Featured Piano Teachers Near Lowell, MA

Jacque C

Jacque C

Instruments:

Mixed methods based on anatomy and physiology, classical to pop rock and blues, musical theatre, Alexander Technique, Chambers Method, Pavone Technique.

Virginia T

Virginia T

Instruments:

Especially for young students, my lessons involve a great deal of activities including numerous musical games, movements, theory time, rhythm clapping, music story telling, etc. In fact, in my graduate studies, the topic of my graduation project was Musical Games. The variety of the lesson can not only solve the issue of short attention span of young children, but also reinforce learned materials, prepare for and follow up on important concepts, and simply spice up the lesson. I cannot emphasize how much I enjoy the process of creating and reinventing activities, which requires close observation and deep understanding and familiarity of the student's personality, background, attitude and aptitude, preferences, learning style, and communication style. The activities are designed to help students to develop a sense of musicality and rhythm, build techniques, learn about all sorts of musical knowledge, and achieve internal goals like confidence building, improving consistency and practice quality. 

Nikan M

Nikan M

Instruments:

 I like the Prep course books for children and Alfreds adult educaion book for adult beginners. I use Hanon and Picsna for the technique.

Sean P

Sean P

Instruments:

I start by finding the things students like most about their instruments and given style to learn. We then try to pick apart and play based off of that. Certain techniques facilitate practical application. For instance, If a student is getting ready for an audition, there are techniques where the student can learn how to cope with the anxiety. 

Evan B

Evan B

Instruments:

 My main objective is to steer the pupil towards a place of autonomy so they are able to solve music related problems on their own and develop the intrinsic ability already present within themselves. It is important to be able to read music, notes and rhythms etc., due to the innumberable and undeniable advantages to being musically literate (this of course extends to, depending on the level of the student, music history and theory as well). Having said that, possibly an even more pressing skill would be to be equppied, physically and intelectually, to play along with an impromtu music session, or "jam." If, say, a former clarinet student of mine should find him or herelf in the company of a strumming acoustic guitarist, it is my hope that they will be condfident and able to contribute musically and sensibly without the need for sheet music. This is why I try to not ignore the deeper, more holistic aspects of the art, which is why I emphasize composition in my lessons. I will compose for my students pieces that highlight something they are working on, but I will also assign compositions for my students because kids love it and creativity yields a deeper connection to any given subject than, say, rote memorization. I love kids and do not stifle their creativity, without steering too far away from the task at hand, I like to listen to what they have to say because you never know what valuable information you may learn about their present perspective. 

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