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Featured Guitar Teachers Near Babylon, NY

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Here are just a few of the many teachers offering Guitar lessons in Babylon . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Andy S

Instruments: Guitar

Hey, I'm Andy and I love to play guitar ! I'm 19 and have been playing guitar for about 9 years, with most of my experience lying in jazz, blues, and rock. I'm originally a Jersey native but am currently staying in Greenwich Village as an undergrad student. As I currently dorm, it is difficult for me to give lessons out of my current living space but I am more than willing to commute anywhere in Manhattan to give lessons at your own place. Read More

Sam L

Instruments: Guitar Bass Guitar Ukulele Music Electric Guitar Classical Guitar Acoustic Guitar

I like to lay a foundation for what musical notes are and how they relate to the instrument. If we're on guitar I will draw a piano keyboard and give the student the guitar string names and make them figure out the rest of the notes. Then I teach them what chords are and, now that they know their way around a fretboard, they can build the chords themselves. While most students aren't total beginners and won't need all of this groundwork to be laid by me, I've found that almost everyone has gaps in knowledge, more often than not when it comes to actual note names and the music theory behind the instrument. Read More

John K

Instruments: Guitar Bass Guitar Ukulele Double Bass Electric Guitar Acoustic Guitar

I have a friendly and open-minded attitude. I believe in mentoring and aiding, not just assigning work. I love to play the music we are working on together and i like working out the details as we go. I believe in following the student's goals rather than my own agenda. I am reliable and flexible with scheduling. I tend to bring worksheets or study guides as well as sheet music or books that go with our lessons. Read More

Daniel D

Instruments: Guitar

Performing and writing in various groups on Long Island as well as being a musician for hire/studio work (including backing Robbie Rosen of American Idol) helped serve as stepping stones for my latest and most accomplished project: FACE THE KING. With appearances at the Rockstar UPROAR Festival, Vans Warped Tour, and the CBGB Festival Main Stage, Face The King has has made a mark in numerous reviews on radio, print, and online publications. Read More

Greg C

Instruments: Guitar Music Electric Guitar Acoustic Guitar

My style is very basic. I believe that it is very important to play music. A lot can be lost on the practicing and theory. I like to develop the love and passion for music. I believe it is important to learn scales, chords and theory but you have to hear and feel music. My lessons are tailored to the ability of the students. I try to find what style the student likes and begin from there. Read More

Russell F

Instruments: Piano Guitar Drums Mallet Percussion Orchestral Percussion Keyboard Electric Guitar Acoustic Guitar

For beginning students, I typically begin with a deep dive on rudimental studies and keyboard skills on drums and mallet percussion. I gradually introduce notation and music literacy tools to improve the students understanding of how the fundamentals of music interact with one another. I use a lot of rote teaching methods as well to take full advantage of how physical percussion and drums can be. I find that students interests will quickly guide me to making suggestions for different repertoire to take on as the student is ready. Read More

Teacher In Spotlight

Webb C

Instruments: Guitar Electric Guitar Acoustic Guitar

What advice do you have about practicing effectively?
Develop a routine for yourself, stick to it in its most essential form, and consistently add new things to your practice noodling! The new things keep it fresh and interesting, and the bare necessities make sure that your fingers are warmed up and ready to shred. Give yourself a new challenge every time you practice! My fingers turn to butter if I don't go through the ropes I've developed for myself every day, which involves playing a set of jazz heads, scales, and arpeggios at gradually faster tempos. Getting into a consistent routine is the most important step that you can take towards becoming a technically proficient musician.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I am incredibly lucky in that I was taught by a number of incredible musicians (and people!) who collectively made me want to go into music. In high school, I was taught by Sara Landeau (who slowly but surely convinced me that sightreading was a necessary hurdle to jump, and also that women can shred), Mary Halvorson (who taught me that: 1) really good musicians consistently work really hard towards the mastery that they have, 2) to love and deeply appreciate crazy modern/avant garde jazz and improvised music, and 3) that developing a voice, or individuality in the way that you play and compose is even more critical than becoming technically brilliant), and Roy Nathanson (who taught me the joy, beauty, and euphoria that is music, and who taught me that the life of a musician is difficult, but that every second is worth it for the sake of that joy).

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in composition because of my teachers who were composer-performers, and because as much as I loved to play music that I loved listening to, there was an equal desire in me to make my own music. I started off as a singer-songwriter and developed into a composer. This is not to imply that one is lesser than the other! That happened to be my trajectory. I am also a firm believer in the composer-performer's role in the development of new music. The composer-performer is the way of the future!

If you weren't a musician what do you think you'd be doing instead?
I would build stringed instruments! I think that there are many, many roles that can be assumed within the bracket/umbrella of the 'music industry' (a term that I am not fond of, but that's besides the point!). Many of those roles are undervalued and underserved. Should a musician be valued more than a music teacher, or a sound engineer, guitar tech, booking agent, venue owner, manager, or publicist? My answer is: NO! All of these roles are hugely important, and without them, musicians would have to do so, so much more work, and would get to play less, and the world would start to tilt off-balance. We (hopefully) inhabit a music community, which should not be hierarchical, and which should help everybody serve everybody else in the name of the art form that is music.

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