Music Lessons in Gramercy Park, NY

Instruments: Drums

My teaching methods always vary to suit the aspirations and needs of a certain student. I start off by finding out what my students like to listen to and what they want to learn from their lessons. For example, if my student was a twelve year old beginner student who wants to learn to play drums to start a rock band, then I would teach him drum grooves to his favorite songs, in order for him to be able to play it with others. Read More

Instruments: Piano Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

Student Favorites (for both piano and guitar): Pop Rock, Folk partial list samples: Star Wars themes Somewhere over the Rainbow (ukulele too) We Are the Champions Mission Impossible Classical Gas Star Spangled Banner (National Anthem; Jimi Hendrix electric guitar with distortion) The Entertainer (Ragtime) Taylor Swift Series Classical and Flamenco partial list samples: Malaguena Leyenda, Albeniz Spanish Romance J.S. Bach: Air on a G String Bouree, from Lute Suite No 1, Carl Fischer Prelude from Cello Suite #1 Minuet Jesu Joy of Man's Desiring Sleepers Awake Beethoven: Fur Elise Fifth Symphony Moonlight Sonata Ode to Joy Djorak: Largo (New World Symphony) Study in Am Carcassi Hall of the Mountain King, Edvard Grieg Christmas Carols and Hymns, e.g., Silent Night, Carol of the Bells GUITARS: Classical Acoustic Steel Electric Ukelele PIANO Guitar Techniques and Skills: Posture Sight-reading Standard Notation Treble Clef; note values, dotted notes, rests, syncopation Tablature Names of Strings and names of notes of entire fretboard Open Chords vocabulary and fingering Chord Vocabulary: Minor, Major, Diminished, Augmented, 6th, Seventh, Maj7, 2nds, 9ths, Flat5, Flat9, 11th, 13th Arpeggios Octaves, Fifths, all Intervals Barred Chords (Full, Half, Two-Thirds, One-Third Bar vocabulary and Left Hand Fingering (All Keys) Cross-over fingering Finger per fret rule Finger per string rule Ladder Principle (Left Hand fingering) Positions (1-10): Strumming patterns for 2/4, , 4/4, 6/8, 9/8, 12/8 Time Signatures Fingerpicking patterns for 2/4, , 4/4, 6/8, 9/8, 12/8 Time Signatures Right Hand 3 and 4 finger simultaneous chord strike Rest strokes Free Strokes Flamenco Strumming variations Rasgueado Flat and plastic fingerpicking Harmonics, false harmonic, ping harmonics Tambora Snare sound Bongo effects String bending Left Hand damping Vibrato Tremolo Palm muting String snapping Left hand chord muting Righthand fretboard slapping percussion effects Glissando Hammer-ons, Pull-offs (Slurs) Power chords (Rock) Major, Minor, Pentatonic Scales, sharps, flats, accidentals Pizzicato Vocal accompaniment Chord progressions, deceptive cadence Improvisation Music Theory Songwriting Producing Concert/Recital Performance Presentation Skills/Mike Techniques Pro Tools Recording Software. Read More

Instruments: Piano Voice

I have taught many students over the years, and much of my experience has taken place in a real world rehearsal room environment. With well over 100 productions under my belt I've worked with casts on learning music and shaping songs. As a still working professional this experience makes me highly suited to adjust and respond to every students needs, and meet them where they are in their development. Through crafting 1,000's of performances I can bring you real world application that will best prepare you to find the confidence you need to perform, whether as a hobby or professionally. Read More

Instruments: Drums Mallet Percussion Conga Latin Percussion Music

I like to keep a weekly log in a notebook the student takes home or keeps. I have many books ranging from beginner to advance, for drums, percussion, and piano. Also beginner bass and guitar books. Technique, book work, and song work is how I prefer to split my lesson time. Breaking habits before they become bad ones! Books: The Real Book, Syncopation, Stick Control, etc...I have been teaching at The School of Rock for the past 5 years. Read More

Instruments: Piano

I only teach Intermediate and Advanced students, and my method really depends on the particular student. I don't believe in a single, "core curriculum" for piano-playing. It really depends on the students' goals, strengths/weaknesses, etc. For my beginning intermediate students, I usually give a selection of little pieces to learn by Bach, Schubert, and Schumann to start developing their ear and sense of rhythm/musicality. I also highly encourage my students to learn new things constantly so that they get more comfortable learning new music fast! Read More

Instruments: Piano

At the encouragement of my piano teacher, I started teaching lessons at age 16. I soon realized that I loved helping others learn and enjoy music. I have continued my development as a teacher through workshops and teacher training. The feedback I get from parents and students has helped me to progress as well. I particularly enjoy teaching younger students. The enthusiasm they have for learning and trying new things is contagious. Read More