Music Lessons in New Glarus, WI

Instruments: Piano Guitar Voice Drums Bass Guitar Keyboard Djembe Acoustic Guitar

My teaching style is very simple. With the fundamentals in place, it's possible to learn any song you want to. If there's a song that goes beyond a student's fundamentals, then that's what we'll learn next. As my music teachers told me, if you listen to a record and you find something on it that you don't know how to play, go back and learn how to do it! Listening and learning is essential to playing the music that you want to be able to play as quickly as possible. Read More

Instruments: Guitar Flute

Im a seasoned musician whose played everywhere from town halls to Carnegie Hall and a teacher, passionate about inspiring students to create a life of abundance and fulfillment. I have a deep-seated dedication to help people transcend inner and outer obstacles and understand the point of life, so they may live fulfilled and happy liveswhich at its core, is the essence of my book Be Who You Are, A song for my Children. Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion

If someone does a technique wrong for 7 months, it willprobleytake me 17 to fix it and break the habit. I use several books for my students but two of my favorites are both written by Louie Bellson. "Modern Reading Text in 4/4 time" and "Modern Reading text in odd-time" - They are different books than most use, and I use them especially for my jazz students but I have fount them to be invaluable. Read More

Instruments: Piano Guitar Voice Organ Music Keyboard Acoustic Guitar

Ray has been hailed by Opera News as, "terrific!", the New York Times praised, "Ray C. was effectively cast...a solid professional with vocal elegance." The Taconic Press acclaims him as, an exceptional voiceleaving audiences cheering" with his performances being, ardent and utterly convincing." The New York Sun said of his stage craft: Ray C. makes the most of it, combining savvy stage business with a warm voiceexpertly straddling that razor thin line between parody and poignancyscored a direct hit." While the Berkshire Review simply calls him, "...Perfect!" His travels have led him to make appearances with Grandview Opera (General Co Artistic Director), the Light Opera Company Of Salisbury (General Artistic Director), Prelude to Performance (Associate Conductor), Amore Opera (Principal Conductor), the Opera Orchestra of New York, New York Grand Opera, Connecticut Opera, Connecticut Concert Opera, Greater New Britain Opera, Berkshire Opera, Bardavon Opera, Jacksonville Lyric Opera, Opera Ischia (Italy), Bronx Opera, New Rochelle Opera, Amato Opera, Bleecker Street Opera (Associate Conductor), Regina Opera, Long Island Opera, the New Britain Symphony Orchestra, the Brooklyn Philharmonic, the Staten Island Philharmonic, the Belleayre Music Festival, American Opera Preview, in collaboration with artists and staff of the Metropolitan Opera, at Carnegie Hall, Bechstein Hall, Merkin Hall, Symphony Space, and Avery Fisher Hall at Lincoln Center. Read More

Instruments: Voice

My teaching is rooted in the philosophy of functional singing, which means everything I teach has a purpose rooted in the physiology of singing. We do a lot of different exercises and say a lot of funny sounding words, but each exercise is carefully crafted to maximize training your voice's flexibility, agility, or strength. Similar to how you might do a bicep curl to make your bicep stronger, vocal exercises are part of a broader "vocal workout" regimen based on what your voice needs on any given day. Read More

Instruments: Violin

I have played the violin for eleven years, and have a Bachelor's degree in philosophy. I studied biochemistry until taking a semester to study violin with Barbara Gorzynska in Vienna, after which I found an interest in the processes of learning and authentic relationships to one's activity. This time abroad was certainly a large influence on my teaching style, as I learned a great deal about the violin for one, but moreso was my education in philosophy. Read More

Instruments: Clarinet

When playing clarinet, the body is an important part of the music-making process, and so I encourage students to really pay attention and get in touch with their body. I teach with an understanding that every individual is different, and so what works for me may not work for someone else, and I have a wide variety of examples and experiences to draw on in order to make sure my students understand and internalize the concepts we talk about. Read More