Music Lessons in Destrehan, LA

Instruments: Flute

My goal is for the student to have fun and participate in the direction of their education while learning important theory and repertoire from the canon. For beginner students, I like the Rubank methods volumes 1 and 2 for fundamentals. This will be supported through tone development exercises and etudes for technique. I will introduce serious music as soon as possible commensurate with ability. Adults will be encouraged to follow their own interests, but with a continued eye on the fundamentals and canonic literature. Read More

Instruments: Guitar Voice Bass Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

-Ear Training for today's musicians - Berkle Press (Steve Prosser) -Acordes, Arpejos e Escalas para violo e guitarra (Nelson Faria) -Violo Amigo - Edino Krieger, Srgio Barboza (Turibio Santos) -Pumping Nylon - The classical Guitarists Technique Handbook (Nathaniel Gunod) -The Guitar works of Baden Powell (Volume 1-9 Pieces) -18 lessons to Sight Reading Success - A singer's Guide for Sight Singing Independence -First 15 Lessons - Voice: A Beginer's Guide featuring step-by-step lessons with audio, video and popular songs Read More

Instruments: Piano Bass Guitar Organ Synthesizer Double Bass Music Keyboard Classical Guitar

Concept teaching is the most effective for advancing the musicians development. Teaching specific details and then showing how they can be moved and manipulated for a greater concept theme will give the students confidence that they actually understand what is happening musically from plenty angles and the ability to maneuver through the music and instrument as seamless as possible. Taking it bit by bit will allow for laying foundational bricks that will be an anchor for concept building. Read More

Instruments: Violin Viola

Increasingly recognized as a versatile and passionate performer, Brazilian-born violinist Moises has appeared as a soloist and chamber musician throughout United States, Brazil, Italy and Russia. As winner of several competitions, Moises has been featured as a soloist with major Brazilian symphonic and chamber orchestras, including Bahia Symphony Orchestra, Porto Alegre Symphony Orchestra, and Theatro Sao Pedro Chamber Orchestra. He has also appeared as a soloist with ARCO Chamber Orchestra, University of Georgia Symphony Orchestra, Camerata Florianópolis, Santa Maria Symphony Orchestra, SESI FUNDARTE Chamber Orchestra, Caxias do Sul Symphony Orchestra, and Unicamp Symphony Orchestra, receiving excellent reviews. Read More

Instruments: Guitar Voice Electric Guitar Acoustic Guitar

A lifelong musician and lover of teaching, I've been a student of music since I was a toddler on the Violin. Growing up in a musical household I was introduced to a variety of musical styles. In 2009, I graduated from Wesleyan University with Honors in Music Performance and Composition thanks to my first rock opera, Black Friday. After graduation I moved to New Orleans thanks to a post-Katrina service trip that introduced me to my new home. Read More

Instruments: Guitar Saxophone Drums Bass Guitar Mandolin Acoustic Guitar

I always approach teaching music in a relaxed and fun way. With the right teacher, learning music greatly rewarding and enjoyable. My teaching style is always based around my students experience level, their goals, and learning style. I always start with activities that are within the student's abilities, and carefully progress through more challenging pieces and exercises. This way, the student will always have a challenge that is achievable, not too difficult that makes them want to quit, and not to easy that makes them bored. Read More

Instruments: Guitar Clarinet Bass Guitar Electric Guitar Acoustic Guitar

My teaching style is firm yet easygoing and fun..I expect the student to have practiced and be ready to play their homework back to me. I use repetition quite a bit but that's the best way, I find, that someone learns. I also encourage them to investigate and practice things that have not necessarily been assigned in order to see how serious they are. In other words, when they're not practicing what I show them, I expect them to experiment and investigate the fretboard on their own and then if they do come across something cool, then we can build off that Read More