Piano Lessons in Phoenixville, PA

Instruments: Piano

I keep a "Piano Homework Assignment" Word document for each student on my laptop which I can then email to you after your lesson is over for reference during the week.  A usual assignment would consist of a "Warm Up" section where we focus on hand position or scales or technique, a "Lesson Book" or "Repertoire" section where we work on new pieces or songs, a "Theory" section for written assignments, a "Fun" list for pieces we are done with but want to keep playing just for fun and then a number of special sections depending on student interest.  Special sections might be things like - improvisation, composition, playing by ear, recital or competition prep, exam prep, sight reading, ear training, etc.  I'm comfortable in few method series but I prefer Faber Piano Adventures for typical beginning children and The Music Tree for very young beginners.  I try to make sure each student has a piece they love every week. Read More

Instruments: Piano Guitar Voice Violin Cello Trumpet Saxophone Flute Clarinet Drums

My teaching style revolves around the individual student. Every student must practice daily and enjoy practicing, so astudent's success comes from my encouragement and instruction. Each student brings a desire to learn how to play an instrument and my goal is to assist them in understanding and being able to playthat instrument. I conistently tailor my instruction to the student's ability and also remain consistent in my standards of teaching. Read More

Instruments: Piano Saxophone Flute Clarinet

Over the years, I have performed at many of the top Jazz clubs in America including Smalls, Smoke, and the Kitano in New York City, Chris' Jazz in Philadelphia, An Die Musik and the Hopkins Club in Baltimore, Twins Jazz in Washington, DC, The Bop Stop in Cleveland, and The Elephant Room in Austin. Other notable venues I have performed at include the Fillmore in Silver Spring, Royal Farms Arena in Baltimore, and The Highline Ballroom and Harlem Gatehouse in New York City. Read More

Instruments: Piano Guitar Voice Synthesizer Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Generally, I sit down with the student and we set a goal. From there I can break down this goal into little Milestones and from there, the material for each lesson springs forth. Some of it may be from books, some may be a customized adaptation of a song they want to learn made for their specific level. Generally, I shoot for a mix of basic musical foundation such as theory, ear training, technique, mixed with a particular song they want to learn. Read More

Instruments: Piano Voice

Once I feel the student has a solid understanding of these fundamentals, I move onto introducing them to repertoire that I think would help in putting these newly learned fundamentals into use as well as allowing them to expand their knowledge on other important factors of singing such as diction, pronunciation, phrasing, keeping a legato line, and possibly language skills depending on the piece. Over time I may even have them bring in pieces they may be interested in and work with them on understanding how they can incorporate these fundamentals and newly learned skills into the music that they love. Read More

Instruments: Piano Flute

I have been teaching consistently for four years now. I have taught privately to children from the age of four all the way to adults. Because of this, I have had to adopt my style accordingly to the diversity of my students, as their goals and learning styles differ widely. However I am very encouraging in these situations as I don't believe there is one right way to learn music, if you would like to learn pop songs or blues, I will help you get there just as readily as a traditional classical approach. Read More

Instruments: Piano Voice Violin Viola Keyboard

Excellent, nurturing Suzuki violin pedagogy - treating music as a mother tongue to absorb, imitate, and engage with - informs my methods for beginning and intermediate students. Gradually, as the student shows readiness, we blend in the traditional yet humane study of expert violin playing and thoughtful musicianship modeled for me in Dorothy DeLay's masterclass. As distinct from many string players, I am also a devoted and accomplished singer. So breathing, posture, phrasing, color, line, and articulation are key to my approaches to making and teaching music, and thus to helping my students x22singx22 through their playing. Read More