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Genevieve holds a Doctor of Musical Arts degree in Orchestral Conducting from Boston University under the tutelage of Maestro David Hoose. She had previously obtained Bachelor's and Master's degrees in flute performance at Université de Montréal, the later under the supervision of Mr. Denis Bluteau, associate principal flutist of Orchestre Symphonique de Montréal. Her teachers and mentors include Boris Brott, Kenneth Kiesler, Dr. Ann Howard Jones, William Lumpkin, Susan Hoeppner, Camille Churchfield and Jeanne Baxtresser. In addition to playing flute and piccolo in various ensembles, Genevieve has taught her instrument – as well as music theory and ear training – at École de musique Vincent-d'Indy, Académie de musique Pierre-Laporte, and École des jeunes de l'Université de Montréal from 2001 to 2008 and in the Community Programs of the Longy School of Music in 2012-2013. She is also a published author of musical literature and theory exercise books, Les Devoirs du prof Rémi, through Les Éditions École de musique Vincent-d'Indy. Canadian conductor Geneviève was appointed Assistant Conductor of the Boston Ballet Orchestra at the beginning of the 2010-2011 season and Music Director of Parkway Concert Orchestra in 2013. In March 2010, she was the recipient of the Sir Ernest MacMillan Memorial Foundation Award in orchestral conducting. In recent years, Genevieve has had the opportunity to step on the podium of various orchestras, including the McGill Chamber Orchestra, Lexington Symphony, Nashua Symphony, Longwood Symphony and Brookline Symphony. She was also Apprentice Conductor of the National Academy Orchestra of Canada for their 2009 and 2010 summer seasons. Her performances have been hailed as “impeccable” (Boston Phoenix), “ravishing” and of “exemplary pacing and reading” (Hugh Fraser). Active on the new music scene, she has collaborated with soloists of international stature and has premiered pieces by many contemporary composers including Alan Belkin, Eric Champagne, Brian Harman and Maxime Goulet. From 2005 to 2008, Genevieve was General and Artistic Director of Ensemble Euterpe, a Montréal-based orchestra she also founded. She has participated in a number of international conducting master classes including the Contemporary Music Conducting Workshop in Kromeriz, Czech Republic and Maestro Kenneth Kiesler’s famous Conductor's Retreat at Medomak. In November 2010, she was invited by the National Arts Center Orchestra (Ottawa) to attend the first edition of their Canadian Conductors Workshop.
Graduated with bachelor’s degree of Music from Musashino Academia Musicae and received his Artist Diploma from Toho Gakuen School of Music both in his native country, Japan. He taught the flute at the Yamaha Music Foundation for eight years before he came to study in Boston. Yuji graduated from the Boston Conservatory, studied with former principal flute of the Boston Pops Orchestra, Marianne Gedigian in 2001, and then continued to study with Kathryn Lukas in Indiana University. Since 1999 he has attended a multitude of summer festivals and institute, International Academia E’ete de Nice, Domaine Forget, Texas Music Festival, North Carolina International Music Program touring France and Italy. In addition to active flutist, he has also served as arts administrator in several summer festivals, The Festival Institute at Round Top (2003), Spoleto Festival USA (2004), and Marlboro Music Festival (2005~). He has been playing in Melrose Symphony Orchestra, Cape Ann Symphony Orchestra, North Shore Philharmonic, and Nebraska Theater Caravan’s A Christmas Carol national tour. In 2005, he won the 1st prize at the Houston flute club, Denise Jennings Memorial Solo & Ensemble Competition Professional level, also has selected one of 5 finalists of the Byron Hester memorial competition. His most recent recital includes Duo Indiana 2011 in a sold out performance with pianist Akiko Iguchi in Japan, and Back to Baroque with the Renovo String Orchestra at the Music Institute of Chicago September 2011. Most recent performance includes Duo Reital in Tokyo, Japan with pianist Vladimir Valjarevic in August 2012, "Sonatas And Birds."
My goal the last few years has been learning and perfecting the technique and different styles of the clarinet. I've worked and studied with some of the best clarinetist in the world and feel I have a great idea of what it takes, and have a great love for what I'm doing. I am well versed in many styles of playing from jazz, to romantic, to pop, even klezmer having studied with Frank London from the Klezmatics. I've done quite a bit of teaching both privately, and in a group classroom format. I am constantly seeking to spread my love of the clarinet and the many different genres it can be used both through my playing, and through my teaching. For my visit my website. mfclarinet.webs.com
I am a very engaged instructor who loves to work one on one with my students to find their musical voice. I earned two graduate degree from The Boston Conservatory after earning my Bachelor's degree from Case Western Reserve University. I have a strong background in classical music but also have a passion for integrating the flute into modern genres.
I am passionate about teaching beginner level students of all ages, especially elementary school students! I start all of my students with basic technical skills, the finger chart, basic rhythm and major/minorscales. I have enjoyed many years of teaching and performing in community orchestras.
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Once you’ve met with your teacher for your risk free trial lesson, continuing with Musika is easy! If you are satisfied with your lesson, all you have to do is register with us to continue! The trial will count as your first lesson if you continue, however, with our Great Match Guarantee™ if for any reason you decide not to continue then the trial is FREE. Go ahead give it a try, you really have nothing to lose.
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Background checks available on instructors. Instructor can opt to have a background check on file. You can request to only be connected with teachers that have a check. The choice is yours.
For a beginning flutist, Musika suggests renting an instrument at first, and purchasing later on if the student enjoys and wants to continue playing long-term. Yamaha is a really reliable brand, and Armstrong or Gemeinhardt are also solid choices. Once the student progresses, he or she could look into purchasing a more advanced model with open hole keys and a B foot joint.
Flute lessons will be tailored to the specific goals of the student. Every student will be introduced to music theory and the process of reading music. New flutists will learn how to hold, assemble, and clean the instrument; how to correctly blow into the instrument; proper articulation and fingering; and how to have fun playing the flute!
Our recommended age for beginning flute lessons is age 8. Most school music programs begin introducing the woodwind instruments in 4th grade. If a young student is eager to begin flute lessons early, consider recorder lessons. The fingering on the recorder is the same as the flute, but the instrument is much easier to hold and produce a sound.
Flute can be a wonderful instrument for older students, especially those who have escaped, or already dealt with, the plight of braces! Of the woodwinds, the flute can be a relatively easy instrument for beginners, and an extremely satisfying instrument to study at any age.
On of Musika's unique offers is that we provide in-home lessons for no additional cost. This allows the student to save the time and money that would normally be spent traveling to a studio.
Review by Leslyn
Steve is an excellent instructor. My son has really connected with him and he is learning the guitar quickly. Steve is patient and never rushes through a lesson in order to make it fit within the session time limit. In addition, before he leaves, he writes notes and instructions for my son to follow. By the next lesson, my son is confident in what Steve has taught him. Most importantly, Steve builds my son's confidence in his own own ability and progress after each lesson.
Review by Elsahatzipavlou
Erin has been a wonderful voice/piano teacher for our 7 year old daughter. She is talented, patient, and has a wonderful demeanor. She has been consistent with her teaching in piano and voice. She keeps record of where the students leave off so that they know what to expect the following week. I would definitely recommend Erin to anyone looking for a skilled piano/voice teacher.
Review by Jaima Woodiwiss
Having taken 6 years of piano lessons myself when I was young, I am very happy with Osmond teaching my daughter. He is very personable and helping her to enjoy piano. My daughter loves the fun songs she gets to play and I really appreciate how he is integrating even in the first month fingering, chords, beats, and hearing the music. She's getting a very well rounded training and she's loving it!
Review by Jennifer
Lindsey has been coming to our house to give saxophone lessons to our 12 year old daughter for about a month. She is an absolute joy. She is extremely knowledgeable, flexible with her schedule, and my daughter thinks she is "fun" and "cool". We would highly recommend her to anyone wanting music lessons. A+
Review by La from Issaquah
thank you musika and ed. I never thought of looking for an in-home lesson until I found musika. I have absolutely no hesitation that Ed is beyond capable. He's even offered to meet us at a music store to purchase the correct fitting instrument. how fabulous is that! We've also decided to extend the lesson time from 30 to 45 minutes. All this and just one lesson under our belt. He quickly understood where my daughter is at in level and her style of music. I'm thrilled as can be.
Review by John
When I started with Darrell, I didn't know anything bout music. Nothing. We started with basic music theory & moved into scales and reading. It hasn't been very long at all, but my confidence is growing quickly. He does ask a lot from you and he expects you to keep up. But I can honestly say that if you are willing to work hard and spend the time at home doing what he asks, you will see the results. He wants you to succeed and takes pride in watching you grow. If you want it as bad as he does, you will see the result very quickly.
Review by Ryan Piveteau
Amber is personal and cares about her students. She is flexible in her schedule and maintains a professional attitude in her lessons. Her want for her students to succeed makes her excel as a teacher. She is very knowledgeable about music and extremely experienced. Additionally, she includes external activities aside from lessons for the students who wish to advance themselves externally. Really a great teacher who offers great opportunity.
Review by William Klepatsky
Very knowledgeable on every aspect of music theory. I listen to recording artists playing various classical pieces, Dan's playing is much like a recording artist's playing. Always on time. Winning happy personality, a great role model. Puts me at ease when I am playing. Have two friends who hold music degrees, I count him a third, something special about the minds and personalities of good pianists. Thanks Dan.
Review by Alex A.
Travis rocks. My 7-year-old son and I both take lessons with him. Travis has moved me off the plateau I was on with lessons that focus on theory and technique. And for my son, he's been able to instill a desire and interest that were missing when he previously took piano lessons. With Travis teaching us, the limits are the ones we impose on ourselves. Needless to say, Travis himself plays a mean guitar to boot!