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Featured Guitar Teachers Near Houston, TX

Elijah R

Elijah R

Instruments:

Music is like a language all it's own, and I try to teach it similarly to how we naturally learn language. Growing up we don't learn by grammar and rules, but by listening to others. I make sure they are prepared with everything needed to play songs/pieces, as well as all that is needed for improvisation and solos. Then I begin starting them on reading and writing music, typically using a beginner method book such as essential elements.

Jovier O

Jovier O

Instruments:

I use Berklee, Van Eps, custom-written material, and I also teach composition, theory, film scoring.

Roz C

Roz C

Instruments:

I'm a passionate instructor who loves teaching. I've been a musician since I was 6. I started playing piano, then moved on to percussion. By age 12, I played piano, drums and guitar fluently. I continued my education up to my masters from Texas A&M University in 2012. Upon graduating, I started teaching in the brazos county area. I moved closer to Houston to expand my career.

Raymiah J

Raymiah J

Instruments:

I use a number of resources to teach students concepts in musical performance. This includes online resources and method books that enhance fundamentals and technique. I do believe that understanding of music theory is necessary to advance beyond the intermediate level, and this system has assisted in training many students over the years. Novice students are encouraged through movement and activities to teach concepts while intermediate players are given exercises that focus on instrumental technique to strengthen musicality. A general track of a novice to advanced student would begin with games to rate knowledge of tempo and dynamics, then progress to the Sound Innovation

Ryan R

Ryan R

Instruments:

I am a father of two young daughters who share my passion for all types of music (so far). I've had many credits on several studio albums ranging from hip hop to country, and most genres in between. I believe that with discipline and perseverance, virtually anything is achievable. I am extremely motivated, very optimistic, and I absolutely love being in leadership roles. It is because of this affinity for leadership that teaching is something that I love to do. Aside from loving music, I'm also a decorated veteran of the United States Army.

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Recent Articles from the Musika Blog

Piano Fingering Exercises: Scales, Chords, and More

...(RH): 2, 1, 2, 3, 1, 2, 3, 4   B Minor: Notes: B, C#, D, E, F#, G, A, B Fingerings (LH): 4, 3, 2, 1, 4, 3, 2, 1 Fingerings (RH): 1, 2, 3, 1, 2, 3, 4, 5   C#/Db Minor: Notes: C#, D#, E, F#, G#, A, B, C# Fingerings (LH): 3, 2, 1, 4, 3, 2, 1, 3 Fingerings (RH): 3, 4, 1, 2, 3, 1, 2, 3   D#/Eb Minor: Notes: D#, F, F#, G#, A#, B, C#, D# Fingerings (LH): 2, 1, 4, 3, 2, 1, 3, 2 Fingerings (RH):... Read More

Soloing Over Blues Changes

...a solo using only eighth notes, but at some point you’d want to create rhythmic interest. To create the example above, I started off by using the digital pattern 12357532. Not every measure is a strict reading of that digital pattern. I altered some notes to make each measure flow better into the next measure, and make the pattern sound better melodically overall. Changing these few notes makes it sound slightly more like a solo than an exercise. It’s still an exercise, but it’s the next step in creating the melodic interest that can make a good jazz solo. Other than analyzing the blues ... Read More

Intro to Jazz Bass Technique

...There’s a famous story about the great jazz trumpeter Clifford Brown waking up and, while still in bed, going over his charts- first playing through all the roots of the chords, then the 3rds, 5ths, 7ths, 9ths, etc. This story always inspired me and has become a regular part of my jazz practice routine and jazz bass technique, although I don‘t practice my bass in bed!   Another major influence is jazz great Ray Brown’s Bass Method which consists primarily of fundamentals – scales, chords, arpeggios, and interval exercises. The last part of the book has more specific jazz bass techniques like ... Read More

A Case for Early Childhood Music Education

...on? Well, they obviously can’t verbalize or show us the steady beat, but they can experience it in their mother’s arms and by watching other babies bounced in their fathers’ laps. The point is, so much learning is from our environment. Social cognitive theorists study how we learn from our environment, through modeling and positive and negative reinforcement of others. Taking this into account, group music lessons or classes are inextricably valuable for our youngest learners who are just beginning to learn their place in the musical world. 2. Early childhood music education lays foundational knowledge through exploration and experimentation Obviously ... Read More

Types of Trumpets: Keys, Size, History, and Performance Practice

...onto the market; this was right on the tails of the B flat and C trumpets bursting onto the scene in the mid 19th century. Starting in 1861, D trumpets gained more and more momentum among soloists performing Baroque music. Handel’s Messiah and Bach’s B Minor Mass were popular works for the D trumpet. D trumpets have a bright sound—almost piercing—somewhere between the timbres of the C trumpet and the piccolo. Ravel and Stravinsky, among other composers, wrote music with parts specifically for the D trumpet. Performers don’t use D trumpets for the sole purpose of getting more range—it really only ... Read More
Piano Fingering Exercises: Scales, Chords, and More
Soloing Over Blues Changes
Intro to Jazz Bass Technique
A Case for Early Childhood Music Education
Types of Trumpets: Keys, Size, History, and Performance Practice

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