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Featured Guitar Teachers Near Plano, TX

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Here are just a few of the many teachers offering Guitar lessons in Plano . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ben H

Instruments: Piano Guitar Voice Drums Bass Guitar Banjo Ukulele Mandolin Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

My teaching style is just like most I think. I don't rush with the students. Always trying to go slow and make sure the students understands everything. I've gotten pretty good at figuring out when the students get what I'm trying to teach. If I feel like I'm going to fast I'll stop think about what I'm doing and slow down. It's easy to talk to fast and rush as a teacher because I've taught so many students. Read More

Rachel L

Instruments: Piano Guitar Voice

After completing my BA in public relations I was awarded a teaching assistantship at the University of Arkansas to teach the basic speech requirement. I became pregnant and did not complete my MA but began teaching private piano lessons part time while raising my children. As the needs of my family changed I began working with children in other ways such as coaching ball teams. For 10 years I served on my citys Parks Board and have worked as a local coordinator for foreign exchange students. Read More

James W

Instruments: Guitar Bass Guitar Electric Guitar Classical Guitar

I use the basic popular songs that would include most pop songs with easy chords to learn the shapes for quick memorization and playing enjoyment. Those chords like G -C-D-D minor- A - A minor- are relatively simple to learn and transition between. I make sure you know haw to properly position your hands on neck,and how to fret notes,read guitar tab which is a simple way to read music notes without having to read music. Read More

Lauriann C

Instruments: Piano Guitar Voice Recorder

I began teaching while I was still a student at the Conservatory of Music in the 1990's I was Voice Teacher at the Intermezzo Music School in Guaynabo, PR. I taught all ages from 7 - 69. I stayed there for 7 years. I also gave private singing lessons to students at my own home in Carolina, PR. And then, I proceded to give voice lessons at different churches like the Methodist Church (where I also founded and directed the choir), Evangelical Church (where I gave voice lessons at the Biblical Institute to prospect Worship Leaders). Read More

Cathy B

Instruments: Piano Guitar Voice Ukulele Acoustic Guitar

I currently use Piano Adventures Lesson and Theory books for beginner students. I have also used the Alfred series and really like the Finger Power series, too. Fundamentals of music theory is extremely important for new students of any age. I ask students to use the Music Tutor App to help them learn note names for the treble and bass clefs, and they learn by playing a fun game. We sometimes have competitions with siblings to see who can get the highest score! Read More

Dayne H

Instruments: Guitar Voice Drums Mallet Percussion Latin Percussion Electric Guitar Djembe Classical Guitar Acoustic Guitar

For me, the most amazing aspect of teaching music is to assist students in developing a musical identity of their own. Nothing could be a greater blessing than to experience students cultivating a personal and profound relationship with the magic of music firsthand, and to be there to help them to further their passion is a gift beyond what I am capable of expressing in words. By sharing the musical knowledge I have gathered throughout my life in lessons that are dynamic and adaptable yet consistent in terms of supporting students' growth, it is my intention to help to nourish students' own love for music, just as others have inspired me to do the same. Read More

Sherri K

Instruments: Piano Guitar Voice Violin Ukulele Recorder Music Keyboard

I usually start all of my piano students from the Alfred series. Those that are more advanced will complete the curriculum quicker.. Alfred seems to offer a more detailed instruction technique. It offers step by step instructions. The student can almost teach himself. For guitar I use the Everyday guitar method. This method introduces each string at a time. By the end of the book, you will be playing songs on each string. Read More

Teacher In Spotlight

Patrizio B

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For Classical Guitar, I use Christopher Parkening Books, Frederick Noad's books, my old teacher's song books, technique method books like Pumping Nylon, and A road to Virtuosity. For Jazz I use the Real Book, Transcriptions of solos, actual recordings via cd and the interwebs, I have people make compositions for solos and analyze them, we utilize singing, fun improvising with me, and a host of other methods. I also employ rhythmic study books, such as Polyrhythms: a musician's guide to learning polyrhythms, and many other books that have faded cover's but have you work on articulations which are generic but effective. In general, there's a book for everything.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have two degree's, both in Music Performance; one held as an Associates, and then the other as a Bachelor's. I chose them because I was genuinely interested in music as a field of study when given the option for career pathway's. After taking a few tests as well, they suggested that it would be a good fit for me. The rest is history so to speak, but that is really a cop out. I have fallen in love with the field of music. I am super passionate about it, and you will soon find out what I mean in person!

What musical accomplishments are you most proud of?
I am most thankful for having an exception set of trained ears. It's funny, I don't have perfect pitch, but my sense of relative is so reliable that you give me one note and I can figure out the rest. I also have broken through very many barriers to being expressive with my instruments. This takes time to cultivate, and so I am thrilled that now I can transfer those skills to any instrument, or even ideas in general! I know it sounds cheesy, but even getting my degree's is a wonderful thrill as well. When long term goals are achieved, I have found that those results propel me forward to reach even higher ground.

What do you think is the hardest thing to master on your instrument?
I think developing a real sense of musicality plus technique is the pinnacle of virtuosity. What I mean is that technique can take years to achieve, but what good is that if you can't express deep emotions through the music? Likewise, if you have lots of instinctive musical potential lurking about, and about 80% of your technique is unrefined and not serving you needs, your reults will suffer and this can serve a means of discouragement. It may sound odd at first, but the hardest things to master on any instrument, let alone an instrument such as a classical guitar in which you are the sole orchestra player, will be the things that are non-tangible: your mind, your ability to listen, your energy, your focus, and your joy. Without those, technique and musicality are but a lofty dream.

Why did you choose your primary instrument?
Once again, this is an unorthodox answer, but it's true. I chose it because I wanted to move up to a more complete instrument after learning studying the drums in high school for 4 or so years. When asked to audition for a music program, I simply bought a guitar and did my best. The professors that were there just accepted me because of potential. Well, I ended learning how to sing with a striking keen aural accuracy, play piano, and then later saxophone and trumpet. Suffice to say that I love being able to experience music in different ways. My next project will be to learn piano even better so that I can graduate from that into a a full fledged organ player. Bam, full circle with being able to use all 4 limbs again! Such exciting times!

Did you have a teacher that inspired you to go into music? How did they inspire you?
This may sound slightly unorthodox, but I was inspired by my peers. When I saw them play fancy on the drum set and move me with their rhythms, or come up with amazingly fresh improvisations right off the cuff, to wowing me with their ideas and charisma, they were truly my first inspirations. When I got to college, my music theory professor made a huge impact on me. That theory professor, David Shaw, was so full of enthusiasm when he taught that he really helped opened the door for me to learn from subsequent teachers with curiosity to see how far in depth I could take things. Long story short, I still haven't reached the bottum.

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Recent Articles from the Musika Blog

10 Songwriting Tips To Help You Write Memorable Music

...chord progression. Don’t expect to pull an incredible melody out of thin air right away. Give yourself plenty of unrushed time to experiment with your voice. Again, this advice is meant for you even if you can’t sing. The main idea here is to bring whatever melody, rhythm or lyric out into the open by way of your own voice. Have a recording device handy, and try developing any sort of musical idea you like while listening back. This method is meant to capture the urgency of a moment, and there’s no better tool to do that than the human voice.... Read More

Beginner Guitar Songs: 4 Songs Great for New Guitarists

...line beginning with “maybe” hits switch to D Major and as Mick gets low and the last word of the chorus, “know”, comes play A major. After the chorus it immediately goes back to the verse. There’s no specific rhythm for your strumming pattern on this one, it’s more of a song with a bit of a spontaneous rhythm. See the attached tablature and sheet music for learning how to play the lead lines.       Weezer- Undone Sweater Song       Here’s another deceptively simple song that sinks in your subconscious with catchy hooks and musical secrets from crafty dudes. To begin with this song is played with a ... Read More

Vocal Exercises for Singers: Breathing and Beginner Exercises

...classical technique, and this list of vocal exercises for singers reflects that teaching style; however, nearly all of these exercises are accessible to singers of any style and will undoubtedly benefit any singer’s practice.   Preliminary Exercises Breath Exercises It is essential for singers of any experience level to incorporate breathing exercises into their practice routine. Breath control can easily make or break a singer’s success while singing, and the easiest way to ensure healthy singing for long periods of time is to first set up the breath using either of the following two exercises:   “Straw Breathing” ... Read More

Mixing Basics: Intro to Audio Mixing

...basics to get a handle on. Basic compression involves setting a threshold which reduces the amplitude, or volume level, of anything that goes over the threshold. Typically digital compressors offer a visualizer which allows you to see when a performance goes over the threshold. Listening to the track while watching the visualizer will allow you to find the moments when a track is too loud, and adjust the threshold to the appropriate point.       General rules for compression include: Use on vocals to bring out subtleties of voice Use on snare drums to accentuate the crack Do not use on ... Read More

The Kodály Approach – More than Hand Signs

...in a circle? That is really tricky. Not only are students learning about self-space and shared-space, they have to think about what direction to move in, which is the opposite of those directly across the circle. Add to that the singing (of those three fundamental pitches we highlighted earlier), walking to a steady beat with the correct spacing so they don’t run into anyone, and hearing the final motive and home note when it’s time to “all fall down.” That’s a lot of stuff in a little nursery rhyme! The moral of the story: even if students are “unsuccessful” during ... Read More
10 Songwriting Tips To Help You Write Memorable Music
Beginner Guitar Songs: 4 Songs Great for New Guitarists
Vocal Exercises for Singers: Breathing and Beginner Exercises
Mixing Basics: Intro to Audio Mixing
The Kodály Approach – More than Hand Signs

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