Music Lessons in Vauxhall, NJ

Instruments: Saxophone Music

I always begin the first lesson with a short discussion, asking each student what the hope to gain from taking lessons. every person learns differently and it is extremely important to acknowledge the needs of the student before even opening a book. From there I work with the individual to help diminish all doubts about learning and build a confidence in their potential to find and create their sound in whichever direction they choose to take their musicianship. Read More

Instruments: Piano Saxophone Flute Clarinet

I like to focus on giving the student a strong foundation and helping to foster creativity and a lifelong love for music. This means a lot of focus on technique and understanding musical principles as well as exploring different types of music and pushing creative boundaries! Read More

Instruments: Piano Voice

What I love about teaching is that each student is unique and has different types of abilities and motivations to study music. Music is a joy, but in order to get the most out of the experience of playing an instrument, there is some work involved. My style is to work on manageable goals that build a strong musical foundation, while maintaining focus on the joy that inspired the student to study in the first place. Read More

Instruments: Piano

Aden A. born in Istanbul Turkey in 1993. Her early musical experiences were about classical piano education started in Mimar Sinan Conservatory (2004). Award winner musician has been honored to play many art events, concerts and studios. In Istanbul, she became well known music instructor in Dore Music Academy and continued to tutor children aged between 5 -18 . Adults also was filled the schedule of hers. She worked as an art consultant in art foundations. Read More

Instruments: Guitar Bass Guitar

For beginner students I use the Hal Leonard method to teach reading and positioning. Chords I teach at the pace the student is learning to play them cleanly (and this varies tremendously), starting with the easier open chords and moving on to progressively more difficult voicings. There are certainly some good beginner pieces in the hal leonard books and sometimes I pull recital material out of the William Leavit book. Read More