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I try to find out what each student is interested in and I guide them from there. I like to encourage each students unique style. I make sure the music is appropiate for the age and level of each student. I believe in positive reinforcement with productive vocal exercises to build on their strengths and improve their weaknesses.
My preferred method of teaching for beginner students is my own adaptation of the Thompson method with strong emphasis on theory and technique. A study of intervalic relationships, chords and progressions combined with terminology, sight reading, ear training and form will provide the student with skills which will allow them to play any style and genre of music they desire. Although the Suzuki method seems to be popular today, I have discovered many short comings of this pedagogical approach and often renders a good pianist limited in their capabilities as a well rounded musician. I thereby, eccentially, have combined these two methods of teaching.
The learning process should be, for the most part, fun and based upon a strong relationship between the teacher and the student. Curriculum and lesson plans are based on student's abilities and aspirations with appropriate balance between theoretical and practical work. The lesson material is always carefully chosen, and when necessary, adapted to specific learning needs. With a proper approach, everyone can learn to play music. Whether you want to pursue a music career, or just play for fun and enjoyment I can help you attain your goals. From basic piano and stringed instruments, to advanced theory, harmony, composition and improvisation to jazz, pop and rock. Classes are not based on a single source or book. I provide other exercises in printed form for students to keep and take home.
I try to create a unique and individualized lesson methods and plans. I try to personalize my lessons in a way that best suits a student's personality. Not everyone learns in the same manner. My lessons include theory, technique, solo repertoire, ear training and performance preparation. Performance is an art form and takes preparation and practice. I have tips to help students to get the most out of every chance they have to perform and we practice those ideas throughout the lessons. We start even before any concerto or recitals are even scheduled.
For beginning students who are children, I typically start with simple chords and teach them a few fun songs. If the student is interested in learning how to read music, I will use Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance if they are interested in performing live. For adults, I like to find out what they are most interested in, whether it is a specific genre, (jazz/classical) or if they are more interested in learning songs (classic rock/pop/etc.) or songwriting. I always make sure that the lesson is both engaging and fun to ensure that the student is receiving the most out of it.
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Learning to play the piano as a child is fun, rewarding, and vastly beneficial to their overall development. Children can develop their motor-skills, dexterity, and coordination through technical piano playing such as learning scales, chords, and correct fingering. Young students can also develop their concentration, listening skills, and ability to master complex thought processes through theory, repertoire, and student-teacher feedback. Learning to play the piano can also be character building by instilling a hard-working attitude, developing self-discipline and confidence through practice, taking exams, entering competitions or performing recitals.
Musika offers customized one-on-one music lessons in your home - a smart and simple solution for busy parents and students, who may be looking to save time by not traveling to and from instruction. You can maximize the benefits of your busy schedule, while learning in a familiar environment.
Provided you do not have the space or budget to purchase an acoustic piano, such as an upright or baby grand, then a keyboard is a perfectly acceptable alternative. Keyboards with a weighted hammer action are the best option, as the key touch sensitivity is comparable to that of an acoustic piano. As a rule, more keys are better and at least 61 key pianos are advised. The most popular brands of keyboard are Casio, Roland, and Yamaha and can be purchased from most musical instrument retailers. Keyboards offer great convenience due to their price, portability, and headphones option.
Whether you have an interest in learning to play Rock, Jazz, Ragtime, or Classical piano, the piano teachers in Musika's network can help develop your playing through one-on-one lessons. Teachers can also prepare you for exams, recitals, and performances. For beginners, the basics will be taught. This may include learning the correct posture, hand position, and fingering technique along with learning the notes and scales of the piano, learning basic chords and chord progressions, developing the musical ear, and learning to apply these things to simple songs. Intermediate players may work on more exotic chords and playing such as diminished and 7th chords, and applying these things to more challenging compositions. All students can develop their sight reading and ability to interpret sheet music and chord charts. Advanced students can study a particular composer or genre, can develop their repertoire, or work on their improvisational skills.
Learning a new musical skill as an adult is a great way to keep your brain fresh! We have many adult students actively taking lessons with us, and they make up around 50% of our student base. The instructors in our network offer individually tailored lesson plans based on the needs of the adult student. You will learn the technique of the instrument, specific repertoire suited to your skill level, and learn how to sight read.
Review by Scott
David is not only a great musician and educator but also a delightful human. We began using David six years ago as a piano teacher for my two boys. Since then my eldest moved on to acoustic and electric guitar and my youngest electric and stand up bass. Somewhere along the way I began to take guitar lessons also (I was David's most bearded student at age 48). David always came prepared to lead but also to follow, he often asked what we were listening to and taught us how to play it. His ability to listen to a piece of music and transcribe it always left me amazed, we have several notebooks full of songs we learned individually or played as a group. After a shoulder injury David continued to impress by teaching me music theory instead of our usual lesson. I could go on forever, David made a positive impact on my family and feel fortunate to have met him.
Review by Jonathan
Angela is a phenomenal teacher. She is full of charisma and is a joy to work with. Most of my experience with her has been focused on working in the Alexander Technique and she seems very knowledgeable in this study. I would highly recommend her to any prospective student. I have seen myself improve dramatically in a few short weeks with her guidance (and much practice of course!)
Review by Anita
Our daughter has only been playing the piano since March. Tony replaced our other teacher who had a job transfer and could no longer teach. Tony is fun and encouraging. My daughter is playing Taylor Swift and Christmas songs and is playing the piano more than ever before. Very happy so far with Mr Tony
Review by Jaima Woodiwiss
Having taken 6 years of piano lessons myself when I was young, I am very happy with Osmond teaching my daughter. He is very personable and helping her to enjoy piano. My daughter loves the fun songs she gets to play and I really appreciate how he is integrating even in the first month fingering, chords, beats, and hearing the music. She's getting a very well rounded training and she's loving it!
Review by Ro J.
“My son has been instructed by Mark for almost four years. Mark is an outstanding teacher. His credentials are by themselves impressive, but his ability to relate his knowledge to kids is even more so. Connor's ability to understand and read music is fantastic. Mark also knows the performance side of playing drums and has encouraged Connor to actually incorporate his knowledge to play alone and in a band. He is patient and encouraging which is what motivates Connor to work and practice. He is a mentor as well as a teacher. He is superior at what he does and we highly recommend him.” Ro J.
Review by Ginger
Unbelievably Awesome. My daughter is a beginner and has some special needs. Justin is more than patient and helpful while being completely thorough and pushing her (in a good way) to try harder. He is encouraging and teaches effectively. I am very pleased. More important, so is my daughter. Thank you Musika! So grateful we found your service and connected with Justin. We highly recommend him.
Review by Travis Dalenberg
Travis is the greatest. He knows his music and how to teach it. He gives you time to learn, but will not allow student time to get lazy. I know he teaches all age groups. Young pre-teens to us old folks 78 years young. I have been taking lessons from him since early December 2014. He is a true professional. You can't go wrong with him.
Review by Emily
Steve gets you started right away with songs but also goes into music theory and reading music which adds to understanding and appreciation of the music. He is very approachable and you can tell that he absolutely loves music and teaching. It is hard not to be excited about the process of learning with Steve. If you are considering lessons I highly recommend Steve for any level of student.
Review by Kristin
Ted S. is teaching clarinet to one of my children, and piano to two others. He is extremely knowledgeable, and very encouraging. His teaching methods are keeping my children enthused about their lessons, and without that, you have nothing. Two of my children were taking piano lesson from another teacher for the past year, and not progressing. Ted has been able to evaluate their skills individually, determine what was missing in their music education, and begin again with some early basics they seem to have missed. I am convinced we are finally moving forward, and am very happy about that. I wish I would have made this change much earlier.
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