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Featured Piano Teachers Near Kent, WA

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Here are just a few of the many teachers offering Piano lessons in Kent . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Dennis N

Instruments: Piano Voice Organ

Sometimes you have to put in some effort to master a piece of music, and though it might be seen as work, the final result is usually very satisfying and fun! Each of us learns at their own pace and I am here beside you to help you to be the best musician you can be. It is always wonderful to me to watch a musician grow and develop. I will stand by you and help you as you develop your musical skills! Read More

Jonathan G

Instruments: Piano Guitar Synthesizer Keyboard

I am both a musician and a mentor to people who want to enter into the music industry. Music has been a fundamental part of my life from when I was just five years old, and has continued to be my passion and career. I did not always think I would be a musician professionally, but while at university I discovered a new meaning to music and the opportunities it possessed. Read More

Tige D

Instruments: Piano Guitar Bass Guitar Ukulele Recorder Double Bass Electric Guitar Acoustic Guitar

I have been a performing and teaching professional for over 25 years and released over 20 albums with many different artists. Since I was in my early twenties, I have performed throughout the United States, Europe, Asia and Central America. I bring my experience to the lesson room through a thorough and varied approach to harmony, technique, sight-reading, improvisation and performance techniques. Acoustic and electric bass are my primary instruments, but I teach to advanced level on guitar and ukulele, beginning piano, and in multiple genres of music. Read More

Marcos B

Instruments: Piano Guitar Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I work with several teaching companies in the Seattle area and prior to that, I taught at The Stars Inc. School of Music and The Music Workshop in Miami. Over the past few years I have helped people of all ages get the results they want. Whether your goal is to learn traditional songs from your home country to surprise their relatives, or improve your technical or reading ability so you can get into music school, or if youre just looking for help with your own original compositions, Im willing and able to guide you through your journey. Read More

Thao H

Instruments: Piano Violin Viola

With a great passion for music and even greater passion for teaching, I am a experienced and enthusiastic instructor who loves working students.In 2015, I graudated from the University of North Texas with a Bachelor of Music in Violin Performance.During my undergraudate yeras, I earned merit scholarships, participated in orchestras, competitions, and recitals, attended prestigious music festivals, and played for some of the world's most renowned musicians, such as Charles Castleman, the Muir String Quartet, Danish String Quartet, and Vermeer String Quartet. Read More

Libby S

Instruments: Piano Voice Flute Clarinet

Libby has many experiences in the music world, and brings this to her teaching. I studied flute at WSU l year, UW l year 2 years with Wendy Wilhelmy, and 7 years with Trudy Antolin. I studied piano as a child, l year at WSU, l year at MSM and 3 months with Olga Sukhover in Seattle l year studyiing piano at UW I played flute in the Issaquah Chamber Orchestra, the UW Band, and Clarinet with Ballard Civic Orchestra (Latino) and with Seattle Symphonic Band I studied clarinet at Northwestern, Manhattan School of music, and University of Washington, and WSU. Read More

Teacher In Spotlight

Jacob S

Instruments: Saxophone Clarinet Oboe

What does a normal practice session look like for you?
A normal practice session consist of a light warm up maybe 5 to 10 minutes. Working on some scales. Reviewing last weeks lessons. Then we start breaking down the problem areas and working them out measure by measure. I like to watch my students while the play very closely to pick up any technique issues. I like to ask them did they have any problem with the lesson, there may be something they didn't quite understand. I like to finish all lessons with playing a duet and then reviewing what's going to be on next weeks lesson.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I don't have a music a degree in any music field. There are many great professional players who have no degree whatsoever. I'd like to think my degree comes from 20 years as military musician and another 18 years of playing 5 and 6 nights a week in restaurants, private parties, corporate events, and weddings. I have studied with many wonderful instructors whose knowledge is part of everything I do when it comes to performing. If I had to choose a degree I thing it would be composition, I love arranging music for small ensembles.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Choosing method books is a very subjective thing kind of like choosing headphones or loud speakers. Everyone swears theirs is the best. There some standards though. For brass, Arbans book. Woodwinds there are too many to mention. I guess for beginners Essential Elements is a good start because all of the different instrument books work together like a musical suite. Very smart idea. For saxophone I like Klose daily exercises and the universal sax method book. For clarinet Klose method. Its like the clarinet bible. The exercise in there go through every alternate fingering you could thing of for clarinet. Very practical For oboe Vade Mecum for Oboe and Barrett for Oboe. I like the Barrett because it has tons of duets in the back of the book for a treble clef instrument and a bass clef instrument so you can do oboe bassoon duets.

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on any instrument is technique. That means different things to different instruments. If you play the Horn in F you might have a problem mastering the overtone series. On trumpet it may be the range. On trombone the different positions. On tuba just having enough air to make the instrument sound full. Most woodwinds it comes down to runs. Having fluid scales is a must especially for upper winds like flute and clarinet. Oboe's main thing to master is the tone because most oboe solos are slow and all about the tone of the instrument. With saxophone it's style, if you're an alto player everyone wants that Sanborn sound, if you're playing tenor gotta sound like Brecker.

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