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Featured Voice Teachers Near Bethlehem, CT

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Here are just a few of the many teachers offering Voice lessons in Bethlehem . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Robert K

Instruments: Piano Guitar Voice Drums

Nothing makes me happier than having the opportunity to share my love of music and guitar. Upon graduating from Skidmore College in 2000, I was accepted to Florida State University to the classical guitar program under the study of Bruce Holzman. I feel my decision to simultaneously work towards two masters degrees speaks clearly for my motivation and passion towards music. While I focused on music theory/composition for my PhD studies at Louisiana State University, I continued performing newly composed works by graduate composers for the instrument. Read More

susan M

Instruments: Voice

I have been teaching voice for 30+ years, from classical to broadway, and all forms of contemporary. I began teaching traveling to people's homes, and was so fortunate to have many requests and so created a home studio. I was asked to also teach in several towns. I loved and still love teaching and the students themselves. I want the lessons to be a fun and exciting process. I want them to learn. Read More

Lauren K

Instruments: Voice Violin Viola Electric Violin Fiddle

I am as passionate about creating and performing music as I am about teaching music to others. I have worked with professionals and my own students to create compositions that have been published to television and film, and I have coached students who now perform worldwide. My favorite thing about teaching is helping my students connect to music for the first time and watching that passion grow. As an audio engineer and producer, I can coach students in music and also the music industry. Read More

Harlan O

Instruments: Piano Voice Drums Synthesizer Mallet Percussion Orchestral Percussion Latin Percussion Music Keyboard

My favorite piano method book for children is the Bastien Piano Basics Series. Alternately, I sometimes use the Faber & Faber Piano Adventures. For very young children (3-6) "My First Piano Adventure," a Faber publication, is my book of choice. For adults, I usually use Alfred's Basic Adult Piano Course, though sometimes I skip method books and play pieces picked by the student. When teaching drums/percussion, my method books of choice are Standard of Excellence and Winning Rhythms. Read More

Katherine S

Instruments: Piano Voice

Piano Students: I work only with beginners and I use Suzuki Method supplemented with songs of the student's choice. Voice Students:While the basis for my vocal technique is rooted in the classical Bel Canto tradition, my students do not end up having a "classical" sound (unless that is what they want). I firmly believe in the value of training versatile singers. We work on text analysis, and performing techniques that are specific to the style the student wishes to sing in. Read More

Lyn N

Instruments: Piano Voice Recorder Mallet Percussion

For Voice Students: I start each lesson with 10-15 minutes of vocal warm-ups and scales. The remainder of the lesson revolves around vocal pieces that either I think would be a good match for the voice, age, maturity, and ability of the student, or preparing a student for an audition or performance that they would like to perform a specific piece for. I also like to incorporate sight reading and ear training into my lessons, especially as the student grows into their voice. Read More

Sinclair A

Instruments: Voice

For every student, beginner or advanced, I talk to them about the style of teaching I provide. I first talk to them about the different segments in the voice: lower "ah" segment, chest segment, chest pull-falsetto segment, pure falsetto segment, and upper "ah" segment. I provide different warm ups that work in each of the segments, helping the voice gradually connect them in time. Once they are comfortable with learning the exercises individually, I then combine two of them to help the voice understand the development. Read More

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