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Featured Guitar Teachers Near Babylon, NY

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Here are just a few of the many teachers offering Guitar lessons in Babylon . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

David L

Instruments: Guitar Drums Bass Guitar Double Bass Electric Guitar Acoustic Guitar

I began my musical journey on the drums, which quickly led me to the guitar and bass guitar as well, all three of which I studied with Matt Thompson in Frederick, MD. In high school, I ended up gravitating towards the bass as my primary instrument, and a growing interest in jazz caused me to add the upright bass to my collection of instruments. Little did I know that this would become an even bigger obsession of mine! Read More

David T

Instruments: Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

I'm an Argentinian/American musician who decided to pursue music as a career when I was 8 years old. I had just seen Al Green perform at the Apollo and was awed by the incredible impact and joy music can have on people. With the support of my parents, who are musicians as well, I began studying with private teachers immediately. By the time I was 11, I was performing consistently in venues in Buenos Aires. Read More

Jose Luis A

Instruments: Guitar Saxophone Ukulele Music Electric Guitar Acoustic Guitar

I’ve also tried my hand at Music Production and songwriting, and found that these ventures are gratifying ways to expand and grow as a musician. They’ve given me insight that I would have never received otherwise. Music is a great way to build many abilities that students will benefit from long after they’ve stopped studying and I hope to share my knowledge and experience with as many people as possible. Read More

Raphael S

Instruments: Guitar Music Electric Guitar Classical Guitar Acoustic Guitar

I am a jazz guitarist and educator from New York. I've studied under Bobby Broom, Rodney Jones, Jonathan Kreisberg, Peter Bernstein, and David Rosenthal. I've played at venues in New York City as well as Chicago performing as a sideman and a leader. I have experience teaching guitar, jazz, and music theory to students in the New York Area. I teach online and in-person. I can travel to you. For online, I can use any platform (FaceTime, Skype, Zoom, etc.). Read More

Robert B

Instruments: Piano Guitar Voice Bass Guitar Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I'm fairly flexible, laid back in my teaching style, and always passionate about helping those who need it. At the same time, I also encourage discipline and consistency in practicing and making improvements.  I always try to keep each student learning at least one new thing for each lesson, while allowing him or her to make steady and consistent progress without getting stuck in a rut.  I always encourage steady and consistent practice throughout the week to further individual progress and get closer to desired results. Read More

Julian J

Instruments: Piano Guitar Bass Guitar Electric Guitar Acoustic Guitar

I like to combine Technique and Theory with hands on application into songs. I start by doing an analysis of the level of theory and the proficiency of playing of the student. Then, I create a path of Theory = Practical learning to do. In theory, we analyze how music works before we touch the instrument. Then, we go on to learn technique on the instrument and learn song adapted to the students taste of music In this part, we also apply our theory knowledge onto what we play. Read More

Teacher In Spotlight

Webb C

Instruments: Guitar Electric Guitar Acoustic Guitar

What advice do you have about practicing effectively?
Develop a routine for yourself, stick to it in its most essential form, and consistently add new things to your practice noodling! The new things keep it fresh and interesting, and the bare necessities make sure that your fingers are warmed up and ready to shred. Give yourself a new challenge every time you practice! My fingers turn to butter if I don't go through the ropes I've developed for myself every day, which involves playing a set of jazz heads, scales, and arpeggios at gradually faster tempos. Getting into a consistent routine is the most important step that you can take towards becoming a technically proficient musician.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I am incredibly lucky in that I was taught by a number of incredible musicians (and people!) who collectively made me want to go into music. In high school, I was taught by Sara Landeau (who slowly but surely convinced me that sightreading was a necessary hurdle to jump, and also that women can shred), Mary Halvorson (who taught me that: 1) really good musicians consistently work really hard towards the mastery that they have, 2) to love and deeply appreciate crazy modern/avant garde jazz and improvised music, and 3) that developing a voice, or individuality in the way that you play and compose is even more critical than becoming technically brilliant), and Roy Nathanson (who taught me the joy, beauty, and euphoria that is music, and who taught me that the life of a musician is difficult, but that every second is worth it for the sake of that joy).

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in composition because of my teachers who were composer-performers, and because as much as I loved to play music that I loved listening to, there was an equal desire in me to make my own music. I started off as a singer-songwriter and developed into a composer. This is not to imply that one is lesser than the other! That happened to be my trajectory. I am also a firm believer in the composer-performer's role in the development of new music. The composer-performer is the way of the future!

If you weren't a musician what do you think you'd be doing instead?
I would build stringed instruments! I think that there are many, many roles that can be assumed within the bracket/umbrella of the 'music industry' (a term that I am not fond of, but that's besides the point!). Many of those roles are undervalued and underserved. Should a musician be valued more than a music teacher, or a sound engineer, guitar tech, booking agent, venue owner, manager, or publicist? My answer is: NO! All of these roles are hugely important, and without them, musicians would have to do so, so much more work, and would get to play less, and the world would start to tilt off-balance. We (hopefully) inhabit a music community, which should not be hierarchical, and which should help everybody serve everybody else in the name of the art form that is music.

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