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Featured Voice Teachers Near Woodbridge, VA

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Here are just a few of the many teachers offering Voice lessons in Woodbridge . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Michael O

Instruments: Piano Voice Drums Synthesizer Banjo Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Djembe

Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More

Natalie G

Instruments: Voice

Nothing is more rewarding than witnessing my students learn at their own pace, lessons are not to be rushed and homework is not to be treated carelessly. Understanding and being able to interpret the history of a piece is just as important and learning it, how are you to convince an audience without knowing it for yourself? I encourage this by setting realistic and well obtainable goals. Recognition for accomplishments is definitely a helping tool as well as fuel for progress of vocal abilities. Read More

Juan F

Instruments: Guitar Voice

- As a foundation principle of the Functional Voice Method communication is essential. There should be a very open and honest dialog between teacher and student. You can, and I encourage my students to ask, propose and work together. - Because posture, movement and breathe have such a mutual influence; we usually need some work or excercise regarding the body (movements envolving legs, arms, walking, jumping and a large etcetera). - Having fun while training is extremely important to me. Read More

Lou D

Instruments: Piano Guitar Voice

My goal is to develop a personal and holistic plan to teach each student. I do not believe in nor was a I a product of 'one size fits all' teaching. Music is a very personal and rewarding lifelong journey and I take special interest in developing each student's love for music and his or her instrument. Read More

Clarence J

Instruments: Piano Voice Drums Organ Synthesizer Music Keyboard

My teaching experience dates back to my 1992, as I began teaching private lessons and I have been consistently teaching students in my home studio for the last 30 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Sammy H

Instruments: Voice

Mr. Huh has made operatic and concert appearances with companies nationwide. Institutions include Washington National Opera at The Kennedy Center, Maryland Lyric Opera, Washington Concert Opera, Chautauqua Opera Company, Aspen Opera Theatre Center, Opera Camerata of Washington, The In-Series Opera, The Virginia Consort, Maryland Opera Studio, Washington Opera Society, Juilliard Opera, Central Maryland Chorale and President's Residence at University of Maryland. He has presented recitals at venues such as Lincoln Center - Alice Tully Hall, Washington College, Arts Club of Washington, Embassy of South Korea, The Mansion at Strathmore and Smithsonian American Art Museum - Renwick Gallery. Read More

Rebecca S

Instruments: Piano Voice

After finishing school, I began establishing my own studio. In addition to classical piano, I have received two years of collegiate-level vocal instruction. Singing has been a part of my life since a very young age--I believe singing is a wonderful form of musical expression and recommend it to enhance instrumentalists' understanding of phrasing. I also play guitar and have ample experience in contemporary keyboard from church settings. I hope to use all of this experience to provide a rounded music education to my students. Read More

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Recent Articles from the Musika Blog

Syncopated Rhythms

...back to sub-saharan African musical traditions. Appropriated in New Orleans, It borrows heavily from jazz and Afro-cuban musical ideas.   Funk’s influence on popular music is more apparent than ever in the songs being written and released today. Let’s talk about some examples of syncopated rhythms that are found in popular music today.   “Pumped Up Kicks,” by Foster The People   There was absolutely no way you could avoid hearing this cryptic pop hit after it was released in 2011. This song’s syncopation is mainly found in the hook of the guitar line.   “Money Trees,” by Kendrick Lamar   Known for his impeccable knack for poetic... Read More

Writing Guitar Riffs

...let’s move on the 3-octave major scale shape. Like the blues scale we just covered, this scale can be moved and adapted to be played in any key on the guitar. If you run out of room up the neck of the guitar, simply play all the notes you can before descending or adapt the scale into a 2-octave major shape. You can borrow notes from this scale to write riffs in major keys.       Modes   All scales are actually defined as modes in music. In our recent article about basic scales, we talked about what modes are and how to ... Read More

Mastering the Cello Repertoire: Twinkle Variations, Dvorak Concerto, and What Lies Between

...step of the way is an invaluable part of the process.   The following section is a condensed catalogue of beginning, intermediate, and advanced pieces from the cello repertoire that students will likely encounter. Keep in mind that this is by no means a comprehensive list, but rather, a snapshot of key pieces that virtually every cellist will play. This collection of works can also serve as a listening guide to spark the interest of young cellists, demonstrating how their hard work will pay off in the future. Beginning Cello Repertoire Twinkle, Twinkle Variations (Suzuki Book 1)   ... Read More

Piano Technique: The Importance of Good Playing Habits

...favors one hand or finger without thinking about it. The Hanon method is a book of 240 intricate exercises that can do a great deal of good for a student wanting to evenly-strengthen their hands and fingers. Strong, flexible fingers are everything when it comes to playing the piano, so it’s massively important that a piano student learns how to play with proper fingering from the very beginning of their lessons.   Posture   Before a student sits down to play, they should set up their piano bench in a way that suits their height and build. Proper posture is ... Read More

Jazz Exercises for the Saxophone: An Introduction to Playing in 12 Keys

...a half step. I’m not sure why. Maybe it fit the vocal range of the singers slightly better? Now, the drummer didn’t need to transpose, the guitar players tuned their guitars down a half step, as did the bass player, and the keyboard player could program his keyboard to play down a half step automatically. As the only pitched, acoustic instrument in the band, I was not able to tune my saxophone down a half step. It was the knowledge, ability, and experience I have playing in 12 keys that allowed me to succeed on that gig. Point being: even if ... Read More
Syncopated Rhythms
Writing Guitar Riffs
Mastering the Cello Repertoire: Twinkle Variations, Dvorak Concerto, and What Lies Between
Piano Technique: The Importance of Good Playing Habits
Jazz Exercises for the Saxophone: An Introduction to Playing in 12 Keys

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