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Featured Guitar Teachers Near Las Vegas, NV

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Here are just a few of the many teachers offering Guitar lessons in Las Vegas . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Mark S

Instruments: Guitar Saxophone Flute Bass Guitar

As a youngster, I had many negative experiences learning in government schools, resulting from teachers who in retrospect were clearly knowledgeable, but lacking in skills at communicating their knowledge to a wide range of individuals. This led me to spend a great deal of time thinking about the dual subjects of teaching and communication, and to learn how to simplify complex subject matter and effectively communicate it, learning to identify what various individuals know, and use that knowledge as a bridge of communication to use what they know to define and communicate that which they don't know. Read More

Beau A

Instruments: Guitar Voice Bass Guitar Ukulele Electric Guitar Acoustic Guitar

My teaching experience started back in High School. I was in a music class and every month I would get to teach kids how to play the ukulele. In college, I started teaching private music lessons and worked at a local music shop and I would teach people how to play songs before purchasing an instrument. I taught students of all ages ranging from a 3 year old little girl to a 68 year old retired mailman. Read More

Linda A

Instruments: Piano Guitar Voice

After earning a degree in Theater from UMD, I moved to New York City to start my career in performance. My journey took me to some great cities such as Paris, where I was able to sing in French and imerse myself in the rich culture of France. From there I traveled to the "All American City of Entertainment", Las Vegas, NV. My extensive background in songwriting led me to write, produce and record my own CD, "Almost Home". Read More

Brett C

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Acoustic Guitar

My teaching style is entirely student driven. Every student has different goals and different styles of learning. Because of this, the "cookie-cutter" approach many teachers take are ineffective. I take the time during the first lesson to ask the student what their short and long term goals are with their instrument, and from there I can start laying out a lesson plan. As I have more lessons with the student, I can observe their learning style and adjust my teaching approach accordingly.  Read More

Paul P

Instruments: Piano Guitar Keyboard Electric Guitar Classical Guitar Acoustic Guitar

My teaching style is diverse, I like to pull ideas from all kinds of sources so that I can relate things easier and hopefully make learning more fun. I also stress the importance of being disciplined and focusing on goals whether practicing or performing. My style of teaching depends on the student and his or her goals . My aim however is to teach them not to just play songs but also to fully understand their instrument and thus be able to write their own music , improvise and play with other musicians. Read More

Eugene S

Instruments: Guitar Bass Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

I am a guitarist, composer, arranger, bandleader/manager, and educator. I have Masters Degree in Music from the University of Nevada, Las Vegas (UNLV) and I have been teaching guitar for the College of Southern Nevada (CSN) for over 20 years. My other teaching experience includes teaching for several music schools and music stores in town,as well as teaching privately at my home studio. Teaching, playing, and composing music is my passion! Read More

Rick D

Instruments: Guitar Voice Acoustic Guitar

It is designed for guitarists who have already learned a few chords but are still working on barred chords. In college my singing won scholarships and awards where I helped singers develop character for their roles in opera productions. After graduating I was hired by many of the local opera companies as well as being appointed stage director of the Bear Valley Music Festival where I worked for ten years. Read More

Teacher In Spotlight

John L

Instruments: Trombone

What is your dream piece to perform and why?
My dream would actually be to perform my own Trombone and Piano Sonata. In my senior recital at the university that wasn't an option. I was however requested to perform a brass quintet of my own composition, which turned out nicely. One of the pieces I did perform was Eric Ewazen's Sonata for Trombone and Piano. It has slowly worked it's way into becoming an important addition to the trombone literature. At the time however, it was a very new work and was considered very contemporary as many hadn't heard it yet. My senior recital was in the Spring of 2004. It was written in 1998.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
When I went to music school my dream was to receive both an Orchestral Performance degree as well as a Music Composition and Theory degree. I actually ran out of financial aid and had to settle for just the Composition and Theory degree itself, as the Performance degree would've taken me one more year. I graduated with 178 credit hours while financial aid cuts you off at 180 hours. My performing history beyond school is very extensive however, and having the Theory degree has made me able to play in a variety of clefs. It also makes me able to teach Composition and Theory in greater depth.

What does a normal practice session look like for you?
I don't and can't expect all of my students to practice and do exercises as much as I do. On a typical day I can do daily exercises for one and a half to two and a half hours. I will usually follow that with a good series of different keyed improvisations for anywhere from one to four hours. Beyond that, if there is music I need to go over for an upcoming performance, I can work on that for another two to three hours. It is normal for me to practice and perform a full eight hour work day every day if possible, sometimes more.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use many different resources to choose from. I don't have anything bad to say about any of the method books I've seen and used. I tend to pick and choose sections from different areas to address different things. There are sections that have helped me greatly, some that have helped my other students, and some that I pick for individual students. I even have copies of old out of print exercises from past trombone professors to help build range and help in other areas. They're chosen for and tailored towards each individual student.

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Recent Articles from the Musika Blog

How To Sing And Play Piano At the Same Time

...simple (for now)   If you want to master the skill to sing and play piano at the same time, it’s essential that you start by choosing simple chords or even single notes to play on the piano. This material should be played at a slow and steady pace. We’ll start by giving you an exercise that has you playing and singing a single note with your left hand in unison. If you know you’re at a more advanced level than this, feel free to skip this part and check out the second half of the article.   Sing the note name “C” four times... Read More

Soprano Audition Songs: Repertoire for Young Sopranos

...possible. Memorize, practice, and rehearse each song thoroughly before you even consider putting it in front of an audition panel. Research the composer as well as any background information related to each song. This step is often arduous but will make an enormous difference in the singer’s professionalism.   Many audition panels hire pianists to accompany the singers, meaning the singer most likely won’t have the opportunity to rehearse with the pianist before auditioning. In most cases, these pianists are fantastic and have played the singer’s chosen repertoire hundreds of times throughout his or her career. Keep in mind that the more obscure ... Read More

Violins for Beginners: To Rent or to Buy?

...a string? Or have the sound post fall over? Bring it in. Stores like to keep their inventory instruments in good shape, so it works in your favor. How about buying the first violin? Well… check with your teacher first. Unless you are a violinist yourself, it’s better to let the teacher help a student find the correctly-fitting first instrument. Violins for beginners are a tricky thing to size, because the new musician doesn’t know how the instrument should feel. Is it too heavy? Too long? Too wide? Too – something? Let the teacher help you choose the correct instrument. While store clerks ... Read More

Types of Basses

...can find fret-less bass guitars as well. This will give you the ability to slide and have a smoother tone similar to an upright bass. In the beginning it can be more difficult to find the exact notes on a fret-less bass, but with a little practice playing a fret-less bass will become natural.   Finally, one last consideration for your perfect type of bass guitar: the scale of the neck. A bass guitar fretboard that is the full, traditional length is known as full scale. You can find ¾ scale bass guitars as well as short scale bass guitars. On the shorter scale bass guitars the frets ... Read More

Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

...about how the common resolutions sound good but are too slow moving to be interesting as the sole base of an improvised solo. So what am I teaching you here? How to be a boring improviser? How to be a boring jazz musician? Well, here’s where this stuff begins to pay off. We’ve got all the permutations of digital patterns and we understand how to connect chords via common resolutions. When we combine these two, things start to come together. The following example demonstrates this over “Autumn Leaves” once again.       In this example, we’re using digital patterns ... Read More
How To Sing And Play Piano At the Same Time
Soprano Audition Songs: Repertoire for Young Sopranos
Violins for Beginners: To Rent or to Buy?
Types of Basses
Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

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