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Featured Voice Teachers Near Olney, MD

4045   5 STAR Musika Reviews

Here are just a few of the many teachers offering Voice lessons in Olney . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Donovan D

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Mallet Percussion Orchestral Percussion

As far as books go, I prefer the Hal Leonard method, especially for beginner musicians. I combine visual, audio and kinesthetic learning methods to tailor to anyone's needs. After the basics are taught or they're already learned, I assess the student's level and teach the student what they wish to learn to the best of my ability. Read More

Frederick C

Instruments: Piano Guitar Voice Drums Bass Guitar

It is important that each student progresses at his or her own pace.  I encourage this by setting realistic goals for my students at each lesson.  Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager tolearn more. By trying to find out what imspires the student, I can successfully tailor my instruction to their wants and needs. Read More

Gregory P

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

Later on, students will learn to read music in-depth--not merely replicating what's represented on the page exactly as-is, but with a broader and deeper understanding of the movements and relatativities taking place within the music, while building an ability (and feeling of mobility) to experiment with re-harmonization, substitutions, and alterations of all sorts. Especially at beginner levels, students often are flooded with an endless stream of lifeless representations, scales, formalities, technicalities, and special names, and as a result, their interest becomes stifled. "Music" comes to mean a drab exercise with an authority figure instead of the rich, profound, imaginative, vibrant, feeling, potent, and meditative social being that it can be. Read More

Colin J

Instruments: Voice

Every voice is unique and special.  I work hard to help each student find his or her own voice.  The environment I strive for is created by a collaborative and individualized effort. As an instructor, listening to the needs of each student is the key to finding an approach best suited for their needs. One must listen to their singing as well as how they communicate their understanding of their own instrument. Read More

William M

Instruments: Voice

A typical hour voice lesson involves three parts: 1) warm-up/vocalizing and listening to ones voice to learn more about the voice, sound production, breathing and placement; 2) working on a particular technique or perceived shortcoming; 3) applying the techniques from the lesson to a song or gaining confidence in performance. My teaching style is relaxed and fun but devoted to working on proper vocal technique and confidence building. For example, to be a good singer one must have a good understanding of the muscles and parts of the body that are involved in breathing and how that relates to making beautiful sounds. Read More

Gregory H

Instruments: Piano Guitar Voice Keyboard Electric Guitar

I'm a music instructor with over 15 years of experience teaching all ages providing voice, piano, guitar, music theory, and production lessons. I have a passion for teaching music while fostering students' development through skill building exercises and rewards. I also encourage my students to perform and will help them find opportunities to pursue their goals. My background: I began studying music under the tutelage of a professional opera singer at the age of 12 which culminated in me landing a role on Broadway. Read More

Milan C

Instruments: Piano Voice Flute Recorder Piccolo Music Keyboard

My materials and methods differ depending on the pupil's age/ability. For a young 11 year old beginner, homework assignments will begin with the instrument itself, and then eventually Book One of any method book desired. Popular practice dictates good results with books like Yamaha and Standard of Excellence. For middle-level ability (middle school / early high school), the Rubank series is perfect. Finally, with middle and above levels; solos, ensemble work, duets, and additional etude books will be used. Read More

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