube showing the progress you make with consistent practice but ideally, the process will be enjoyable enough that you will understand how each day and each minute of practicing is causing you to improve. At this point, I see results about 10 minutes after I dedicate myself to practicing a single specific thing. Difficult pieces take about two weeks of consistent practice to play well, and it is very rare that you hit the ceiling of how well you can play something. Jaco Pastorius, a famous electric bassist, said that it took him 9 years to learn how to play Donna Lee, a jazz standard that he is very well known for now

How do I know if my child is ready to start lessons?
Basically, if the child is interested in lessons they are ready to start lessons. I think we often make the mistake of expecting children to be very disciplined along the lines we want them to be, instead of letting their natural curiosity and playfulness lead their musical journey. I try not to be too hard on kids and make sure we are setting goals they actually want to complete. I was forced to play for many years and very nearly stopped because of it. If a child has a natural affinity for an instrument, I think they can always benefit from instruction, and the stronger their desire to play is, the more progress they will make.

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Recent Articles from the Musika Blog

Famous Piano Players: 6 Innovative Players from Different Genres

...with the violin, which he studied until the age of 16 until switching to the piano. He made his recording debut in 1927 with “Honky-Tonk Train Blues” for Paramount Records. His rendition of the song took off and made him one of the most famous piano players in the United States at the time. He began playing higher profile shows and his performance at Carnegie Hall in 1938 was received with great acclaim.     By the 1940’s, the country had become obsessed with boogie-woogie and Lewis, who’d begun performing in a trio with two other pianists, was at the height of... Read More

Elements of a Song

...remember the ideas you create. Adopting a patient, open minded attitude about the songwriting process can help you curate an environment that’s suitable for creativity.     I also find that listening to new music is helpful during the songwriting process. Like all other artists, songwriters often find themselves getting stuck in a pattern of doing the same things over and over again when they write new music. Try to be mindful of this and make moves to break out of these patterns. Paying special attention to the elements of a song is important, but finding ways to showcase your creativity is paramount. ... Read More

Song Structure Tips for Songwriters

...you might want to try laying down a more produced version that you actually record. Once the demo is done, I recommend not listening to the song for a day or two. Come back to the songwriting process with fresh ears and begin to listen critically to what you’ve written. You might be in for a few surprises.   At this point in the songwriting process, listen back to your demo for transitions or sections that sound out of place. If you listen back to your demo and something makes you think, “Hmmmm. That sounds weird”, then mark down that section ... Read More

Ways to Improve Piano Sight Reading

...a soaring score when presented with a contrapuntal piece, making it seem “too easy” for that level.   Sight reading requires applying all factors of musicianship into regular exposure to new music. You may improve overall as a musician, but if you do not keep reading new music, your piano sight reading will not improve much. I prefer to have three tiers of difficulty within all my students’ repertory – something that takes a week or less to learn, something that takes about a month to learn, and something that is ambitious that the student is usually very passionate about, that takes longer than a ... Read More

Flute Embouchure: Developing Your Best Sound

...be seen when playing – the inside cavity of the mouth, the size and the location of the tongue, etc.   There are some flute teachers who see certain physical attributes as more beneficial to flute playing than others, but the truth is that physical attributes are not really predictors of a good flute player. In fact, some flutists with very similar embouchures create very different sounds, while some flutists with very different embouchures create very similar sounds. As a flute player, experimenting with different techniques while paying close attention to your sound is incredibly important to finding the best flute ... Read More
Famous Piano Players: 6 Innovative Players from Different Genres
Elements of a Song
Song Structure Tips for Songwriters
Ways to Improve Piano Sight Reading
Flute Embouchure: Developing Your Best Sound

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