Drum Lessons in Bloomfield, CT

Instruments: Drums Orchestral Percussion Conga Latin Percussion

My methods of Teaching are simple; Teach according to the knowledge, experience, and ability of the student. Anything can be accomplished! The way I teach is a simple A, B, C method, by spelling out the best learning styles for an unsocial student, and a group of students. Lessons vary from beginner lessons of simple reading, to expert lessons of how to apply fills, patterns, chops, and time signature differences.    Read More

Instruments: Drums Mallet Percussion Conga

I have been teaching since 1977. I have studied with the late, great Tony Williams and Alan Dawson, Fred Buda, Ed Soph and composition with Steve Grover. I have taught private lessons, small group ensembles, elemntary music theory, orchestral percussion and voice coaching. I have taught in public schools, private prep schools and college. I have performed in the United States and Germany and the Netherlands. I have recorded with Tiger Akoshi, David Mallett and The Novel Jazz Septet. Read More

Instruments: Piano Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums French Horn Piccolo Oboe Bassoon English Horn

I normally use the Standard of Excellence method books for most of my students; however, I am open minded to adjusting to each individual student's musical needs, whether it be Jazz, Classical, or whatever style music the student is focusing on. For Drummers, I prefer the Haskell Harr Method, or the Buddy Rich Method Book, as well as the Breeze Easy Method Book. For piano instruction, I prefer the Faber Piano Method Books, as they are tailored to the students' individual needs. Read More

Instruments: Drums

Born and raised in Connecticut, Ryan Sands began his musical journey in 2012 and is working to become one of the top on-call musicians in his area. Growing up between New Haven, CT, and Orange, CT, Ryan received his formal training at Neighborhood Music School and Educational of the Arts. Later he would study at Manhattan School of Music's Pre-College Division. It was at these institutions that he learned his fundamental musical values. Read More

Instruments: Drums Orchestral Percussion

Through my time both as a student and educator there has always been an over arching philosophy to balance out priorities of progress and achievement with fun and sheer enjoyment. I can remember times where music for me, became not what it is intended to be because of the stress and anxiety that I would sometimes encounter in practice and performance settings. Now, I don't mean to say stress and added pressure is never a good thing. Read More

Instruments: Piano Voice Drums Synthesizer Mallet Percussion Orchestral Percussion Latin Percussion Music Keyboard

2011-2012: Teaching Assistant, San Jose State University 2010-present: Piano, percussion, and voice teacher with Musika 2010: Substitute accompanist at Willow Glen United Methodist Church 2008-2009: Accompanist for James Lick High School 2007-present: Organist/Pianist for Santa Teresa Hills Presbyterian Church 2006-7: Accompanist for Scotts Valley Unified School District 2005-2006: Accompanist and Teaching Assistant with Cabrillo Youth Choir 2005: Composer and Percussionist for "Oedipus Rex," Cabrillo Stage; Substitute Accompanist at St. Joseph's Church in Capitola, California 2004: Accompanist with the Santa Cruz Summer Singers 2003: Teaching Assistant for History of Western Art Music, University of California, Santa Cruz 2000-2001: Teaching Assistant and Tutor in music theory, musicianship, piano, and world music studies at Cabrillo College 1998: Began working as a freelance piano teacher and keyboard player Read More

Instruments: Drums Orchestral Percussion Conga Latin Percussion Djembe

Anthony Cirone's Portraits in Rhythm (a good 1st book of advanced snare drum etudes, using all previously earned skills, but forcing new applications and challenging passages).   Rock: Alfred's Beginning Drumset Method Books 1 & 2 THEN, Rockin' Bass Drum by J. Lombardo (a very old but classic book of very common and useful rock beats). repeat this book at least 20 times, using the following Right Hand patterns on HiHat, paradiddle stickings and odd-meter variations in lieu of the provided 8th notes: 1e&a 2e&a 3e&a 4e&a x--- x--- x--- x--- xxxx xxxx xxxx xxxx (all RH) xxxx xxxx xxxx xxxx (RLRL) xxx- xxx- xxx- xxx- x-xx x-xx x-xx x-xx -xxx -xxx -xxx -xxx xx-x xx-x xx-x xx-x x--x x--x x--x x--x -x-x -x-x -x-x -x-x  xx-- xx-- xx-- xx-- -xx- -xx- -xx- -xx- --xx --xx --xx --xx -x-- -x-- -x-- -x-- --x- --x- --x- --x-  ---x ---x ---x ---x Paradiddle variations (works for pages 6-28 only) RLRR LRLL RLRR LRLL RLLR LRRL RLLR LRRL RRLR LLRL RRLR LLRL RLRL LRLR RLRL LRLR Convert to 7/8 by eliminating the last 8th note in each example. Read More