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20 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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Instruments:
...I also love teaching music theory and consider it to be an essential part of any music lesson. I taught extensively for a music store in New York and after returning to Madison recently, I am looking to continue my work as a music teacher. ... Read More
Instruments:
...I like to have fun so my students and I usually end up laughing quite a bit! My schedule is flexible so I'm often able to work with the student longer than the scheduled time, so we can have fun and keep learning as long as I'm able to stay and as long as the student is engaged. ... Read More
Instruments:
...The last aspect is Kindness, it's only through vulnerability that you learn, and in order for me to ask you to be vulnerable I have to do it kindly. ... Read More
Instruments:
...I help students with auditions, competitions, and recitals. I love to nurture my students to build confidential and I like to challenge them so that they can reach their full potential.... Read More
Instruments:
...For this reason, my lessons are always highly goal-oriented, regardless of how fun they are! As our time together continues, my goal for the student is that they become more self-sufficient (as is age-appropriate).... Read More
Instruments:
...Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, “an exceptional voice…leaving audiences cheering…" with his performances being, “ardent and utterly convincing." The New York Sun said of his stage craft: “Ray C. makes the most of it, combining savvy stage business with a warm voice…expertly straddling that razor thin line between parody and poignancy…scored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General & Co – Artistic Director), the Light Opera Company Of Salisbury (General & Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center. ... Read More
Instruments:
...If there's a song that's particularly difficult and requires sound fundamentals, then we'll pound out those skills until we can get the results we want. Most importantly, I want to train my students to have a GOOD EAR!... Read More
20 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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