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Featured Voice Teachers Near Detroit, MI

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Here are just a few of the many teachers offering Voice lessons in Detroit . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Joel R

Instruments: Voice Bass Guitar Double Bass

I hated school when I was younger. I will never let my lessons feel like school. We work at each individual students pace. Once warm-ups and whatever key technique we are talking about that day are covered the lesson turns more into an educationally structured band practice. My students know they can let go and just sing. If something needs to be worked on, we work on it, and I will give notes and how to fix things throughout. Read More

Briana L

Instruments: Piano Voice

This summer I was the music director and vocal coach for The Little Mermaid. My students are encouaraged to push outside their boundaries and discover new techniques and styles that they never thought they could accomplish. I use positive reinforcement, character work, and classical rooted techniques to develop a healthy singing technique that will keep the voice strong and growing. I specialize in Musical Theater belting and is my most passionate field of vocal study. Read More

Amanda W

Instruments: Voice

I began teaching during my Masters. I have taught at the Forte Music School in Toledo, and a few lessons privately. Now that I have graduated I plan on taking more time to dedicate to building my voice studio. I thrive on making a fun, warm, comfortable environment for my students. This will be a place where it is okay to make mistakes because we know they will aid us in our successes. Read More

Jinho P

Instruments: Voice

My intense love and dedication to the study and performance of music is reflected in both my teaching and guidance of all my students. Also, as a musician I demonstrate to my students how important it is to comprehend the true nature of performance in order to efficaciously communicate with audience. Im usually teaching with Alexander technique which intense to use natural voice technique and try to teach what is the song about and which emotion singer has to have for the song. Read More

Helen B

Instruments: Voice

Helping someone learn how to open up their voice and sing is a joyful experience. Every lesson includes a warm-up for the voice and a series of breathing and vocal exercises. that build skills and technique. The time spent on each part of the lesson varies from student to student to help them make progress. Recognizing their accomplishments helps students identify what they are doing correctly so they can build on that. Read More

Jennifer G

Instruments: Voice

My method varies with each student. I listen to the students needs and use my expertise to help them achieve their goals. For younger students, I use a variety of material but very much like The Royal Conservatory Program. In the age of, "American Idol", "The Voice" and "Glee", everyone wants to be a star overnight. While this enthusiasm is wonderful, it is sometimes difficult to direct students to material that suits their voice and will build their instrument. Read More

Stephanie R

Instruments: Piano Guitar Voice Violin Viola Ukulele Electric Violin Fiddle

I teach beginning students both by rote and through reading. We use standard Suzuki books for repertoire and method books such as Wohlfahrt, Mazaz, and Sevcik. Very young students begin on Sassmanshaus since it is very engaging as well as well written. However if there is a specific book a student wants to learn from (such as a book from school or a specific style such as country or fiddle) then I am more than willing to teach from that. Read More

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Recent Articles from the Musika Blog

Rhythm Notation: Learning to Read Basic Rhythms

...specific amount of time. All of the notes we described above have symbols that rest for the same duration as their noted counterparts.   Whole Note Rest These beats rest for the duration of four beats. My music theory teacher in college used to say that a “whole” gentleman takes his hat off (the whole rest is under the line), while a “half” gentleman keeps his hat on (the half note rest is above the line) in the presence of a lady. That’s an incredibly cheesy way of remembering half and whole note rests, but it seems to do the... Read More

Good Guitar Brands: A Quick Overview for New Players

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Belt Mix Untangled: A 5-Step Guide

...negotiates singing in chest voice and head voice simultaneously through the middle of the range (the part of your range above your break), hence the “mix” of the two resonators. The result of using belt mix is a well-supported voice that feels easy and free for the singer and sounds like belting to the listener. The technique specifically alleviates the pressure felt in the throat and neck that occurs when belting while still maintaining a fullness of sound. If done correctly, belt mix will provide accessibility to many of those songs that previously felt too hard, or too high, to sing and will add longevity to the voice, ... Read More

Types of Trumpets: Keys, Size, History, and Performance Practice

...the slides on troublesome notes, thereby keeping the pitches in tune.   Types of Trumpets: The B? Trumpet On to one of the types of trumpets that modern instrumentalists actually play—the B? trumpet. The B? trumpet’s tubing is the largest of the commonly used trumpets; stretched out, it reaches slightly more than four feet in length. Due to the length and size of the tubing, B Flat trumpets have a darker, more mellow sound than the C, D, E Flat, and piccolo trumpets. In the United States, most wind/concert band and jazz music is performed with B Flat trumpets. Around the ... Read More

How To Choose A Bass Teacher

...Bachelor’s degree in music, having studied either Electric Bass, Classical Double Bass, or both. If the teacher does not have a music degree, find out how long they have studied music, and where or with whom. Many players can be self taught, but there are rarely many great teachers who are. 3.) Musical experience – equally important is inquiring about the teacher’s personal experience as a musician and performer. While there is a lot to be learned in the classroom, there is no substitute for the skills learned in concert settings, regardless of whether their background is classical, punk, or jazz. In having a good amount of performance experience, your instructor will have learned how to work with other musicians in a live environment. These ... Read More
Rhythm Notation: Learning to Read Basic Rhythms
Good Guitar Brands: A Quick Overview for New Players
Belt Mix Untangled: A 5-Step Guide
Types of Trumpets: Keys, Size, History, and Performance Practice
How To Choose A Bass Teacher

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