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Featured Guitar Teachers Near Las Vegas, NV

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Here are just a few of the many teachers offering Guitar lessons in Las Vegas . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

John S

Instruments: Piano Guitar Drums Bass Guitar Latin Percussion Keyboard Electric Guitar Acoustic Guitar

Recently, my guitar program has created a huge buzz throughout the local communities as well. Hence, my impact on the local music scene has been a tremendous one. I'm educated in all styles of music, and my teaching program has been admired and awarded by producing students who now teach and perform professionally. In addition, I managed every music studio I taught at until I opened up my own where I managed and taught for 7 years before relocating to Las Vegas. Read More

Mark S

Instruments: Guitar Saxophone Flute Bass Guitar

In short, learning from my experiences with bad teachers enabled me to become a good -and eventually excellent- teacher. My approach stresses a thorough understanding of "the basics"... thoroughly defining the essential knowledge and skill(s) upon which everything else depends, and is built. In general, this approach emphasizes utilizing the language and concepts of "classical", jazz and blues -as these provide a very comprehensive "toolbox" of knowledge and skill(s) that enable students to gradually master their instruments while acquiring a broad range of musical knowledge that enables them to "go whereever they choose." Read More

Paul P

Instruments: Piano Guitar Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I have been teaching private guitar and piano lessons since 2011 . I currently teach piano,  to kids from kindergarten to fifth grade, in a group setting as part of an after school program as well as private piano or keyboard lessons. I taught guitar and music theory classes at  the Nevada Art Academy in Las Vegas since 2012. My past students have performed at UNLV , competed in the music teachers national association events such as theory and repertoire exams and silver state competitions. Read More

Linda A

Instruments: Piano Guitar Voice

For beginning piano students, I use Alfred's basic Piano Library. This works well with young children as it has colorful pictures and easy to understand language. For Adults who are just starting to learn piano I like Alfred's basic Adult Piano Course. This course comes with audio CD's to accompany the student each step of the way. It makes it fun. For beginning Guitar students, we go over the parts of the guitar and learn how to tune the instrument. Read More

Rick D

Instruments: Guitar Voice Acoustic Guitar

For voice, I like to start with making sure the placement is good and that the tone begin produced is nice and full. After that working on moving smoothly though notes while keeping the voice aligned, handling vowels and consonants, and gradually extending range. Repertoire is used to help support the lessons and gradually increases with the ability of the student. For guitar, in either the styles that use a flatpick or the finger-styles, I like to build a library of chords and progressions linked to an understanding of keys and scales (music theory). Read More

Alison K

Instruments: Guitar Voice Trombone Flute Electric Guitar Classical Guitar Acoustic Guitar

I like to use a combination of methods and method books. For a beginning band student I would use Standard Of Excellence of Essential Elements. For guitar students I like to use a combination of methods, depending on the student. I like to use the Old Town School's book for their first songs or Essential Elements for guitar. I like to use a method for guitar that emphasizes reading notes instead of just tabs, and also emphasizes rest stroke and free stroke. Read More

Eugene S

Instruments: Guitar Bass Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

The Shapiro Project has recorded two albums with my original music and is getting ready to record the third at the end of 2018. I have received two Fellowships in Composition from Nevada Arts Council, as well as numerous ASCAPlus Jazz and Pop Awards, and an honorable mention in the Billboard Songwriting Contest. I have shared the stage with Sandy Duncan, Little Anthony and the Imperials, Walt Weiskopf, Art Van Damme, and others. Read More

Teacher In Spotlight

John L

Instruments: Trombone

What is your dream piece to perform and why?
My dream would actually be to perform my own Trombone and Piano Sonata. In my senior recital at the university that wasn't an option. I was however requested to perform a brass quintet of my own composition, which turned out nicely. One of the pieces I did perform was Eric Ewazen's Sonata for Trombone and Piano. It has slowly worked it's way into becoming an important addition to the trombone literature. At the time however, it was a very new work and was considered very contemporary as many hadn't heard it yet. My senior recital was in the Spring of 2004. It was written in 1998.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
When I went to music school my dream was to receive both an Orchestral Performance degree as well as a Music Composition and Theory degree. I actually ran out of financial aid and had to settle for just the Composition and Theory degree itself, as the Performance degree would've taken me one more year. I graduated with 178 credit hours while financial aid cuts you off at 180 hours. My performing history beyond school is very extensive however, and having the Theory degree has made me able to play in a variety of clefs. It also makes me able to teach Composition and Theory in greater depth.

What does a normal practice session look like for you?
I don't and can't expect all of my students to practice and do exercises as much as I do. On a typical day I can do daily exercises for one and a half to two and a half hours. I will usually follow that with a good series of different keyed improvisations for anywhere from one to four hours. Beyond that, if there is music I need to go over for an upcoming performance, I can work on that for another two to three hours. It is normal for me to practice and perform a full eight hour work day every day if possible, sometimes more.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use many different resources to choose from. I don't have anything bad to say about any of the method books I've seen and used. I tend to pick and choose sections from different areas to address different things. There are sections that have helped me greatly, some that have helped my other students, and some that I pick for individual students. I even have copies of old out of print exercises from past trombone professors to help build range and help in other areas. They're chosen for and tailored towards each individual student.

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Recent Articles from the Musika Blog

How To Sing And Play Piano At the Same Time

...simple (for now)   If you want to master the skill to sing and play piano at the same time, it’s essential that you start by choosing simple chords or even single notes to play on the piano. This material should be played at a slow and steady pace. We’ll start by giving you an exercise that has you playing and singing a single note with your left hand in unison. If you know you’re at a more advanced level than this, feel free to skip this part and check out the second half of the article.   Sing the note name “C” four times... Read More

Soprano Audition Songs: Repertoire for Young Sopranos

...possible. Memorize, practice, and rehearse each song thoroughly before you even consider putting it in front of an audition panel. Research the composer as well as any background information related to each song. This step is often arduous but will make an enormous difference in the singer’s professionalism.   Many audition panels hire pianists to accompany the singers, meaning the singer most likely won’t have the opportunity to rehearse with the pianist before auditioning. In most cases, these pianists are fantastic and have played the singer’s chosen repertoire hundreds of times throughout his or her career. Keep in mind that the more obscure ... Read More

Violins for Beginners: To Rent or to Buy?

...a string? Or have the sound post fall over? Bring it in. Stores like to keep their inventory instruments in good shape, so it works in your favor. How about buying the first violin? Well… check with your teacher first. Unless you are a violinist yourself, it’s better to let the teacher help a student find the correctly-fitting first instrument. Violins for beginners are a tricky thing to size, because the new musician doesn’t know how the instrument should feel. Is it too heavy? Too long? Too wide? Too – something? Let the teacher help you choose the correct instrument. While store clerks ... Read More

Types of Basses

...can find fret-less bass guitars as well. This will give you the ability to slide and have a smoother tone similar to an upright bass. In the beginning it can be more difficult to find the exact notes on a fret-less bass, but with a little practice playing a fret-less bass will become natural.   Finally, one last consideration for your perfect type of bass guitar: the scale of the neck. A bass guitar fretboard that is the full, traditional length is known as full scale. You can find ¾ scale bass guitars as well as short scale bass guitars. On the shorter scale bass guitars the frets ... Read More

Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

...about how the common resolutions sound good but are too slow moving to be interesting as the sole base of an improvised solo. So what am I teaching you here? How to be a boring improviser? How to be a boring jazz musician? Well, here’s where this stuff begins to pay off. We’ve got all the permutations of digital patterns and we understand how to connect chords via common resolutions. When we combine these two, things start to come together. The following example demonstrates this over “Autumn Leaves” once again.       In this example, we’re using digital patterns ... Read More
How To Sing And Play Piano At the Same Time
Soprano Audition Songs: Repertoire for Young Sopranos
Violins for Beginners: To Rent or to Buy?
Types of Basses
Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

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