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Featured Music Teachers Near Northport, NY

4264   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in Northport . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Filippo S

Instruments: Piano

I have experience teaching in the context of both American and European curricula traditions. I have taught music theory (including counterpoint), composition, analysis, orchestration and piano in classroom settings at the university level and also in private, public, and college preparatory schools; I have also taught composition one-on-one. In the US at the college level my teaching career includes five years of experience as a teaching assistant in music theory including the subjects of solfège and aural skills, counterpoint; Read More

Brian M

Instruments: Piano Voice French Horn Music Keyboard

I am currently a piano and voice instructor at Bronx House Inc. as well as a piano, voice, guitar, and ukulele instructor with Blue Balloon Songwriting school. The start of my teaching career dates back to 2004 when I was a music director and pit conductor for musical theaters at the K-12, Collegiate, Community, and Regional levels in the greater Philadelphia area until 2012. Throughout that time, I had taken on private students of all ages for both piano and/or voice lessons. Read More

Melody G

Instruments: Cello

I have been teaching for over 10 years. I have experience teaching students of all levels and ages. I have taught for a number of institutions in the New York City metro-area, including The Harmony Program, Tone Academy of Music, Hunter Elementary Music School, MusicWise, Silver Music School, Brooklyn Conservatory and I currently hold a private studio at my home and travel to my students homes. Before moving to NYC, I was a substitute teacher for the New England Conservatory of Music Preparatory School. Read More

Michael B

Instruments: Piano Guitar Bass Guitar Double Bass Keyboard Electric Guitar Acoustic Guitar

I began teaching while studying at Oberlin College, and have since taught private lessons everywhere I've gone, from Shanghai to here in New York, including bass, guitar, piano, music theory, and ensemble coaching. I have my own private studio, and have also taught private lessons at Art's House Music School in Coney Island and Pelham Music Arts School in Pelham. In addition, I have taught classroom music classes through Third Street Settlement Music School. Read More

Louis V

Instruments: Guitar Bass Guitar Ukulele Music Electric Guitar Classical Guitar Acoustic Guitar

I also joined the school jazz ensemble. I have studied percussion for several years as well, and this has given me a solid foundation in rhythms and reading different rhythms. After college, I sought out respected teachers in my area as well as attended different guitar workshops around the USA so I could continue my music studies. I currently play society-type gigs and teach guitar, bass, and ukulele. I enjoy playing Rock, Blues, Jazz, Classical, and fingerstyle music. Read More

Barbara W

Instruments: Piano Voice

truly believe that singing should be a combination of passion and also technique. My lessons will focus on the fundamentals of singing in order to provide healthy vocal technique and a beautiful tone. It is extremely important in all genres for singing to have support, be able to use breath properly and have an understanding how of use the voice as an instrument properly to acheive a beautiful tone. After a few I would like students to not only have improved their sound and have songs they are confident in performing, but an understanding of how to read music and sight singing at the level of the student. Read More

Teacher In Spotlight

Marlon M

Instruments: Double Bass

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have two Music Degrees in Performance. I found that focusing on the playing technicalities would make me a more practical musician in a business where playing can get musicians into many doors. Aside from teaching, it's performing that makes my living, and gives me joy playing. Maintaining a good, consistent sound requires that one has to apply his/herself to their instrument often and consistently. Being a performance major equipped me with practice tools and repertoire to keep me motivated to 'stay in shape.'

When will I start to see results?
You will begin to see results when the student becomes driven to reach his/her goal established. The student has to take responsibility for the sound he/she is going for, and to work it out in practice. Results happen when the student takes time out to practice diligently and frequently. When a student relates musical activity to other areas of their lives, they begin to develop a relationship with music/their instrument, and this motivates them to discover more about what they can do on their instrument.

What is your favorite style/genre of music to play and why?
My favorite style/genre of music to play is jazz. Jazz is a liberating way for me to fuse musical traditions with inventive discovery. Jazz musicians 'compose' on the spot, using the sounds and ideas from within and/or around them, to create a one-time-only experience. I find myself to be most creative when I'm improvising music. In that setting I'm free to choose the musical sounds and personal expressions I want to choose at any given time. I also find that jazz is such a broad kind of music. Not only does jazz come from specific traditions, but it embraces any style of music globally, especially in our time. There's a larger palette of influences to channel into my playing.

Why did you choose your primary instrument?
When I was very young, my parents played recordings of musicians in different musical settings, and I was hearing the double bass without knowing what the instrument was called. I heard an orchestral performance and the booming pizzicato and warm arco textures resonated with me. Then I heard a bassist plucking in a big-band jazz setting, and the intense drive and pulse felt so danceable to me. I couldn't help but find out what the instrument was that I was hearing. I found out via a UK Eye Witness encyclopedia that that instrument was the double bass. I was so determined to touch one in person. When my father surprised me with a rental bass to pluck, I was ecstatic and that sensation stayed with me all this time. The bass is essential because it functions as the time-keeper and harmonic foundation of a group.

What do you think is the hardest thing to master on your instrument?
I believe intonation and clarity are the two biggest challenges a double bassist will always face. I've heard professionals and musical heroes of mine, tell me the same thing. It's a struggle for all bassists. One thing I've noticed being an orchestral bassist playing with other stringed instruments, is how bumpy and tonally inconsistent a bass player's notes could sound in a musical phrase, compared to those of a violinist or cellist. There are certain notes in certain positions that have a distinct vibration. Therefore finding an even sound all over the bass requires specific actions for each particular note.

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