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Featured Piano Teachers Near Lincoln, NE

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Here are just a few of the many teachers offering Piano lessons in Lincoln . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Clara Y

Instruments: Piano Keyboard

I completed Grade 6 in ABRSM examination before coming to the United States for my Bachelor degree in Psychology. I had 3 years of piano performance experience when I was in a choir team and those were the most amazing times I have ever had. I joined a choir named Synctone Choir in 2009 and I have gone through vocal training for 3 years. There we had competitions and events like Acapella festivals. I played piano as background music for the vocalists in several events. Read More

Nicholas S

Instruments: Piano

As I stated in the previous section, music has been a large part of my life since I can first remember. With almost 30 years of combined musical experience on three instruments (Piano, Guitar, Trombone), I've been exposed to countless types and styles of music. Furthermore, being selected to 8 All-State Ensembles has put me around some of the best minds the Midwest has to offer in music. In the past few years I began my self-owned, self-operated business specializing in piano performance for client events as well as piano instruction. Read More

Blake M

Instruments: Piano Trombone Keyboard

Nothing is more rewarding than seeing real life results from my students. Setting concrete goals is very important for me and my students, weather that be to get into all-state or to be able to play a scale at a certain bpm. First and foremost, I hope to cultivate passion in my students. I believe that when a student is passionate they can learn to teach themselves and my job is to provide that student with as many different tools as possible. Read More

Jaime W

Instruments: Piano Voice Music

I love singing! I feel so lucky to have performed for some of the greatest singers of our time: Rene Elise Goldsberry (Broadway), Jennifer Rowley (Metropolitan Opera), Kristine Opolais (Met), Ailyn Perz (Met), and Lisette Oropesa (Met). I have also performed in venues and companies all over the world: Thailand, Hawaii, Italy, and Austria. My goal as a teacher is to share what I have learned from the best of the best and from around the globe to help ALL my students reach their full potential and thrive as a musician. Read More

Anh L

Instruments: Piano Voice Music Keyboard

My philosophy is creating a solid musical foundation for students to deepen their understanding of singing and playing the piano. I always try my best to convey the basic musical knowledge to students, helping students develop their ability to recognize, read, listen, response, notate, understand rhythmic patterns and experiences in different musical cultures. Some of the main areas which students would have an opportunity to learn in general music class are Rhythm, Pitch, Texture/Harmony, and Form. Read More

Ryan N

Instruments: Piano Guitar Bass Guitar Keyboard Electric Guitar Acoustic Guitar

I have taken private guitar and piano lessons since 2003 and have implemented a lot of the styles I was exposed to in the teaching that I have done since 2017. I typically travel to my students' homes, but I have space to teach in my apartment studio as well. Music is one of the greatest gifts we are able to hold in this life and I want to make sure that each one of my students gets to experience it in the deep and meaningful ways that I have. Read More

Eric L

Instruments: Piano Trumpet Trombone Euphonium French Horn Tuba Music

In doing so, this also creates an environment in which students will make many "mistakes" as they are lead to the answers, rather than spoon fed them. I strive to create a safe learning environment in which mistakes are treated as information to be used to make corrections, not as condemnations of the student. For brass instruments, my pedagogy is built upon the premise that we should be striving to produce an excellent sound as early as possible. Read More

Teacher In Spotlight

Douglas B

Instruments: Piano Voice Music Keyboard

What advice do you have about practicing effectively?
Slow, Slow, and SLOWER! Slow it down to perfect those tricky rhythms, articulations or slight gradations for those crescendos and decrescendo. To me slow practice is the best way! I still use it all the time in my own practicing! Don't just play slow though but incorporate dynamic shadings at the same time. Anyone can play loud and fast, but to play slow and pianissimo will give you a much more commanding technique. For a tricky rhythmic section I have a set routine I use. 1. Play it slow and Mezzo Forte 2. Play it slow and Pianissimo 3. Play it slow and with full dynamic gradations. Practice these steps first without pedal then with pedal. Repeat this process on a daily basis slowly building up the tempo until you have perfected the passage!

What does a normal practice session look like for you?
Well I really don't practice my scales and exercises anymore, as I spent so much time with them in my earlier years. I use to practice 8 hours a day during my college years and had time for all the scales, arpeggios and technical exercises I wanted. With less hours to practice now I have to take a much more efficient approach. Besides, technique is found in the music. I usually only practice 3 or 4 different pieces each week. I do a lot of slow and mezzo forte work without pedal to master any tricky passages. I alternate that slow work with up to tempo work as well so I can check my progress. I also use my practice rhythms to work more technical passages. Finally, when things are very close I start using a metronome to perfect my rhythm and tempo.

What musical accomplishments are you most proud of?
I take most pride in my own compositions and arrangement for piano. I have gone through many styles from classical to new age to rock to avantgarde to western swing! I have most recently come full circle and returned back to a classical foundation. It has a strong classical base but at the same time uses experimental piano techniques and yet manages to stay accessible. I am currently working on a large multi-movement work for piano called "Project Genesis" which I hope to start recording soon. It's sort of a concerto for piano without orchestra where the piano provides the accompaniment. It will require many overdubs to achieve my vision. It will certainly be an epic accomplishment for me when finished! I also write my own piano arrangements of orchestral works. Among them and most recently is my arrangement of the Adagietto from Mahler's 5th symphony, which I will be uploading to youtube soon

Did you have a teacher that inspired you to go into music? How did they inspire you?
I have three main teachers who were the greatest influences upon my own piano studies. During my earliest college years at Mesa College I was studying with Ken Ard who really had me focus on the rudiments such as scales, arpeggios and progressions. He was always flexible in his approach with me and would basically help me with any style I wanted to work on. When I entered San Diego State University I began studying with Karen Follingstad. It was her who really opened up the passion in the music for me. She had focus first and foremost in my musical expression. My last and greatest influential teacher was George Katz. It is Mr. Katz who taught me about weight distribution but most importantly how to shape a phrase. He taught me all the finer things in interpretation which I use to this day!

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