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Featured Violin Teachers Near Oceanside, CA

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Here are just a few of the many teachers offering Violin lessons in Oceanside . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Annie H

Instruments: Piano Voice Violin

I began teaching private lessons in college as a side job, but due to touring with orchestras I was unable to truly develop my own studio. I also volunteer taught students from low-income families through the Azusa Pacific Conservatory for two years. In the summers of 2010 and 2011, I took over a former teacher's studio of 20+ students while he toured in Europe. I have been working in National Parks for the past 3 years and have always brought my instruments with me. Read More

Laura R

Instruments: Piano Violin

I have been teaching music since about 1999 and during that time have had students of different ages and walks of life. I tailor each lesson according to the student's abilities or interests, and emphasize learning proper practicing techniques, as well as music theory. Lessons should be fun and use different methods or games to make the time enjoyable. As a multi instrumentalist, I've been able to see music instruction through several lenses which is useful in drawing a musical picture for students. Read More

Nader T

Instruments: Violin

My teaching method is based on the education I received from four great violin pedagogues who were representing the three prominent Russian, Belgian, and American schools, and also my 27 years of training students. In one hour of my comprehensive teaching, I work extensively on both right and left hand technique, with emphasis on scales, arpeggios, and etudes...which ultimately will result in good tone production, double stops, vibrato, and more importantly, high quality performance. Read More

Betsy F

Instruments: Voice Violin Viola

Lessons are fun!  My philosophy is that students should have music in their lives and benefit from the lessons they take now for years to come.  Learning to play a musical instrument will help students with math skills, study habits, and develop a skill that will last for a lifetime. After 3 months students will understand the fundamentals of their string instrument or voice, know how to care for their instrument, warm up properly, be able to read and play/sing introductory passages.  After 6 months the student will have learned basic music theory, how to read music, and have advanced through playing/singing multiple songs. Read More

Jiawei Y

Instruments: Violin Viola Music

I believe in the power of demonstration and playing along with the students. I also encourage students to practice vocal-instrumental coordination when establishing the concepts of musical expression within structures. I adopt some ear training for younger students as they develop a sense of pitch and theoretical knowledge for adults who learn better with checkpoints. I design and adjust learning plans constantly for individual students as they learn and help them with specific goals, long-term and short-term, and have achieved them 100% of the time. Read More

Phoebe S

Instruments: Voice Violin Viola Ukulele Mandolin Electric Violin Fiddle

I employ a very eclectic, rotating repetoire. For beginning violin students, I use the Suzuki method of ear-training, however I am not married to that curriculum. I prefer to use beginning Suzuki materials in tandem with standard American folk and pop music, in accordance to the student's interests. I am qualified to teach all the way through Suzuki book 10 if the student prefers a more classical approach. Ear training is fundamental in my approach to all instruments and styles. Read More

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Recent Articles from the Musika Blog

Siblings in the Suzuki Studio

...The Pros and Cons – and What You Can Expect What are your thoughts on allowing siblings in the Suzuki studio? In the musical world, the opinion on extra children in the music studio can be varied and very colorful. It ranges from the ascetic requirement of student and teacher onlY (no one else!) to a very free and open vibe of parents, teacher, student, siblings, extended family, and anyone else who wants to observe. Every teaching method is going to be different, as will every music teacher’s expectations. If you are still figuring out your own teaching preferences, or you... Read More

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...Blitzkrieg Bop. [Chorus] D A D A Hey ho, let’s go,shoot’em in the back now. D B D E What they want, I don’t know, they’re all reved up and ready to go. [Verse] A D E They’re forming in a straight line. A D E They’re going through a tight wind. A D E The kids are losing their minds. A D A The Blitzkrieg Bop. A D E They’re piling in the back seat. A D E They’re generating steam heat. A D E Pulsating to the back beat. A D A The Blitzkrieg Bop. [Chorus] D A D A Hey ho, let’s ... Read More

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...our approach for playing this song.   This song is in the key of C with a capo at the 1st fret. We’ll be actually playing in the key of Db but thinking in the key of C. The chord riff is a 4-bar chord riff. The four chords cycle throughout the tune and the layers that were created in the studio need to be taken into consideration for our acoustic guitar arrangement. I’ll go into this in more detail in the video that accompanies this article.   We’re also gonna approach this from a finger-plucking and finger-strumming standpoint. I choose this approach because ... Read More

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...with accompaniment during the body of the opera itself, and Monteverdi’s 1607 opera L’Orfeo was the first to employ aria as we know it. After that, arias became a staple of the opera genre, and cantatas and oratorios regularly employed them as well. Remember that arias didn’t only refer to songs in an opera during the early 17th century–they included a wide variety of strophic vocal songs.   The Evolution of Arias   Like other parts of an opera, the aria followed a similar path to the overture; it began in A-B (binary) form, and it evolved into A-B-A (ternary) ... Read More

How To Find The Motivation To Practice

...the musician and listener alike, and music educators seem to forget that sometimes. Yes, plan to practice, but making time to simply play your instrument for fun will keep you emotionally engaged, interested, and will help you find the motivation to practice in the future.   Make Goals   If learning an instrument is one of your priorities, then your practice and hard work should lead to tangible goals. Are you an aspiring songwriter? Then record a few demos and start looking up good open mic nights to play in your city. Have you been practicing Bach concertos on piano for years and you’re ... Read More
Siblings in the Suzuki Studio
5 Fun Ukulele Songs With Easy Chords
Viva la Vida Chords for Beginner Guitar (Coldplay)
Parts of an Opera: A Quick Beginner's Guide
How To Find The Motivation To Practice

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