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Featured Guitar Teachers Near Cincinnati, OH

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Here are just a few of the many teachers offering Guitar lessons in Cincinnati . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

David P

Instruments: Piano Guitar Voice Drums Bass Guitar Music Acoustic Guitar

I like to find songs that students really care about, because then they will be more interested in learning them. My teaching style is very flexible in that all students are different, and learn in different ways. Ive taught really young kids and Ive also taught seniors. I find it fun meeting new challenges and seeing what new musical abilities I am capable of. I teach music theory, piano, drums, guitar, bass, and voice. Read More

Brett B

Instruments: Piano Guitar Trombone Drums Bass Guitar Keyboard Electric Guitar Acoustic Guitar

Guitar: An exploration of a variety of genres with an emphasis on technique and precision. We will master scales, basic chords, and important chord structures. Lessons will include an introduction to sight-reading and music theory as well as playing by ear, soloing, and songwriting. Bass: Lessons will focus on technique and music theory. We will explore a variety of genres and practice both sight-reading and playing by ear. Drums: Our focus is to learn basic rudiments and patterns while developing coordination. Read More

Jon A

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

I began taking lessons on the guitar at age 8 and continues with a few different instructors all throughout my life, and still do.  I started studying Classical Guitar my Sophomore year of High School. I started teaching the guitar in 1990 at age 18 in a local music store. I was able to perform and teach while earning an Associates in Liberal Arts at The University of Cincinnati, where my intention was to enter their Jazz guitar program as I had begun studying it at their prep department. Read More

Greg C

Instruments: Guitar Bass Guitar

Generally speaking, I use a learner-centered approach, encourage astute questioning, a cooperative stimulation of critical thinking, and I prefer an active versus passive teaching style. Regardless of the student's age, I want him/her to have fun as much as possible, so I strive to make the unavoidable repetitive exercises more enjoyable by facilitating the student's creative input. I teach sight-reading and classical guitar using the Sagrares Method, and advise (particularly guitarists) on health and wellness methods developed by Dorothy Taubman. Read More

Ronald H

Instruments: Piano Guitar Voice Saxophone Flute Clarinet Bass Guitar Ukulele Recorder Piccolo Keyboard Electric Guitar Acoustic Guitar

I find teaching very rewarding. The benefits of studying music are now well documented. It is amazing to see my younger students begin to excel in other areas of studies. It is also very rewarding to act as a coach with my older learners as they begin or re-aquaint themselves to their love of music. I have been able to bring students of all ages and levels of music and learning ability forward. Read More

Noah W

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

I teach guitarists at all levels, from complete beginners to professional musicians looking to try out a new instrument. I make lessons as informative as possible, but music is supposed to be fun. If you aren't enjoying our lessons, just tell me! I am always willing to try new things to keep my students engaged and happy. Everyone is different, I will do everything I can to teach in a manner that is efficient and enjoyable for you. Read More

James M

Instruments: Guitar Ukulele

Ive been teaching for over 12 years now and I enjoy it more now than ever. I love meeting new students because with each person comes a unique personality and learning style. I try to teach each student according to their respective proclivities while helping them to overcome their weaknesses as well. I try to create a fun environment to learn in, provide students with what theyre looking for, and also throw in some nice surprises along the way. Read More

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Recent Articles from the Musika Blog

Opera Voice Types

...Figaro role from Mozart’s The Marriage of Figaro if you’re curious. Basso Buffo roles often provide more personality than lyricism in a given opera. Basso buffo singers need to demonstrate a beautiful and rich tone (despite the antics of their roles, bass buffo roles rarely call for any harshness of sound), and a degree of comfort regarding agility, coloratura, and patter singing techniques. Give Leporello’s role from Don Giovanni a listen to hear an example of buffo singing.     Basso Profundo vocalists sing in either a lyric or dramatic style. As you know by now, lyric profundo basses posses a smoother... Read More

Elements of a Song

...and choruses with new material, it’s time to add in a bridge. Bridges keep music interesting by presenting new musical and lyrical content in the middle of a song. This is a section that keeps a song interesting by adding new chord progressions and perhaps a thicker plot to the music. Not every song needs it, but a thoughtfully-placed bridge has the ability to refresh the listener’s palette. If you struggle to write songs that aren’t repetitive and boring, adding an interesting bridge to your music might be the trick to break up the verse/chorus monotony.   Endings   An ending is a ... Read More

Listening to Jazz: A Beginner's Guide

...8:36 – Saxophone plays one-note motivic idea. Would he have come up with this on his own or was he inspired by the piano player’s and trumpet player’s previous use of the same technique?   9:07-9:27 – Listen to that masterful motivic development!   9:45-9:51 – Listen to the tune “Diverse” in case you didn’t catch that.   10:26-11:03 – Saxophone player basically stays on this note forever, builds intensity through motivic simplicity. Gives room for the bass player to go crazy on the bass drum.   11:11 – Saxophone player goes up into that altissimo range, high point, goes down from ... Read More

How To Find The Motivation To Practice

...into renting one from a music store or finding something used.   It’s also a good idea to make sure that your practice area is as comfortable as possible. If you’re learning to play guitar on a sunken in couch and without a music stand, you’re going to feel uncomfortable and distracted. Set up a clean, comfortable area to practice in. Do everything you can to set yourself up for success in your practices.   Practice with Experts   Practicing music with people better than you is a great way to improve and get inspired. When we practice music alone, it’s easy to adopt ... Read More

Jazz Exercises for the Saxophone: Thinking in 12 Keys

...to be as efficient as possible. There are several different ways to approach jazz and jazz education; there are many different schools of thought. Likewise, there are a lot of ways to approach playing in 12 keys. Everyone learns differently. As a teacher, I need to be aware of how my students approach learning different subjects so I can cater teaching music to their specific needs. As students of music, we should be aware of how we learn. Like many things in life, learning to play in 12 keys is a spectrum of two extremes that people fall to one side of. Some people rely more on their ... Read More
Opera Voice Types
Elements of a Song
Listening to Jazz: A Beginner's Guide
How To Find The Motivation To Practice
Jazz Exercises for the Saxophone: Thinking in 12 Keys

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