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Featured Voice Teachers Near Babson Park, MA

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Here are just a few of the many teachers offering Voice lessons in Babson Park . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Alexandra P

Instruments: Voice

The first half of a typical voice lesson is spent on vocal warm-ups and vocalises. These consist of scales, arpeggios, vowel unification, breath work, etc. and have been accumulated from many teachers over a variety of traditions. Vocalises are the most important part of a solid vocal technique. The second half of lessons is spent working on repertoire either brought in by the student or assigned by myself. Concepts from vocal warm ups will be applied to repertoire, and students are expected to practice on a regular basis outside of lessons. Read More

Camila N

Instruments: Piano Voice Music

My teaching experience dates back to my college days. When I was in college I had the opportunity to student teach students from Pre Kindergarten to 12th grade. I mainly have experience with teaching younger children general music. Even though, I have limited experience with private instruction I had the chance to help students with their auditions to NYSSMA. Yet my degree program has prepared me for private instruction, with a class on vocal pedagogy. Read More

Frank S

Instruments: Voice

Education University Of Arizona (Tucson AZ) (Selected Courses) ----- 1984-1985 Pima Community college (Tucson AZ) Advanced Music Theory & Voice Studies ------1985-1987 * Student Assistant to Choir Director (Benjamin Hanky) * Pima College Singers * Pima College Choir Berklee College of Music (Boston MA) Bachelors of Music (B.M.) --- 1988 -1990 Emphasis Area VOCAL PERFORMANCE * Studio Singer (Greg Kalember) * Singers Showcase * Berklee Gospel Choir (Orval Wright) * Berklee Singers (Ann Pecham) * Songwriters Showcase (Richard Grudinski) Field Experiences PROFESSIONAL SINGER The Marsels 1988-Present "The Marsels" called "one of Boston's best party bands in the city" by Dana Bisbee Boston Hearld Tours in Europe Hannover, Germany, Frankfurt, Munich, Denmark, Amsterdam, Switzerland, Buenos Aires Argentina, Sylt Germany... Read More

Katie J

Instruments: Piano Voice

For piano- I teach out of several method books- Faber, Bastein, John Thompson and Alfred's. I also implement Dozen a Day for piano technique and Hanon and scales. I use Czerny for the intermediate student. For voice- I work to build a solid understanding of breath, posture, vowel sounds and shapes, singing legato, etc. I believe a classical technique in both instruments is the best foundation for growth into any style. Read More

Kyle H

Instruments: Piano Guitar Voice Bass Guitar Euphonium Tuba

I would say my second best quality as a teacher is being able to teach the theory behind the musical they are learning. I mainly teach voice, guitar, and piano, but through those styles, I also teach jazz guitar, vocal improvisation, classical and jazz theory, ear training, vocal technique, and composition  and arranging. I want to be able to cover as many areas of music that a student is interested in. Read More

Kenneth L

Instruments: Piano Voice Trumpet Acoustic Guitar

I am a retired professor of music with over 25 years of teaching experience and I love to share my experience with students who are eager to learn and grow. I graduated from James Madison University with a degree in Music Education, from Radford University with a master's degree in Music, and from Kent State University with a Ph.D. in Music Theory and Composition. I enjoy helping students reach their musical goals. Read More

Jiexi Z

Instruments: Piano Voice

For voice, I want all my student to understand the importance of fundamental to singing. Therefore, My method of teaching voice is typically work on the fundamentals, the breathing, the preparation before singing, then I want give them exercises and And for piano, beginning students who are children, I typically start with Faber's Musical Adventure. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. Read More

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