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Featured Piano Teachers Near East Honolulu, HI

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Here are just a few of the many teachers offering Piano lessons in East Honolulu . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Joanna W

Instruments: Piano

For beginning students, I like to start with John Thompson piano serios to build a solid fundation in both technique and music theory. Read More

Mari K

Instruments: Piano

I am a passionate,motivated instructor who loves teaching music to people of all ages. I have taught children as young as 3 as well as adults. I believe it is never too late to learn an instrument. With the right instructor and dedication, students can achieve their musical dreams. My early experiences as a music teacher for the Ellen Masaki School of Music was the foundation of my music career. Read More

Jacob K

Instruments: Piano Guitar Bass Guitar Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I like to make sure that my students are organized. I encourage them to bring a notebook to class to write down what they are supposed to practice. It helps them to stay on task on set goals. I love to see a student who comes in prepared. We usually will start off with some warm up exercise and then get to working on the music. I like to teach musicality so I encourage improvisation, singing, clapping, tapping feet, and other physical body movements to help internalize the beat. Read More

Lindsay B

Instruments: Piano Trumpet

I am very patient and supportive of my students. I do my best to encourage when needed, push when appropriate and praise when justified. It is imperative that each student is working towards goals that are right for them and encouraged to reach further and grow. I like to be a positive force in my students lives, someone that they can trust, look up to and know that I do care about them and whats going on in their life. Read More

Ian S

Instruments: Piano Keyboard

I began taking piano lessons at the age of 8, and decided to further my studies by attending the music program at the University of Hawaii at Manoa. In 2018, I obtained my Bachelor's Degree in Music, studying piano and music composition. I have taught music in many different places in since 2016. These include places like Nobu Sakurai Piano Studio, Chuck James Music Studio, Emily Lee's Music Studio, Musikgarten, and more. I have also taught in my home studio. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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