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Featured Voice Teachers Near Aurora, IL

Jane H offers voice lessons in Aurora, IL

Jane H


...For beginning piano students, I typically have them start with the Alfred series. Depending on their growth, we can move onto solo repertoire shortly thereafter. ... Read More

Adam M offers voice lessons in Aurora, IL

Adam M


...Philosophy as an Educator- To be an effective educator I believe that one must not only create a curriculum and pay attention to the individual needs of their students, but one must also provide an environment that fosters growth. ... Read More

Nick J offers voice lessons in Aurora, IL

Nick J


...I love seeing my students excited about music. I like students to bring in music they feel passionate about so we can break it down and start to understand what makes it work. ... Read More

Marysa A offers voice lessons in Aurora, IL

Marysa A


...I emphasize with students that the goal is to find their own unique voice, and not an imitation of another singer or a more mature sound than their age healthily permits.... Read More

Erica S offers voice lessons in Aurora, IL

Erica S


...My second year in the program, I joined the staff of a local music store, Brass Bell Music, where I taught private lessons for 3 years. By the time I left the store I was teaching upwards of 25 students spanning all ages and ability levels.... Read More

Mary L offers voice lessons in Aurora, IL

Mary L


...I combine the technique, expression, and performance practices from my teaching line of musical masters with more modern teaching methods to give students a well-rounded music education.... Read More

Alona K offers voice lessons in Aurora, IL

Alona K


...I am originally from Ukraine and immigrated to the United States in 2009. My passion for classical singing, and classical music in general, began early in my childhood, as the films I would watch as a child were set to classical music.... Read More

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Recent Articles from the Musika Blog


...within music history. An Authentic Cadence features a leading tone that gets resolved back to the tonic, but the Plagal Cadence lacks that quality, and yet is and was widely used to punctuate chord progressions and endings of pieces.   A Deceptive Cadence gets its moniker from the fact that the listener’s expectations are set up so that they are used to hearing the V resolve to a I, but that doesn’t happen here. Instead, a vi chord (the relative minor to the tonic) is played in the I’s place. These cadences are known as being the most irregular ones in music. In the Classical... Read More

Hey Soul Sister Chords for Acoustic Guitar (Train)

...started playing this tune.   Chords   Chords w/ Capo C G Am F Actual Key E B C#m A Progression I V vi IV     Hey, Soul Sister is the key of C. However, by adding a capo to the 4th fret, we can use open-position chords that will make it easier to play. The capo at the 4th fret changes the key to C which will be more comfortable than the actual E key for guitar players. We’ll be playing the Hey Soul Sister chords in the key of E but thinking in the key of C. And, ... Read More

Parts of an Opera: A Quick Beginner's Guide

...and artistry, not to mention virtuosity. For practicality’s sake, major plot points and dialogue were left to the recitative (that’s not to say that recitative isn’t artistic or difficult to sing well!). Regarding form, an aria would usually follow the recitative, a practice that has continued throughout much of opera’s history.   The Two Main Types of Recitative   Recitative falls into two sub categories: Recitativo Secco and Recitativo Stromentato   We’ll start with Recitativo Secco, which literally means “dry recitative.” No, it has nothing to do with white wine–it has everything to do with the amount of instrumental accompaniment ... Read More

I’m Yours Chords Tutorial (Jason Mraz)

...a down strum The “chicka” is the higher part of the chord also played with alternating strums (down then up) Down strum on “chick” and the up strum on “a”   There’s a boom-chick technique that is the basic version of the boom-chicka. And, the boom-chick only uses down strums: bass-chord, bass-chord- or, boom-chick, boom-chick.   When hitting the bass (boom), you aim for the lower part of the chord (or the bottom three strings). Then, for the chord (chick), aim for the higher three strings.   Also, you don’t need to strum too hard. Brush the strings and try to recreate that ... Read More

Saxophone Reed Strength

...There are short-term options, if you need a reed to perform well immediately, and there are long-term strategies, which are ultimately more effective. If you need a soft reed to play better, you can try pushing the reed up on the mouthpiece, so that the reed extends slightly past the tip of the mouthpiece. This will make the reed feel a little thicker. Conversely, if you need a hard reed to play better, you can lower the reed on the mouthpiece so part of the tip of the mouthpiece is visible. You can also move the tip of the reed side to side, if one ... Read More
Hey Soul Sister Chords for Acoustic Guitar (Train)
Parts of an Opera: A Quick Beginner's Guide
I’m Yours Chords Tutorial (Jason Mraz)
Saxophone Reed Strength

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