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Featured Voice Teachers Near Aurora, IL

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Here are just a few of the many teachers offering Voice lessons in Aurora . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kyla G

Instruments: Piano Voice Violin Viola Music Keyboard

Every student progresses at their own pace. So many factors will determine progress such as age, experience, instrument, and learning style. I do what is necessary to adapt to these different things to ensure my students are learning what is necessary, progressing, and still having fun all at the same time! I also ensure to incorporate music theory as part of my course as well so students are as well-rounded as possible. Read More

Katelyn A

Instruments: Piano Voice Violin Clarinet Ukulele Recorder Fiddle

I have a passion for sharing her love of music with others and am dedicated to educational success. I have completed my associate of science degree at Kishwaukee College, and was a part of the Performing Arts Club and studied keyboard, voice, and guitar. Currently, I am pursuing my bachelor's degree in music education at NIU and am double majoring in clarinet performance with Gregory Barrett. I am a highly motivated individual, eager to contribute to team success through hard work. Read More

Nadiia Z

Instruments: Voice

I have more than 6 years experience in vocal teaching, 3 of which I was working with 7-16 years old children in music school, following program and preparing students for performances. Then for 3 years I was teaching in my own home studio, it helps me to increase quantity the vocal skills for children, because of ability to record voice and arrangements. I prepare students for studio work, intricacies of work with a microphone. Read More

Katelyn C

Instruments: Voice

I am a voice teacher in the Chicago West Loop area. I am originally from Madison Wi, and I moved to Chicago earlier this year after Marrying my lovely husband, Brett. We have sang at churches across the midwest together. As a teacher I have taught at numerous institutions including Merit School of Music, Peoples School of Music, Children's Theater of Madison, and Stoughton Center for the Arts. I am a musical theater lover and love coaching musical theater music. Read More

David L

Instruments: Voice

Teaching voice is something that I believe requires highly personalized lesson plans, and so there are books for which to acquire basic theory, note-reading, and sight-singing, but usually, lessons must be repertoire based, and conceptual. Students usually have an idea of certain songs they would like to learn, and I believe it is very important to enable them to sing what they like to sing. However, I will also suggest repertoire that they are unfamiliar with, or initially uncomfortable with to broaden their musical knowledge and appreciation, and also to address certain skill sets. Read More

Tye D

Instruments: Piano Guitar Voice Trumpet Bass Guitar Ukulele Keyboard Electric Guitar Djembe Acoustic Guitar

My experience with learning was fun. Since I was learning multiple instruments it was fun to tie everything together. I could say the best part while learning was understanding theory...that part of my learning opened up many doors for me musically. I started to understand why certain notes could and couldn't be played, why and how to use different scales. Those things are the same things I try to reveal to the students when the time is right. Read More

Amber L

Instruments: Piano Voice Keyboard

There are so many opportunities to be creative and there are also chances to not only enhance the knowledge of a student, but also to teach them how to appropriately deal with anything that comes their way. I also believe that if you are working in an educational environment whatsoever, you must be a positive role model. Students latch on so easily to adults, especially someone that they admire, so in order to guarantee their success later on in life, they must have the appropriate role models in which to do so. Read More

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Recent Articles from the Musika Blog

Cadences

...within music history. An Authentic Cadence features a leading tone that gets resolved back to the tonic, but the Plagal Cadence lacks that quality, and yet is and was widely used to punctuate chord progressions and endings of pieces.   A Deceptive Cadence gets its moniker from the fact that the listener’s expectations are set up so that they are used to hearing the V resolve to a I, but that doesn’t happen here. Instead, a vi chord (the relative minor to the tonic) is played in the I’s place. These cadences are known as being the most irregular ones in music. In the Classical... Read More

Hey Soul Sister Chords for Acoustic Guitar (Train)

...started playing this tune.   Chords   Chords w/ Capo C G Am F Actual Key E B C#m A Progression I V vi IV     Hey, Soul Sister is the key of C. However, by adding a capo to the 4th fret, we can use open-position chords that will make it easier to play. The capo at the 4th fret changes the key to C which will be more comfortable than the actual E key for guitar players. We’ll be playing the Hey Soul Sister chords in the key of E but thinking in the key of C. And, ... Read More

Parts of an Opera: A Quick Beginner's Guide

...and artistry, not to mention virtuosity. For practicality’s sake, major plot points and dialogue were left to the recitative (that’s not to say that recitative isn’t artistic or difficult to sing well!). Regarding form, an aria would usually follow the recitative, a practice that has continued throughout much of opera’s history.   The Two Main Types of Recitative   Recitative falls into two sub categories: Recitativo Secco and Recitativo Stromentato   We’ll start with Recitativo Secco, which literally means “dry recitative.” No, it has nothing to do with white wine–it has everything to do with the amount of instrumental accompaniment ... Read More

I’m Yours Chords Tutorial (Jason Mraz)

...a down strum The “chicka” is the higher part of the chord also played with alternating strums (down then up) Down strum on “chick” and the up strum on “a”   There’s a boom-chick technique that is the basic version of the boom-chicka. And, the boom-chick only uses down strums: bass-chord, bass-chord- or, boom-chick, boom-chick.   When hitting the bass (boom), you aim for the lower part of the chord (or the bottom three strings). Then, for the chord (chick), aim for the higher three strings.   Also, you don’t need to strum too hard. Brush the strings and try to recreate that ... Read More

Saxophone Reed Strength

...There are short-term options, if you need a reed to perform well immediately, and there are long-term strategies, which are ultimately more effective. If you need a soft reed to play better, you can try pushing the reed up on the mouthpiece, so that the reed extends slightly past the tip of the mouthpiece. This will make the reed feel a little thicker. Conversely, if you need a hard reed to play better, you can lower the reed on the mouthpiece so part of the tip of the mouthpiece is visible. You can also move the tip of the reed side to side, if one ... Read More
Cadences
Hey Soul Sister Chords for Acoustic Guitar (Train)
Parts of an Opera: A Quick Beginner's Guide
I’m Yours Chords Tutorial (Jason Mraz)
Saxophone Reed Strength

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