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Instruments: Piano, Violin, Cello, Viola, Trumpet, Trombone, Saxophone, Flute, Clarinet, Euphonium, French Horn, Tuba, Mallet Percussion, Orchestral Percussion, Oboe, Bassoon
For students who are already in an instrumental program through school, I will start with whatever method book they are using at school, and branch off from there. Depending on the instrument, I will bring in another method book specific to that instrument book and we will also use some sort of etude book. The etudes may be classical in nature or more modern music. For older students, I will help them prepare Solo and Ensemble pieces as well. Read More
Instruments: Voice, Flute
I'm a passionate musician and instructor that recently graduated from Cedarville University with a Bachelor of Music in Flute Performance. I have been playing for 8 years and have put on three collegiate recitals. I have served in the Florida Youth Symphony's Flute Choir, and as the principal in the University Orchestra, Symphonic Band, and Flute Choir at Cedarville. I'm taking a year or two off to bolster my savings before pursuing a graduate degree in performance and going on to get a Ph.D. in musicology. Read More
Instruments: Guitar, Saxophone, Flute, Clarinet
To me, it is most important that a student feels successful in what they have accomplished each lesson. Every student progresses at their own rate and it's important to give students attainable short-term goals in the service of long-term achievements. It is also important to know what drives each student and understand why they want to take private lessons. This will give the student a degree of inspiration which us as teachers can use to help them stay focused and interested in continuing with their studies. Read More
Instruments: Piano, Voice, Flute
I am a very kinesthetic teacher. We move around the room a lot during lessons because piano, flute, and voice should be an extension of music that is first heard in the mind (inner hearing/audiation), so note playing/singing is not merely a muscle memory. We sing, tap, or clap 90% of music we learn before we attempt to play it on an instrument or sing it resonantly. Thinking through a vocal line and anticipating the high notes and the openness needed in the body/throat and the breath support needed will help the student discover an unknown freedom and give them tools to help transfer this into other songs. Read More
Instruments: Saxophone, Flute, Clarinet
I base my materials depending on who my student is, what level they are at, their interests, and their goals. We will focus on building a proper foundation and every aspect of music making including posture, embouchure, breath support, articulation, phrasing, intonation, performances, and more. Every student will have lessons directly tailored toward their needs. I usually begin with a methods book such as the Rubank Elementary Methods, scales, and a solo matching ability level. Read More
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