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Featured Piano Teachers Near Germantown, MD

4047   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Germantown . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jon S

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Keyboard

I grew up playing both piano and drums. In addition to my Piano Masters at Peabody, I minored in percussion and performed with the Peabody Percussion ensemble in Carnegie Hall. In the Air Force I played piano with the Washington State Air National Guard Jazz band for two years. I then transferred to the Pennsylvania Air National Guard where I played Tympani and other percussion for the Air Force Symphonic Band in Harrisburg. Read More

Christopher Z

Instruments: Piano Flute

I played music all my life. I began to play the flute at the age of 9 years old and the piano at around 12. I graduated from Washington Adventist University with a degree in music performance. I have performed with the New England Symphonic Ensemble in various countries all over the world including England, Thailand, Greece, Italy, Mexico, Jamaica, Caymen Islands and South Africa. I have performed with the Mid America productions concert series in Carnegie Hall, New York. Read More

Kaoru M

Instruments: Piano

My music teaching experience is 4 years at Washington Japanese school and Playtime Arts Academy. Although my experience is not long, I am very good at motivating my students to practice piano. I cherish who they are and each student's personality. I choose not only classical pieces, but also Jazz, pops, ragtime and etc. for students to enjoy their lessons. Here is the testimonial from the mother of my students, 4 brothers. "Thank you so much for your excellent teaching of the boys. Read More

Milan C

Instruments: Piano Voice Flute Recorder Piccolo Music Keyboard

With the current economic climate for public and private education, the demand for superb teachers is at an all-time high; I truly believe this is my calling and highest skill set; My perseverance and passion utilized throughout my personal education will prove excellent results in the studio; I will treat each student as an individual instead of just another number! I have 5 years full-time music classroom teaching experience under my belt. Read More

Raymond R

Instruments: Piano Saxophone Djembe

My approach to teaching is based on a large amount of communication between the students, the parents, and I. I love to know what my students are thinking in order to enhance what they are looking for in musicianship. I believe that musicians should be allowed to play and learn freely, however, the foundation given by learning jazz theory, gives any musicianship a bigger dynamic of playing for whatever genre they specifically like to play. Read More

Michael O

Instruments: Piano Voice Drums Synthesizer Banjo Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Djembe

It is this experience, that gives Mike an edge and understanding of what it takes to not only succeed in an academic setting but also in a 'real world' situation. Studying under great teachers himself, has given Mike the tools to design lesson plans specific to the student and be attentive to each students needs. Being a teacher of close to 25 years of all ages, he understands what it takes to make lessons fun, engaging, and all around great musical experience's that keep his students motivated and excited to get better on their instrument. Read More

Teacher In Spotlight

Ian D

Instruments: Piano

What advice do you have about practicing effectively?
Practice the hardest parts first, slowly. It's always tempting/easier to practice what we're comfortable with, but practicing what you already know, or can already do, does not allow you to grow and expand upon your abilities. In order to become comfortable with something, you have to allow yourself to be uncomfortable first. So practice the uncomfortable stuff, slowly, until it becomes comfortable. Then, move on to the next challenge, and watch yourself grow, develop, and get better!! This will also help grow your confidence as well, as you discover what you can handle and conquer.

How do I know if my child is ready to start lessons?
This is always a fine line to walk, but usually it comes down to two main things, concentration and focus. Piano is an instrument that truly can be learned by anyone (as long as you know your alphabet up to G). However, a lot of the learning process, especially in the beginning, requires having an attention span, and the ability to focus on what you're learning. If a child has the ability to concentrate on what they're doing without becoming too distracted (even if for just 15 or 20 minutes), a LOT can be accomplished. It's always our job as the teacher, to try to be engaging and keep things interesting, but the student must be able to stay focused as well. If they can do this, and also seem interested in learning as well, certainly there is much potential for them to go far!!

When will I start to see results?
This can vary widely from student to student. It also depends how much time you're putting in between lessons. Students that do very little between lessons, and/or are not practicing regularly, will typically take longer than the ones that put in more time and are practicing more consistently (it's always better to put in a few minutes daily, than practicing once every few days). Also, because a lot of the beginning stuff is based on repetition and memorization, some students just pick up on that faster than others, while others may need more time. But a consistent daily practice routine is always the best approach.

What is your favorite style/genre of music to play and why?
By far, the one I gravitate towards the most would be Jazz. The melodies and chord changes (for many Jazz standards) are beautiful, intricate, and complex. Listening to a Jazz solo, in my opinion, is often times an incredible thing to witness, as you're literally hearing a composition being created on the spot, while at the same time working within a very concrete and specific structure (which is what makes it sound good). And then, when playing together in group settings, you also have the added benefit of communication, as musicians will feed off each other's ideas. It is very much a communal effort and to experience it live is simply irreplaceable.

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