Violin Lessons in Fedhaven, FL

Instruments: Violin Cello Viola

My teaching experience dates back to my high school days, as I began teaching private lessons part time 11 years ago, and have been consistently teaching students ever since. I am a public schools orchestra director who has taught in 2 school distrcits in New Jersey and now will be teaching in the Orange County Public Schools. I always emphasize regular practice on a consistent schedule as it helps the student progress and gain a passion for music and the instrument. Read More

Instruments: Guitar Violin Mandolin Fiddle Music Electric Guitar Acoustic Guitar

I am not interested in any student under 18 years old.  How about the student's PARENTS ? Also, I am not able to go to students' homes. I don't have a car. All my students (Guitar, Violin, mandolin), get a special 4 color chart (of my unique design), with every song/tune they learn. This guards against forgetting the tune in the future. For these students, with my lessons, they can learn 4 Christmas songs > Joy to the World, Deck the Halls, Silent Night, Jingle Bells. + 1 New Year's Eve song > Auld Lang Syne.I have been playing the guitar professionally for over 30 years. Read More

Instruments: Piano Voice Violin Viola Flute Piccolo

My teaching style really focuses around developing a love for your instrument. If the student loves their instrument and the music that is written for their instrument, they will feel encouraged to practice. I try to pick up on the student's personality and learning styles and make each person's lesson a combination of my teaching styles and what works best for the student. Once we find the routine and groove that works for the both the student and myself, then the learning should come along easily and fun. Read More

Instruments: Piano Violin Viola

I use multiples methods. One of them is the Susuki method. I consider that is a good method for beginners with a lot of techniques exercises and also includes pieces. For me it is essential that a student learn first all the techniques exercises and then start to create music. After that I started to teach how to respect the essential aspects in a piece: the fingering, the bowing, the dynamics, the tempo and others. Read More

Instruments: Piano Violin Cello Viola Electric Violin Fiddle Double Bass

I believe each student is different. Therefor, lessons should differ depending on each students particular needs, taste in music, and age. I would never treat an adult student like I would a young student and vice versa. I always try to set weekly goals with each of my students in order for them to have something to work towards on a consistent basis. If my students don't reach their weekly goal I simply have a little bit of a review with them in the beginning of the lesson and then proceed with that weeks work. Read More

Instruments: Piano Guitar Violin Cello Viola Synthesizer Electric Violin Music Keyboard Electric Guitar Acoustic Guitar

I was viola section leader during three of my four years at Gaither High School, inspired to pursue music by my orchestra teacher Heather Grier (world-renowned violinist and friend of Andrea Bocceli). After graduating, I attended Hillsborough Community College as a music major, and I landed my first teaching job at Excel Music as a substitute teacher. I was asked to stay as a full time teacher, and thus I began my career in music education. 2009 - 2014: Excel Music, Strings Teacher 2014 - 2015: Hillsborough County Public Schools, Substitute Music Teacher 2015: Westshore Elementary School, Music Teacher 2015-2016: Sam Ash Clearwater, Private Lessons Teacher 2018-2025: Westchase Music School, Music Teacher, Music Theory Lab Manager, Assistant Director 2026-present: Music & Arts Brandon, Music Teacher Read More

Instruments: Piano Violin Bass Guitar Electric Violin Double Bass Music

I teach music by breaking down the elements of a performance to as digestible a lesson as the student feels comfortable in tackling. By setting such a pace with realistic goals I can keep students engaged and encouraged to work through material and really achieve a feeling of competency. I encourage players to learn a piece thoroughly and practice often finding that by the time they've memorized the music they can work on the finer aspects of musicality and performance that really elevates the work. Read More