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Trusted as the industry leader, for over 16 years the teachers in our network have been providing voice lessons in St Louis to students of all ages and abilities.
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Featured Voice Teachers Near St Louis , MO

Elizabeth P

Elizabeth P

Instruments:

The main priorities of my teaching method is to make the learning process fun, use the music the student likes and is inspired by as the foundation of the lesson plan, keep a perfect balance between the technical and creative aspects of the lesson, and tailor the lesson to the student's individual needs and goals.  I also provide the student with books from publishers such as Hal Leonard, Bastien, Faber, and Alfred.  I also train my students in performance techniques as well.

Katie R

Katie R

Instruments:

As every voice is unique, it is important to me that the lessons I give are personalized for each student. It is always my goal to unlock the singer's true, natural voice, so that they can create their own personal sound. I use a functional bel canto method that focuses on a natural expression of the voice and an active breath and resonance. This ensures a healthy sound production, avoiding undue pressure on the vocal folds. The greatest aspect of this technique is that it translates to any musical style and provides a solid foundation that can be taken in any direction.

Amy W

Amy W

Instruments:

I began teaching private lessons as part of my degree program. I also worked with several different age groups during field work. I taught small groups of students to upwards of forty students. 

Kayla T

Kayla T

Instruments:

Hello! My name is Kayla and I have been performing, recording and training for more than a decade. Music has always been a part of my life and I have a bachelor's degree in business and music. I absolutely love sharing my knowledge with others and helping my community through teaching, volunteering and giving them the wonderful gift of music! I am a vocalist, mult-instrumentalist and song-writer. I have performed with famous pop stars such as Kelly Clarkson and Ashley Simpson and performed all over the Saint Louis metro area. If you're ready to learn a new skill or refine your current skill-set, I'm ready to help!

Timothy M

Timothy M

Instruments:

I am a self taught musician that understands music theory. Most of my musical background has been in a Church setting.  I've been the music director for a large coverband that has played hundreds of corporate parties for clients like Edward Jones. I also have worked as a session player for many studios, as well as produced thousands of records. . I have taught music for 7 years privately and love to see my students be able to play a song within a month of starting lessons. I am also an active musician in the St. Louis Area.

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More Information About Voice Lessons

 

Recent Articles from the Musika Blog

The Truth About Elementary Music

...teachers are generally not thrusting plastic recorders and mallets into students’ hands the moment they cross the threshold of the music room. There is a great deal of preparation and prior learning that must take place before students are able to play an instrument.   Elementary music promotes music literacy through active music making   A typical elementary music classroom does not function like a traditional elementary grade level classroom. Usually elementary music teachers do not have desks for every student in the classroom, and many of my music classrooms have been and are currently without chairs. This seemingly unconventional set up is... Read More

Suzuki Performance: An Approach to Playing for an Audience

...is sometimes the real goal, for some kids. Go ahead and let it be that way – it makes the whole performing experience a good one.)   Suzuki Solo Recitals Then, there are solo recitals. Some programs simply have a series of concerts where the students get up to play their polished tune as a solo with a piano accompanist before a group of fellow students and parents. Other programs like to do ‘graduation recitals,’ which were designed by music education founder Dr. Shinichi Suzuki to serve as stepping stones of progress. You graduate from one level of playing to the next and your ... Read More

Listening to Jazz: A Beginner's Guide

...8:36 – Saxophone plays one-note motivic idea. Would he have come up with this on his own or was he inspired by the piano player’s and trumpet player’s previous use of the same technique?   9:07-9:27 – Listen to that masterful motivic development!   9:45-9:51 – Listen to the tune “Diverse” in case you didn’t catch that.   10:26-11:03 – Saxophone player basically stays on this note forever, builds intensity through motivic simplicity. Gives room for the bass player to go crazy on the bass drum.   11:11 – Saxophone player goes up into that altissimo range, high point, goes down from ... Read More

Intro to Jazz Bass Technique

...There’s a famous story about the great jazz trumpeter Clifford Brown waking up and, while still in bed, going over his charts- first playing through all the roots of the chords, then the 3rds, 5ths, 7ths, 9ths, etc. This story always inspired me and has become a regular part of my jazz practice routine and jazz bass technique, although I don‘t practice my bass in bed!   Another major influence is jazz great Ray Brown’s Bass Method which consists primarily of fundamentals – scales, chords, arpeggios, and interval exercises. The last part of the book has more specific jazz bass techniques like ... Read More

The Kodály Approach – More than Hand Signs

...hear a Kodály inspired teacher sing, “do, re, mi,” I’m sure many of you are transported back to your childhood days of watching The Sound of Music with your family. As it turns out, those syllables are three of seven that designate pitches, collectively called solfege. Many musicians use solfege as a tool for reading melodic content, although the Latin syllables are more readily used by singers to read a melody prior to singing text. Since a child’s first instrument is their voice, singing is often the fundamental component to an elementary music classroom. This is certainly the case in ... Read More
The Truth About Elementary Music
Suzuki Performance: An Approach to Playing for an Audience
Listening to Jazz: A Beginner's Guide
Intro to Jazz Bass Technique
The Kodály Approach – More than Hand Signs

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