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Featured Piano Teachers Near Glendale, AZ

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Here are just a few of the many teachers offering Piano lessons in Glendale . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Rich E

Instruments: Piano Saxophone Flute Clarinet

Beginning students for woodwinds (flute, clarinet, saxophone) usually start with the Essential Elements book. As they advance the next books are usually Breeze Easy book 2 followed by the Rubank Intermediate and Advanced Methods. Advanced students will break into instrument specific methods. Flute with use methods such as The Melodious Studies and Pares scales books, clarinets with use the Klose books and Saxophone students will use Ferling and Klose studies. Students wishing to study jazz methods will use either the Jim Snidero or Walt Weiskopf methods. Read More

Megan G

Instruments: Piano Voice Saxophone Flute Clarinet

For piano students, I like to use the Alfred courses.  This method is great because they have courses of study for all ages and levels, and students can progress through several courses throughout their study.  For flute/clarinet students, I like to start with either Hal Leonard's Essential Elements or the Rubank methods books.  Once students have moved beyond the basics, I like to introduce solo repertoire that is appropriate for their level. Read More

Mylynda S

Instruments: Piano

My teaching experience success is supported by my reputation, performance, fun-loving/positive approach establishing sound ground for success. I believe contouring each lesson to support one's learning style is imperative. Owning and operating a piano studio for 30 years, is a compliment to my dedication and passion for teaching. Music has been a huge component of my entire life. I feel sharing my love of music, with an individual that desires to learn, is my privilege. Read More

Nijole M

Instruments: Piano

I teach how to read music and mainly use Faber & Faber method for both children and adults. For beginning students who are children, I typically start with Faber and Faber primer level. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce scales and solo repertoire. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Rittika G

Instruments: Piano Clarinet Recorder Bassoon Keyboard

For beginning students who are younger, I prefer starting them with beginner method books and ear training. Brain and physical development can proceed at very different rates. I believe in the constant testing of the student's readiness of various musical elements such as absolute pitch, rhythm, reading, finger control, note reading, attention span, interest in music, intelligence, etc. Finding each child's strength and weakness will be the key to determine the path of the repertoire they will be playing. Read More

Kia P

Instruments: Piano Voice

I am a musician, composer, teacher and author. I graduated from the NYC "Fame School"- Fiorello H. LaGuardia HS of Music and Art. I studied music theory and composition at Mannes Conservatory, NYC and received a BA as a Music Major from Aaron Copland School of Music/Queens College/CUNY. I took Graduate courses studying Special Ed/Music Therapy at Lehman College, NY. After in depth research with creating highly motivational music programs for all ages as well as for children that had ADD, Autism, or Aspergers, I was awarded a grant from the Grammy's to write a book.  I have traveled to Europe and the far east teaching creative music workshops. Read More

Judyta M

Instruments: Piano Saxophone Flute Clarinet

I do not usually follow any method book as every student is different, has different background, goals and aspirations. I try to mix exercises/methods that I use in my practice with materials of accomplished pedagogues. I have my set of warm-ups that I use on saxophone, clarinet, and flute; I often find myself using flute method while playing the saxophone which only pushes my and my students abilities and makes them better musicians. Read More

Teacher In Spotlight

Joey M

Instruments: Trumpet

What do you think is the hardest thing to master on your instrument?
I believe the hardest thing to master is being a complete musician. There are many technical elements that go into mastering our instruments, and it is a lifelong process. However, with the right information, the right attitude, a willingness to work hard and work intelligently, I believe success is only a matter of time. Mastering instrument takes a life long pursuit of working hard, asking questions, listening to music, and having fun. Well I have many accolades and many successes at a very young age, I don’t believe I’ve mastered my instrument at all. I still feel that I have lots and lots of room to grow. I hope that is an inspiration to any student who is interested in becoming a better musician. If you always remember that you are a musician first, and a trumpet player second, then I believe that you can become well I have many accolades in many successes and a very young age, I don’t believe I’ve mastered my instrument at all. I still feel that I have lots and lots of room to grow. I hope that is an inspiration to any student who is interested in becoming a better musician. If you always remember that you are a musician first, and a trumpet player second, then I believe that you can become the complete musician that you have always dreamed of being.

What musical accomplishments are you most proud of?
I am a member of the Jackson Symphony in Jackson Tennessee. I started playing with this orchestra when I was 22 and I was the youngest brass player in the orchestra at the time. I was very lucky to have been given this opportunity. I also have been featured as soloist with collegiate ensembles and a high school-age youth orchestra. I was featured as a guest artist in April 2018 at the Tennessee Technological University School of Music at the end of their spring guest artist series. I’ve had a lot of success as a musician at a very young age and I feel very blessed and lucky.

When will I start to see results?
You can begin to see results immediately. Progress is very relative to the student because they may or may not progress as fast as another student for any number of reasons. This is not a bad thing. Development takes time, and we live in a culture where people want immediate results and instant success. Being a musician means we probably won’t have instant success every time we pick up our instruments to play. It means that over time, if a student does what his or her teacher says to do, then they will improve. I can promise you will see results, but for some students it may take longer.

Why did you choose your primary instrument?
I chose trumpet because my first teacher was an inspiration to me. I remember sitting in band one day and listening to him practice and I thought to myself I want to play like him. So he allowed me to switch from percussion to trumpet and I’ve not regretted it since. I also began listening to a lot of recordings of great trumpet players and orchestras and realized I wanted to be a classical trumpet player. I love being a musician and I hope I can inspire my students to be musicians, too.

What advice do you have about practicing effectively?
Practice slowly and softly in small segments. Don’t practice too much material in a single session. One example would be to use a stop watch and set a timer for five minutes and work slowly on a measure of music. Understand what needs work, why that would need work, and then practice slowly so you ingrain good habits. Don’t play things too fast because it can create bad mistakes and habits. Always strive for quality practice over quantity. An hour of fast, unfocused practice is a waste of time compared to ten minutes of highly focused practice.

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Recent Articles from the Musika Blog

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...famous character, Mickey Mouse. His strategy? The Sorcerer’s Apprentice.   Disney set The Sorcerer’s Apprentice to Paul Dukas’ tone poem of the same name, and the only thing left was to find a prestigious conductor to lead the studio orchestra; fortunately for Walt Disney, he happened upon a meeting with one of North America’s greatest classical musicians in a Hollywood restaurant soon thereafter.   Walt Disney Meets Leopold Stokowski Walt Disney certainly didn’t intend on running into Leopold Stokowski, conductor of the Philadelphia Orchestra, as he sat down to dinner at Chasen’s Restaurant in Hollywood that evening in 1937. Fate had plans for... Read More

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Tips for Keeping Your New Year's Resolution to Learn an Instrument

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