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Featured Music Teachers Near Commerce City, CO

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Here are just a few of the many teachers offering Music lessons in Commerce City . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Rebecca N

Instruments: Flute Piccolo

Hello! I am a flutist and piccoloist who is passionate about teaching others. I am currently working towards a Masters in Flute Performance at Colorado State University. I just recently graduated from Florida State University this December with a Bachelors in Instrumental Music Education, a Bachelors in Music Theory, and a Specialized Study in Flute Performance. During my time at FSU, I worked with students in a variety of settings including a semester long student teaching internship with the Vero Beach High School band program. Read More

Jonathan E

Instruments: Piano Voice Trombone

Nothing is more rewarding than seeing my students' develop a passion for music. I like to let students develop at their own pace. Realistic goals are set, and we work to meet them with each lesson. I love tailoring instruction to students' needs! Read More

Willie G

Instruments: Guitar Bass Guitar Banjo Ukulele Mandolin

I'm an experienced professional guitarist with miles on the road, hours in the studio, and years teaching. I am really friendly and enthusiastic in lessons, and can cater the lessons to you. I can teach you guitar. Anything you want to learn. Read More

Daniel I

Instruments: Piano Voice Drums Synthesizer Conga

My methods vary on a case to case basis.Beginer to advanced level grade placement consideration. First lessons are typically to evelauate students strengths and weakness and pivotal areas of focus. I then prepare a custom curriculum and that best fit them fits student. My Main goal is to assist my students in attaining their music and performance goals. Read More

Kamen R

Instruments: Piano Guitar Voice Flute Bass Guitar Organ Synthesizer Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I blend the tried-and-true poise of classical technique with holistic approaches to satisfy two purposes: 1) the traditional desire to hone skill with practice and discipline, and 2) the psychological development of the student's independent musicianship. Music without expression is only sport. While technique, exercise, rigor, and history are essential in order to develop the deepest possible understanding of music, I aim to go beyond this to shape the independent expressionism of each student. Read More

Nathan B

Instruments: Guitar Bass Guitar Ukulele

High School mentorship teaching- 2 years Mobberly Academy for the Performing Arts- 1 year Accent Music Lessons- 1 year Neighborhood Music Stapleton- 6 months Private lessons in studio- 5 years Post college, I played lead trumpet at some of the largest Churches in Houston, Texas. I weekly performed to stadiums of thousands. Over the past 15 years as an active bassist I have shared stages with many national acts. As a solo acoustic guitarist and drummer I have collaborated on multiple recording projects and served as a hired gun for many different artists. Read More

Elijah H

Instruments: Guitar Bass Guitar Synthesizer Banjo Ukulele Mandolin Music Electric Guitar Classical Guitar Acoustic Guitar

I began teaching students in college, and have consistently taught students of all ages and experience levels. I love being able to help new students along their path to becoming the musician they want to be. I focus my lessons on the students musical interests and apply music theory and proper technique instruction to help them reach their goals. As someone who loves learning themselves, I also love passing knowledge on to new students and instilling a love of learning that will take them to the level of musicianship that they want to achieve. Read More

Teacher In Spotlight

Joseph S

Instruments: Accordion

What advice do you have about practicing effectively?
Start every practice session with both hand exercises: C major bass with the right hand exercise going up the keys from C to octave C. Then a concentrated exercise on the bass only. Finally, more complex right hand exercises without the bass. Repetition is really important, even if the student doesn't understand how the exercises help them at first, when they start playing songs it will click in. This is why I recommend the Palmer books for beginners and some intermediates. Palmer begins with an exercise that enhances the song that follows the exercise. Polkas are generally the most easily learned and appreciated by the student who is bored with exercises. Practice should be in two parts: one twenty minutes on exercises and one thirty five minutes on songs.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I learned to play quickly when I started, most likely because my sister and father were playing and I heard music all the time. Like most kids, I found practice to be boring and difficult. I learned backwards, I played mostly by ear and would practice parts of classical songs until I got them right and then put them all together. I did not understand chord structure although I could play Mozart. When I began studying with Chelso Ferrari, he opened up a new world to me. It wasn't that he played better than my other teachers, which he did. But he showed me how certain chord enhancements changed the sound of almost any song! My playing got better after one lesson (I was already very advanced on the bass left hand) He showed me that I intrinsically knew what I couldn't understand technically. Then I learned what I was doing by rote and I had to really re-learn what I knew already. Then I could take any song I knew and enhance it.

Have any of your students won awards or been selected for special honors? How have they succeeded?
No, I have been a performer not a teacher for years now. However, one of my students became very successful playing eastern european groups - polkas and rondos.

Does music run in your family? Tell us a little about your musical family members.
My father was a professional trumpet player, my sister played piano and won the Miss New York contest 2nd place, my aunt, uncle and cousin played trumpet, piano, accordion, saxophone, clarinet and bass as a group for fifty years. I played with all of them on occasion. However, when I played club dates or weddings I worked through the musician's union local 802 or various bookers. I started on accordion when I was six years old and played in school, at local talent shows and learned from a number of teachers. When I was eighteen I studied with a great teacher and accordionist, Chelso Ferrari. He taught me how to play full chords from fake books utilizing jazz sequences and transposing major, minor, and seventh chords into augmented fifths, sixths, major sevenths, and primarily diminished sevenths.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
It was known in the neighborhood that I could play well, so I was hired to play a couple of (very poor) weddings when I was about 14. Then by word of mouth and recommendation of my final teacher I played lots of weddings, barmitzvahs etc.

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