Violin Lessons in Stuyvesant Heights, NY

Instruments: Violin

When I teach I always ask my students what I can help them with and if they are working on anything at the moment. Assuming that they are I will ask them to play a little bit of what they have prepared, just so I can get a general sense of where they are in their journey on the violin. After they finish playing I start by explaining what I noticed from a technical standpoint, so that this way they know what to be aware of and work on while they are in the practice room as it pertains to their setup. Read More

Instruments: Piano Violin

For students that are complete beginners, I like to start away from the instrument to instill some confidence in reading music and a basic understanding of harmony. Flash cards and memory games have proven to be extremely effective for me, and I've seen a huge change in confidence around a violin when the student isn't overwhelmed with trying to grasp many difficult concepts at once. Hal Leonard's books are a favorite of mine, as well as Harvey Whistler's "Introducing the --" series. Read More

Instruments: Violin

I have been teaching for almost 20 years and have taught people as young as four years old to amateur adults, as well as from beginners to highly advanced pre-conservatory students, and people from all different backgrounds. Music is such a personal journey for each person, and my teaching philosophy is centered around what the student needs and wants. My ideal student is one who shows a daily devotion to the strengthening of necessary muscle groups, to students who are eager to learn and to try new things, and students who are motivated to accomplish goals that we set together! Read More

Instruments: Violin Viola

Each student has their own pace of learning and their own style of learning. I recognize that and feel that instruction tailored to a student's individual style will make for faster and more rewarding progress. Also, I feel that a positive environment that acknowledges accomplishments with positive reinforcement makes for a stable and fun learning environment. My ultimate goal for a student is to foster a life long love of learning and a life long appreciation for the violin/viola and music in general. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

I am incredibly fortunate to have access to the resources at NYU and to love teaching music more and more every day: I have had practical experience in woodwind, brass, string, voice, and percussion pedagogy, as well as music in early childhood and for students of all abilities. My teachers include Jason Noble (instrumental conducting), Paul Speiser (choral conducting), Kim McCord (childhood/special ed music pedagogy), Ethan Hein (electronic music pedagogy), and Christopher Bush (clarinet performance). Read More

Instruments: Piano Violin Cello Viola Electric Violin Fiddle

In 1994 Oleg Rutkovsky immigrated to USA and settled in Fort Lee, NJ. He made his American debut recital in Memphis, TN in 1995. Since 1994 he performed with such orchestras as New Jersey Symphony, Albany Symphony, New York Virtuosi Chamber Symphony, New Philharmonic of New Jersey, Brooklyn Philharmonic Orchestra, Bachanalia Chamber Ensemble and appeared in a few Broadway productions such "Ragtime" and "Music Man". In 1996, Oleg was invited to perform with the Houston Festival Orchestra as Concertmaster under the the button of Maxim Shostakovich, son of the the great Russian composer, Dmitry Shostakovich. Read More

Instruments: Violin

The main takeaway I want my students to walk away with after our lessons is that they enjoy playing the violin. I believe that encouragement and patience are huge parts of music education. However, I also like to push my students to take challenges and reach their highest potential. This is why I encourage students to play in recitals, choose pieces they want to learn, and work on a few works at a time (including etudes, scales, short pieces, concerti, etc.). Read More