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Featured Voice Teachers Near Bridgeport, CT

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Here are just a few of the many teachers offering Voice lessons in Bridgeport . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Emily T

Instruments: Voice

I am a very organised teacher, giving each of my students lesson notes with exercises and aspects to work on. I regularly suggest music which complements the work we are doing to strengthen the voice, create flexibility, or consistency of tone. I am a bit of a perfectionist, but I also hold myself to that high standard. It is so important to me to get students to listen to themselves, to think critically about what they hear and feel, and also learn how to troubleshoot issues on their own! Read More

Kristin S

Instruments: Voice

Nothing means more to me than a student with an appetite and love for music! It warms my heart when a child grasps a concept in a lesson and really understands what we are aspiring to. This is the most rewarding for me as a teacher. It is very important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Read More

Darlene J

Instruments: Piano Voice

I want to help my students feel joy in music making and a healthy happy attitude toward music for a lifetime. I strive to maintain a positive, enjoyable atmosphere at all times while also encouraging students to be self-disciplined in their studies and practice. A small amount of practice done consistently can go a long way to ensure progress! I am happy to discuss time management with my students to help them find ways to integrate regular practice and study into their very busy schedules and I encourage positive self - talk from the students themselves with the understanding that we all make mistakes during the learning process. Read More

Vera B

Instruments: Voice

My teaching experience started 8 years ago, when I began teaching private lessons part time while studying. Since 2006, I have been consistantly teaching students in my home studio as well as in several music schools. I taught novices as well as professional actors. Beside vocal lessons, I have been teaching Piano and Flute for beginners, provoding Ear Training, Music Theory, Improvisation and Songwriting classes and led young musicians to their entry exam for College / University studies. Read More

Christine G

Instruments: Piano Voice Keyboard

My teaching style is very simple, "Give a man a fish, and you'll feed him for a day. Teach a man to fish, and you'll feed him for a lifetime." This is my philosophy of teaching. I am extremely enthusiastic about arts education and passionate about teaching. Ever since I started teaching music with a focus on early childhood music, I have been passionate in my commitment to three things: maximizing individual student performance, inspiring students’ interest in music and technology as well as instilling a sense of self-worth among all students! Read More

Jason L

Instruments: Guitar Voice Bass Guitar

Jason is an acclaimed professional guitarist, singer and songwriter who also teaches privately in Nassau County, Long Island, NY. Jason was a student of famed NYC guitarist and current Berklee school of music professor, Dave "Fuze" Fiuczynski, after first beginning his own guitar playing journey as a 10-year-old conservatory student on the south shore of Long Island. In addition to writing and performing full time, Jason has been teaching professionally for over 10 years and, in that time, has maintained a consistent student base of 25-30 students at a time, guys and girls, men and women, ranging in ages from 10 to 75. Read More

Victor B

Instruments: Piano Voice Violin Saxophone Clarinet

I tend to stress fundamentals when it comes to what my philosophy of teaching is. I argue that the more time is spent on fundamentals, the better technique the student will have later on. The challenge comes into play with the fact the fundamentals can get tedious and boring! It is my duty to share creativity and fun ways of practicing the basics so my students can grow while enjoying what they are doing! Read More

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Recent Articles from the Musika Blog

Ear Training for Musicians: A How To Guide

...(m3) Three half-steps away from root- “Greensleeves,” by Unknown   This consonant interval sounds pensive and morose. It’s the foundational interval found in minor chords and can be heard in the introductory pitches of the English folk song “Greensleeves.” The distance from C to an Eb, three half-steps above, is a minor 3rd. Major 3rd (M3) Four half-steps away from root- “When The Saints Go Marching In,” by Unknown   Major 3rds feature a whole and complete sound. They are the foundational intervals found in major chords and their consonant sound signature is found in the opening melody of the... Read More

Warner Bros. and Classical Music: The Anti-Fantasia Movement

...is concerned, Carl Stalling orchestrated arrangements of Rossini, Donizetti, Wagner, and Suppé.   In this clip you can clearly see Chuck Jones having fun at Leopold Stokowski’s expense–and it’s wonderful. View it here   1950: Rabbit of Seville Directed by: Chuck Jones Written by: Michael Maltese   According to Chris Higgins of Mental Floss, “While you watch, note the number of fingers Bugs Bunny has. He’s traditionally drawn with three fingers and a thumb on each hand, but in one shot at 6:17 (where he’s “playing piano” on Elmer’s head), Bugs suddenly has full human hands.”   That’s just one of the many ... Read More

Opera Voice Types

...a young, flirtatious character–watch Claudia Cota performing in Donizetti’s opera, Don Pasquale. The soubrette voice type is also often associated with servant characters, and these roles are often referred to as the “inas” and the “ettas”. This stems from character names such as Despina, Barbarina, Giannetta, Zerlina, etc.   Lyric Soprano. While the lyric soprano may be the most common of the female opera voice types, it isn’t any less beautiful than the more elusive coloratura. Lyric voices have a warmer sound than a coloratura and generally sing complementary roles in an opera—roles that need long, beautiful phrases. To make things even ... Read More

The Importance of Creativity in Piano Lessons

...Creativity in piano lessons allows teaching to be flexible. I dedicate about half of the lesson to the individual needs and desires of the student, and the other half is committed to what I think they should learn.   Why is Creativity in piano lessons important? Creativity is valuable because it requires us to apply our skill with flexibility. Without it, lessons are hardly more than memorization and repetition. Including creative activities in lessons is a valuable assessment of skill because it proves we have a strong grasp of the technical foundations that are applied in the process. Besides facilitating the learning process, creativity ... Read More

Becoming a Music Teacher: A How To Guide

...you register for tests and apply for your certification early. Also be sure to stay in constant communication with the appropriate state office to ensure things are processed properly.   As a future music educator, you’ll likely need to pass a music specific exam to teach. Generally speaking, your education courses should have you adequately prepared for any content you may be tested on. However, state certification tests are notorious for being a little tricky, and it would probably be useful to review test-taking strategies prior to sitting for an exam. Often states will have sample questions or even full tests ... Read More
Ear Training for Musicians: A How To Guide
Warner Bros. and Classical Music: The Anti-Fantasia Movement
Opera Voice Types
The Importance of Creativity in Piano Lessons
Becoming a Music Teacher: A How To Guide

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