Piano Lessons in Nob Hill, NM

Instruments: Piano Guitar Voice Bass Guitar Synthesizer

Depending on the instrument that the student studies and how old they are is how approach teaching them. For example, my voice studentsalways start out learning the same techniques and warm-ups, but where we go from there is based on the age of the voice and how a person wants to learn. With Guitar and Piano I may use a book as a supplement to my teaching, but not as the focal point of my teaching because every learns differently andare ina different place in their journey. Read More

Instruments: Piano Guitar Voice Flute Bass Guitar Organ Synthesizer Lap Steel Guitar Banjo Ukulele Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

I try to keep the student as interested as possible,some have shorter attention spans then others and for them maybe i will do 30 minutes instead of 45 minutes. others who are really into it and do not want to leave i may teach them for an hour and that often turns into 2 or 3 hours of just jamming and having fun at no extra cost because without students a maestro is nothing but a musician playing music. i love to play along with students so they are more prepared when they go out and make music with others musicians and they can stay in time with a drummer more easily. Read More

Instruments: Piano Drums Keyboard

I have taught both privately and in a classroom setting. In addition to my school performances, I have also played with many bands since the age of seventeen. In general, I have been teaching since 2004 and it is the best job in the world! I absolutely love teaching and I always apply an enthusiastic mindset when I am teaching. Some of my students who have taken lessons with me have moved on to join the school band, play at concerts and competitions, and write their own music! Testimonial from BM: One of my student's parents recently commented to me in an email the following about her daughter: "She LOVES piano and she ADORES you...everytime we leave, she comments, 'Adrienne is the best piano teacher ever'." Read More

Instruments: Piano Guitar Drums Bass Guitar Conga Latin Percussion Music Keyboard Electric Guitar Acoustic Guitar

I always keep the students in mind with progression and excitement constantly. The throwback from week to week will give both the student and teacher a insight what has to be improved and advanced. I have many students playing professionally in bands and orchestra's as well. Each student has individual needs that will be in conjunction with the personality of the student a great rapport with both of us or group I am working with. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Bass Guitar Harp Recorder Electric Violin Fiddle Double Bass Music Keyboard Classical Guitar Acoustic Guitar

From my jazz training I help students improvise and create their own artistry. From my classical training I help students to learn to sight read, interpret the page correctly, play with a clean sound and play well in an ensemble. From my folk music training, I teach how to play from chord sheets, how to dirty up the sound to match the style and how to play in styles such as bluegrass, jazz, American fiddle, Irish and Scottish, Scandanavian, Klesmer or Classical. Read More

Instruments: Piano Guitar Voice Recorder Music Keyboard Classical Guitar Acoustic Guitar

Depending on the level of the student and instrument, I incorporate a mixture of theory, aural skills, technique, and repertoire. All of my piano students play Hannon exercises to build up their finger strength and dexterity as well as scales. Vocal students and guitar students likewise learn scales and exercises for the sake of technique. All students start each lesson by practicing reading rhythms at varying complexities, then creating their rhythmic patterns. Read More

Instruments: Piano Voice Flute

My forty years teaching experience in music camps, public schools, and private studios includes general music, music theory, conducting, vocal, and instrumental instruction; coaching classes and individuals. Besides holding a Masters Degree in Music, I studied solfege, theory, and chamber music abroad and concertized as a chamber musician and soloist. Formal introduction to vocal study began with Richard Miller and Howard Hatton at the Oberlin Conservatory, and continued with Frank Baker in Vermont, Donald Bryant in Michigan, and Billie Lynn Daniels(Mrs. Read More