Voice Lessons in Vista Encantada, NM

Instruments: Guitar Voice Electric Guitar Acoustic Guitar

For beginning students who are children, I usually start with simple things as rhythm exercises that awake their musical aptitudes, and also a couple of musical games that allow the children to learn music but still have fun and bring the possibility to engage a very intimate relationship with their instrument. For youngsters and adults, first of all, I try to find out their primary interests and musical preferences, in order to establish a clear and safe path to approach their learning process. Read More

Instruments: Piano Voice Trumpet Trombone Clarinet Drums Euphonium Tuba Orchestral Percussion

My performance experience has taken me to many wonderful places--College bowl games and the NCAA Tournaments to international hotspots such as Bogota, Columbia and even as far away as China. I have also been fortunate enough to perform with musical icons such as Doc Severinson, Mariachi Cobre, Byron Stripling, John Fedchock, Bobby Shew, Five by Design, Club Swing, the Harry James Orchestra, Andre Williams, and notable groups such as the Las Cruces Symphony Orchestra, Phil Campo and the "Loose Change" Jazz band, the Salt Lake Alternative Jazz Orchestra, and many others. Read More

Instruments: Voice

My studio exists to help the everyday singer or the gifted vocalist with aspirations of a music career. Many people wish to sing better but never do anything about it. People often try to imitate established singers, hoping to produce the 'sound' that these others have accomplished. In my studio,each studentwill know the excitement of discovering his or her uniquely beautiful sound. Learning to sing better should always be an uplifting,activity, thoughmy 'kids', regardless ofage.In order tosing with ease and freedom, a singer must feel free to explore.My lessons encourage personal freedom so that learning can take place. Read More

Instruments: Piano Voice Flute

Andrew Frierson)in NYC. Flute studies include the master classes of Jean-Pierre Rampal, Michel Debost, and Edward Powell and formal study with Keith Bryan, Robert Willoughby, Judith Bentley, and Frances Shelly. Orchestral experience includes work with the Ann Arbor Symphony, under Edward Szabo, the Ann Arbor Chamber Orchestra, under Carl Daehler,and the Vermont Symphony, under Alan Carter. In addition, I have performed with the Current and Modern Consort of Ann Arbor(MI), Inter-Arts Associates of Detroit(MI) , and the Point Counter Point Chamber Players in Vermont. Read More

Instruments: Piano Guitar Voice Bass Guitar Synthesizer

I want everyone to feel that they can learn music and that music can be fun to learn and grow in. So I strive to learn how a student learns and do my best to cater my teaching style and the materials I use to help them learn tothe way they learn. For example, if you are a repetitive learner than I will try to solidify the techniques by teaching those techniques over and over again until they areabsorbed. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Bass Guitar Harp Recorder Electric Violin Fiddle Double Bass Music Keyboard Classical Guitar Acoustic Guitar

I start by gathering information about a student's goals and inspirations, and prior knowledge/experience. From there, we develop a plan for warmup exercises, technical exercises, literature, sight-reading, ear-training and listening excerpts to be studied. I determine whether the student needs to begin learning primarily by ear or using some kind of written notation. We find a schedule that will work with both of us. Most students have a regular weekly time, but some students need a variable time due to their individual schedule so we work that out in advance. Read More

Instruments: Piano Voice Music

I didn't expect to start teaching 3 years ago. It took me a year after graduating school to fully bring myself to the idea of teaching music, but as soon as I started I found a new joy of sharing music with others through learning. I began at a local music store in Dallas, TX in 2019 and it wasn't long after that I had a full schedule of both voice piano students of all ages, different levels, and different ranges of style. Read More