Music Lessons in Monticello, WI

Instruments: Piano Voice

I have different methods for piano and voice: depending on the level of the piano student, I will use Faber method books and supplement performance pieces, technique lessons, games, theory discussions, etc. I do not use method books with voice students, although I do have a curriculum that I follow and adjust depending on the level and age of the voice student. I believe that while beginning and intermediate students continue to learn, it is important for them to practice different genres on their instrument -- this allows them to speak different musical languages, improves their understanding of style, and gives them a better context for their own gifts and interests. Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion

Besides being a drum teacher I have also been certified to teach staff how to work with people who have disabilities, and that teaching experience, while completely different from that of teaching drums, has helped me become a better over all instructor. I have had much success on a regional and local level and during the 2000-2002 era, toured internationally with a group called "Gabriel's Harp". I would love to bring all of this to your student, no matter what age they are or what goals they are looking to acheive. Read More

Instruments: Piano

I really enjoy seeing my students enjoy learning music as that brings me back to my memories of learning. I find it is important to allow students to work at their own pace so they will not become frustrated and lose interest in what I am teaching them. With that I feel it is important to take as much time as the students needs in order for them to grasp what they are being taught as I feel it will hurt them down the road later when they start to get into playing the music as it will get harder down the road. Read More

Instruments: Piano Djembe

As an educator I do my best to imitate the most impactful learning sessions I have experienced during my tenure, and most if not all of those learning opportunities stemmed from an educator who carried 3 characteristics, also know as the definition of Cool. These characteristics include, being Kind, Honest and Fearless. As a teacher I have to be honest, both with my student's current musical capacity and also with how I am planning to help them progress. Read More

Instruments: Piano Voice Synthesizer Keyboard

I first started teaching when I was 17 years old. Then I went to college for training into this area of teaching. I was also involved with the Bradley University Chorus. Some of my teachers included Ralph Nielsen, father of Rick Nielsen of the group Cheap Trick, Mary Weyhrich, Marilyn Cade, and Jan Wanach. My school provides opportunities for two recitals, Christmas caroling, music scholarships and I am the Rockford Founder of the Carnegie Hall National Voice and Piano Exams. Read More

Instruments: Flute

I graduated Illinois State Univeristy with my double bachelors in Music Therapy Flute Performance. I have been playing flute for 10+ years, and have taught students of all different ages levels for about 2 years now. I am more than willing to travel to my students, or even have my students come to me! I offer lessons for 30 minutes, 45 minutes, 60 minutes, and more if need be! I am very flexible. I take great pride in my students successions! Read More

Instruments: Piano Guitar Voice Organ Music Keyboard Acoustic Guitar

Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, an exceptional voiceleaving audiences cheering" with his performances being, ardent and utterly convincing." The New York Sun said of his stage craft: Ray C. makes the most of it, combining savvy stage business with a warm voiceexpertly straddling that razor thin line between parody and poignancyscored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General Co Artistic Director), the Light Opera Company Of Salisbury (General Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center. Read More