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Featured Voice Teachers Near Aurora, IL

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Here are just a few of the many teachers offering Voice lessons in Aurora . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

David L

Instruments: Voice

Teaching voice is something that I believe requires highly personalized lesson plans, and so there are books for which to acquire basic theory, note-reading, and sight-singing, but usually, lessons must be repertoire based, and conceptual. Students usually have an idea of certain songs they would like to learn, and I believe it is very important to enable them to sing what they like to sing. However, I will also suggest repertoire that they are unfamiliar with, or initially uncomfortable with to broaden their musical knowledge and appreciation, and also to address certain skill sets. Read More

Jane H

Instruments: Piano Voice

Personally I am interested in many different genres of music (classical voice, jazz voice, classical piano, jazz piano, accompanying), and in college I was able to take many different kinds of lessons to fulfill my needs. As a result, I feel very comfortable teaching others about all sorts of different genres of music. Read More

Katelyn A

Instruments: Piano Voice Violin Clarinet Ukulele Recorder Fiddle

Communicating well as a music educator is vital for success; it is the way you communicate that reaches the students. Not every student that is in a classroom is the same; each one is unique and has their own special needs. To reach some students, it can sometimes mean trying a different kind of communication that you do not usually use. Being firmly rooted in my personal practice and purpose helps students find theirs as well. Read More

Christine H

Instruments: Voice Trumpet

Those lightbulb moments for students drive what I do. I love working hard with students to accomplish musical goals, pushing them beyond what they thought they were capable of. I encourage this by setting realistic goals for the student at each lesson, taking small steps to achieve larger goals. I tailor each lesson to the student, using fun, creative methods to keep each student making creative, engaged and fun music! Read More

Serena P

Instruments: Piano Voice

My lessons are about technique and applying the technique to repertoire. I spend about a third of the lesson on specific technique work and I always encourage students to bring in their own material that we can work on as well. I of course always have songs to suggest and I cater to each individual student's needs. If you need a high song, I'll find a high one. If you need a pop song, I'll find a pop song. Read More

Caleb I

Instruments: Piano Voice Trumpet Trombone Saxophone Flute Clarinet Drums

I have been singing since the tender age of three! I have loved singing and performing since then. This love has propelled me into the classrooms where I honed my craft. I also learned the discipline of practicing on other instruments as I went through high school at Emerson School for the Visual and Performing Arts. I graduated with honors as a vocal major. I later attended Wabash College and graduated as the only music major in the class of 2003. Read More

Alberto M

Instruments: Piano Voice Saxophone Clarinet

Every student is unique in their ability level, dedication to the instrument/craft, et. al; therefore, I cannot expect that every student will be the next Larry Combs. I do, however, expect that every student take their responsibility for practicing each week, coming prepared to lessons, and being a good student. In lessons, I am kind and personable as anyone should be, but I like to make clear my expectations right from the beginning. Read More

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Recent Articles from the Musika Blog

Cadences

...within music history. An Authentic Cadence features a leading tone that gets resolved back to the tonic, but the Plagal Cadence lacks that quality, and yet is and was widely used to punctuate chord progressions and endings of pieces.   A Deceptive Cadence gets its moniker from the fact that the listener’s expectations are set up so that they are used to hearing the V resolve to a I, but that doesn’t happen here. Instead, a vi chord (the relative minor to the tonic) is played in the I’s place. These cadences are known as being the most irregular ones in music. In the Classical... Read More

Hey Soul Sister Chords for Acoustic Guitar (Train)

...started playing this tune.   Chords   Chords w/ Capo C G Am F Actual Key E B C#m A Progression I V vi IV     Hey, Soul Sister is the key of C. However, by adding a capo to the 4th fret, we can use open-position chords that will make it easier to play. The capo at the 4th fret changes the key to C which will be more comfortable than the actual E key for guitar players. We’ll be playing the Hey Soul Sister chords in the key of E but thinking in the key of C. And, ... Read More

Parts of an Opera: A Quick Beginner's Guide

...and artistry, not to mention virtuosity. For practicality’s sake, major plot points and dialogue were left to the recitative (that’s not to say that recitative isn’t artistic or difficult to sing well!). Regarding form, an aria would usually follow the recitative, a practice that has continued throughout much of opera’s history.   The Two Main Types of Recitative   Recitative falls into two sub categories: Recitativo Secco and Recitativo Stromentato   We’ll start with Recitativo Secco, which literally means “dry recitative.” No, it has nothing to do with white wine–it has everything to do with the amount of instrumental accompaniment ... Read More

I’m Yours Chords Tutorial (Jason Mraz)

...a down strum The “chicka” is the higher part of the chord also played with alternating strums (down then up) Down strum on “chick” and the up strum on “a”   There’s a boom-chick technique that is the basic version of the boom-chicka. And, the boom-chick only uses down strums: bass-chord, bass-chord- or, boom-chick, boom-chick.   When hitting the bass (boom), you aim for the lower part of the chord (or the bottom three strings). Then, for the chord (chick), aim for the higher three strings.   Also, you don’t need to strum too hard. Brush the strings and try to recreate that ... Read More

Saxophone Reed Strength

...There are short-term options, if you need a reed to perform well immediately, and there are long-term strategies, which are ultimately more effective. If you need a soft reed to play better, you can try pushing the reed up on the mouthpiece, so that the reed extends slightly past the tip of the mouthpiece. This will make the reed feel a little thicker. Conversely, if you need a hard reed to play better, you can lower the reed on the mouthpiece so part of the tip of the mouthpiece is visible. You can also move the tip of the reed side to side, if one ... Read More
Cadences
Hey Soul Sister Chords for Acoustic Guitar (Train)
Parts of an Opera: A Quick Beginner's Guide
I’m Yours Chords Tutorial (Jason Mraz)
Saxophone Reed Strength

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