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Featured Guitar Teachers Near Las Vegas , NV

Mark S

Mark S

Instruments:

As a youngster, I had many negative experiences learning in government schools, resulting from teachers who in retrospect were clearly knowledgeable, but lacking in skills at communicating their knowledge to a wide range of individuals. This led me to spend a great deal of time thinking about the dual subjects of teaching and communication, and to learn how to simplify complex subject matter and effectively communicate it, learning to identify what various individuals know, and use that knowledge as a bridge of communication to use what they know to define and communicate that which they don't know. In short, learning from my experiences with bad teachers enabled me to become a good -and eventually excellent- teacher. My approach stresses a thorough understanding of "the basics"... thoroughly defining the essential knowledge and skill(s) upon which everything else depends, and is built. In general, this approach emphasizes utilizing the language and concepts of "classical", jazz and blues -as these provide a very comprehensive "toolbox" of knowledge and skill(s) that enable students to gradually master their instruments while acquiring a broad range of musical knowledge that enables them to "go whereever they choose."

Ian K

Ian K

Instruments:

Hi there this is Ian. I began taking clarinet lessons at the age of 12 years old. From then on I branched out to other instruments including guitar and piano. I have been the lead vocalist of Rock bands including Graffiti NJ and S.T.O.R (The Sun Thugs of Rebellion). I recently graduated University for Music Studies with a minor in music management. I had an internship with 5 time Grammy award winner Glen Velez. Music is my passion because its fun and it is a life long journey where you keep expanding and learning more. I hope to pass on my knowledge and heart for music to my students.

Paul P

Paul P

Instruments:

For Guitar I feel that it is best for everyone to start out learning classical and then branch out to other styles. However,  I , as a teacher want to teach everything if I can , while at the same time really focusing on what the students goals are in learning to play and what music gets them excited about playing. So I will use standard guitar teaching materials such as studies from Sor and Giuliani , or Segovia scales , or certain method books by Hal Leonard , Scott Tennant etc...but each student is different and my approach is focused on tailoring everything to each student specifically. Some learn note reading and theory fast but have trouble with left hand fingering or right hand technique so we would focus more on the physical techniques while others may play very well already but understand  little  or nothing about theory. 

Linda A

Linda A

Instruments:

I've always been passionate about music and it is an integral part of my everyday life. Music is like breathing to me...can't live with out it.  I learned to play piano and guitar at a young age and was singing as soon as I could talk.  I began to compose songs at the age of eleven and found songwriting to be an amazing way to express my thoughts and ideas.  In 2009 I started writing songs for Motivational Speakers. The direction of my lyrics went from stories about my life to consciously sending a positive message to my audience. I became involved with a band that played "posi" music and performed many of my songs. I joined the Empower Music Association and participated in their conferences. Music has always motivated me to touch people's hearts in such a way that they find the courage to follow their dreams.  What is yours?

John S

John S

Instruments:

Reading music is essential. To me musicians who don't know how to read music are like people who speak without undertsanding the meaning of the words they say. I also focus on ear training and understanding the instrument naturally, being that I feel its best for the player to have a mulititude of approaches to their understanding of their craft. Books I use in my methods are Carmine Appice Realistic Rock, Rockin Bass volumes 1 and 2, Mel Bay's Killer Fills, and Buddy Rich Snare Drum Rudiments. 

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Recent Articles from the Musika Blog

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...simple (for now)   If you want to master the skill to sing and play piano at the same time, it’s essential that you start by choosing simple chords or even single notes to play on the piano. This material should be played at a slow and steady pace. We’ll start by giving you an exercise that has you playing and singing a single note with your left hand in unison. If you know you’re at a more advanced level than this, feel free to skip this part and check out the second half of the article.   Sing the note name “C” four times... Read More

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...a string? Or have the sound post fall over? Bring it in. Stores like to keep their inventory instruments in good shape, so it works in your favor. How about buying the first violin? Well… check with your teacher first. Unless you are a violinist yourself, it’s better to let the teacher help a student find the correctly-fitting first instrument. Violins for beginners are a tricky thing to size, because the new musician doesn’t know how the instrument should feel. Is it too heavy? Too long? Too wide? Too – something? Let the teacher help you choose the correct instrument. While store clerks ... Read More

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...can find fret-less bass guitars as well. This will give you the ability to slide and have a smoother tone similar to an upright bass. In the beginning it can be more difficult to find the exact notes on a fret-less bass, but with a little practice playing a fret-less bass will become natural.   Finally, one last consideration for your perfect type of bass guitar: the scale of the neck. A bass guitar fretboard that is the full, traditional length is known as full scale. You can find ¾ scale bass guitars as well as short scale bass guitars. On the shorter scale bass guitars the frets ... Read More

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...about how the common resolutions sound good but are too slow moving to be interesting as the sole base of an improvised solo. So what am I teaching you here? How to be a boring improviser? How to be a boring jazz musician? Well, here’s where this stuff begins to pay off. We’ve got all the permutations of digital patterns and we understand how to connect chords via common resolutions. When we combine these two, things start to come together. The following example demonstrates this over “Autumn Leaves” once again.       In this example, we’re using digital patterns ... Read More
How To Sing And Play Piano At the Same Time
Soprano Audition Songs: Repertoire for Young Sopranos
Violins for Beginners: To Rent or to Buy?
Types of Basses
Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

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