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Featured Drum Teachers Near Hartland, CT

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Here are just a few of the many teachers offering Drum lessons in Hartland . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ryan S

Instruments: Drums

For materials I use the following; Vic Firth Snare Drum Method, Rudimental Swing Solos, Art of Bop Drumming, Brazilian Rhythms for Drumset, Afro-Cuban Rhythms for Drumset, Syncopation, Rudimental Ritual, Tables of Time and Music Minus One. Each book focuses on sight reading, coordination and musical styles. Outside of reading materials, I always give my students music to listen to and recordings to play along to. Playing and listening to recordings provides a musical context for what we're learning. Read More

James B

Instruments: Piano Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums French Horn Piccolo Oboe Bassoon English Horn

I have been teaching for more than 30 years, mostly in the public schools as well as privately. I have instructed large groups and ensembles, as well as smaller musical groups in and out of the public schools. Performing in various Jazz groups throughout the state has enhanced my teaching knowledge in the field of music education. My Masters degree in music education has enabled me to develop as a well rounded instrumental music teacher, and also as a flexible individual when it comes to understanding my students' musical needs. Read More

Harlan O

Instruments: Piano Voice Drums Synthesizer Mallet Percussion Orchestral Percussion Latin Percussion Music Keyboard

My favorite piano method book for children is the Bastien Piano Basics Series. Alternately, I sometimes use the Faber & Faber Piano Adventures. For very young children (3-6) "My First Piano Adventure," a Faber publication, is my book of choice. For adults, I usually use Alfred's Basic Adult Piano Course, though sometimes I skip method books and play pieces picked by the student. When teaching drums/percussion, my method books of choice are Standard of Excellence and Winning Rhythms. Read More

Ray D

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Djembe

I'm a passionate and motivated instructor who loves working with students and sharing my love of music. In 2002, I graduated from UMass with a Bachelor of Music degree in Percussion Performance Music Education and then a Master's in Percussion from University of Illinois.Performing all over the country has been one of the greater experiences of my life as a musician to include the Midwest and all over the Northeast. Read More

Erik E

Instruments: Drums Orchestral Percussion Conga Latin Percussion Djembe

A New York native and life-long professional drummer, I played Dvorak at Carnegie Hall, punk and ska music at CBGB's and classic rock at Wetlands in NYC all during high school. After furthering my studies in percussion performance at Berklee College of Music in Boston, I founded progressive jazz quartet Schleigho, hit the road in 1991 and toured nationally until 2004 , releasing 5 CD's and playing over 3000 shows with the likes of jazz great John Scofield, funk legend Maceo Parker and rock icons The Allman Bothers Band, who signed them in 1998 to their record label, Flying Frog Records. Read More

Mark M

Instruments: Drums Mallet Percussion Conga

I have taught students from ages 6 to 60. my approach is to help each student with the proper grip and posture and to learn to adjust there instrument for maximum comfort. I begin each lesson with rudiments/rolls and spend equal time on basic music theory(beginner) and sight reading(advanced), 4-way coordination(beginner) and transcribing recorded music(advanced). My goal is to help each student progress on there instrument and learn to blend with other musicians. Read More

Andy L

Instruments: Guitar Drums Bass Guitar Harmonica

Nothing is more rewarding than helping someone discover their musical personality. Again, my style of teaching is partially dependent on what a student hopes to gain from lessons, but I first like to develop a rapport with the musicians I work with in order to foster a comfortable environment and healthy ambition. I think it is also necessary to set realistic goals to allow students to actively see their own progress. Read More

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