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20 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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Instruments:
...For example, a musical piece that matches the average level of the group members can be efficient in letting the lower levels to improve their skills. On the other hand, the higher level will learn how to take the responsibility of leading the other level. ... Read More
Instruments:
...I encourage regular practice as this tends to help the student progress in their instrument talent. I really enjoy challenging my students while having fun during their lessons, it makes my job much more enjoyable it encourages them to love their instrument! ... Read More
Instruments:
...I've been performing and writing for bands since 2009, and it hasn't disappointed me once. Currently I'm on the tail end of my BA at Boston's Berklee College of Music, where I've been studying music business, composition, and theory since 2016. ... Read More
Instruments:
...I also promote a lot of learning based on self composition for the students, because understanding the composition process is important for knowing how to play something.... Read More
Instruments:
...My approach has always evolved and adapted as I learn new concepts and techniques, however I would summarize my approach to teaching piano as focusing on rhythmic development, playing-by ear with music reading supports and adding the perspective that the piano is a percussion instrument.... Read More
Instruments:
...For classical vocal students, I will start them with several different book series such as The First Book of "their own voice part" Solos and the 24 Italian Art Song Series.... Read More
Instruments:
...Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, “an exceptional voice…leaving audiences cheering…" with his performances being, “ardent and utterly convincing." The New York Sun said of his stage craft: “Ray C. makes the most of it, combining savvy stage business with a warm voice…expertly straddling that razor thin line between parody and poignancy…scored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General & Co – Artistic Director), the Light Opera Company Of Salisbury (General & Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center. ... Read More
20 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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