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Featured Guitar Teachers Near Babylon, NY

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Here are just a few of the many teachers offering Guitar lessons in Babylon . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Evan R

Instruments: Piano Guitar Bass Guitar Double Bass Music Keyboard

It is very important to set a high standard of playing and technique, so that learning is constantly happening. That said, that standard should be approached with compassion and humor, casting the lifelong pursuit of virtuosity an exciting challenge even when it's frustrating. Especially with youth, cultivating a positive attitude and discipline is a key to success. This can be done through musical study. It is important to me to keep the student engaged, and be clear about their motivations for studying: their parents and their own unique drive. Read More

Brian L

Instruments: Piano Guitar Trumpet Drums Bass Guitar Organ Synthesizer Harmonica Banjo Ukulele Mandolin Recorder Double Bass Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Electric Guitar Djembe Acoustic Guitar

I will do whatever it takes to teach the student whatever they are willing to learn. If they want to learn a specific genre on an instrument that has never been used for that genre, I will be happy to teach them. For example, I can play trap music on a piano, but I could also play death metal on a piano as well. Trap music doesn't have to be restricted to a computer, and death metal doesn't have to be restricted to just guitar, bass, and drums. Read More

Gladys B

Instruments: Guitar Voice Acoustic Guitar

Every student is different, so my approach to each student is tailored to their goals. Young students need more guidance than older students and are encouraged to broaden their musical tastes and explore what will ignite their musical imaginations. Some of my students are working toward auditions such as The Voice and we focus on song choice, technique and performance. I teach every one of my students as though they were my only student. Read More

Michael G

Instruments: Guitar Bass Guitar Electric Guitar Classical Guitar Acoustic Guitar

Hello Musika students. I have been playing the guitar for over 15 years. I had the opportunity of studying classical guitar with William Zito, one of the top classical guitar teachers on Long Island. I also earned a degree in Music Performance at Nassau Community College. Whether you're looking to prepare for college level music classes, or just want to pick up a new hobby, I will be there every step of the way. Read More

David E

Instruments: Piano Guitar Drums Conga Latin Percussion Music Djembe

I have been drumming and performing music for nearly 30 years. I started out playing by ear at 5 years of age and shortly after received professional lessons. I became interested in a diverse variety of musical genres that grew as I did. I was very lucky to have two supportive parents, Bryan and Deborah who noticed my talents and nurtured them at a very young, impressionable age, introducing me to different instruments and live music. Read More

Diego B

Instruments: Piano Guitar

For my students, I will typically start them with Mel Bay's Modern Guitar Method Grade 1.  Once I feel they have a handle on basic chords and techniques we may introduce a modern tune into the lesson mix and work from there.  Read More

Teacher In Spotlight

Webb C

Instruments: Guitar Electric Guitar Acoustic Guitar

What advice do you have about practicing effectively?
Develop a routine for yourself, stick to it in its most essential form, and consistently add new things to your practice noodling! The new things keep it fresh and interesting, and the bare necessities make sure that your fingers are warmed up and ready to shred. Give yourself a new challenge every time you practice! My fingers turn to butter if I don't go through the ropes I've developed for myself every day, which involves playing a set of jazz heads, scales, and arpeggios at gradually faster tempos. Getting into a consistent routine is the most important step that you can take towards becoming a technically proficient musician.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I am incredibly lucky in that I was taught by a number of incredible musicians (and people!) who collectively made me want to go into music. In high school, I was taught by Sara Landeau (who slowly but surely convinced me that sightreading was a necessary hurdle to jump, and also that women can shred), Mary Halvorson (who taught me that: 1) really good musicians consistently work really hard towards the mastery that they have, 2) to love and deeply appreciate crazy modern/avant garde jazz and improvised music, and 3) that developing a voice, or individuality in the way that you play and compose is even more critical than becoming technically brilliant), and Roy Nathanson (who taught me the joy, beauty, and euphoria that is music, and who taught me that the life of a musician is difficult, but that every second is worth it for the sake of that joy).

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in composition because of my teachers who were composer-performers, and because as much as I loved to play music that I loved listening to, there was an equal desire in me to make my own music. I started off as a singer-songwriter and developed into a composer. This is not to imply that one is lesser than the other! That happened to be my trajectory. I am also a firm believer in the composer-performer's role in the development of new music. The composer-performer is the way of the future!

If you weren't a musician what do you think you'd be doing instead?
I would build stringed instruments! I think that there are many, many roles that can be assumed within the bracket/umbrella of the 'music industry' (a term that I am not fond of, but that's besides the point!). Many of those roles are undervalued and underserved. Should a musician be valued more than a music teacher, or a sound engineer, guitar tech, booking agent, venue owner, manager, or publicist? My answer is: NO! All of these roles are hugely important, and without them, musicians would have to do so, so much more work, and would get to play less, and the world would start to tilt off-balance. We (hopefully) inhabit a music community, which should not be hierarchical, and which should help everybody serve everybody else in the name of the art form that is music.

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