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Featured Viola Teachers Near Dunedin, FL

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Here are just a few of the many teachers offering Viola lessons in Dunedin . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Trevor M

Instruments: Violin Viola

First of all, thank you for taking the time to look at my profile! I know you have many choices when it comes to string instructors in the area, so I appreciate your time to find out a little about me. After earning an AA in Music from HCC in 2011, I transferred to the University of South Florida, where I studied music education and orchestral conducting. I graduated from USF with my BA in Music Studies in 2013. Read More

Gregory D

Instruments: Piano Violin Cello Viola

My teaching style is supportive and progressive. Keeping things fresh, new, and exciting is always a factor in all of my lessons, no matter the student or the instrument. Furthermore, my teaching philosophy is that positivity and encouragement leads to progress at all levels. I try to push my students to achieve their full potential without making them feel forced to do so. This way, my students learn more about themselves through music instead of feeling stagnant and unmotivated because of music. Read More

Brad A

Instruments: Guitar Voice Violin Cello Viola Fiddle Double Bass Music Classical Guitar Acoustic Guitar

I started playing the violin in 7th grade. It was a struggle for me to learn the instrument and how to read music, until I started taking lessons. I was taught using the Suzuki method and have used it to teach all of my students ever since. I was inspired by a best friend to pick up guitar and learned to play as best as I could without a teacher. Read More

John P

Instruments: Piano Guitar Voice Violin Cello Viola Drums Bass Guitar Banjo Ukulele Mandolin Electric Violin Fiddle Electric Guitar Classical Guitar Acoustic Guitar

I really covered this in the above information,so continuing in more detail,it really depends on each individual student,their level of ability and age that determine the course of study.It also depends on the instrument.Some instruments like piano,violin or viola,books are more practical because the music is notated.With most fretted instruments,music is written in tableture which was originally used for the lute and brought back i think in the 1970s.Its easier than reading music and is more practical for those instruments. Read More

Brian S

Instruments: Piano Violin Cello Viola Electric Violin Fiddle Double Bass

I begin with developing sheet music literacy in my students right off the bat if they have no experience in reading music. I believe music literacy is one of the most important aspects of learning an instrument. I've always said, "not being able to read sheet music is like trying to be a writer who can't read, it makes no sense". I also begin with teaching proper form. Meaning how to hold the instrument and how to use proper technique. Read More

Francisco Javier M

Instruments: Violin Viola Electric Violin Music

In the seventeen years he has been immersed in this field, he has been a coach of the violin section of the Simón Bolívar Symphony Orchestra, and the National Youth and Children Orchestras of Venezuela in preparation for international tours and concerts with renowned conductors such as Giuseppe Sinopoli, Claudio Abaddo, Sir Simon Rattle and Gustavo Dudamel. In 2013 he was the violin coach for the National Children’s Orchestra of Venezuela in its tour to the Salzburg Festival in Austria, and also in 2015 he he was the violin coach for the National Children’s Orchestra of Venezuela in its tour to the Expo-Milan Festival in Italy (Milan Scale). Read More

Menjalah T

Instruments: Piano Violin Viola

I use multiples methods. One of them is the Susuki method. I consider that is a good method for beginners with a lot of techniques exercises and also includes pieces. For me it is essential that a student learn first all the techniques exercises and then start to create music. After that I started to teach how to respect the essential aspects in a piece: the fingering, the bowing, the dynamics, the tempo and others. Read More

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