Drum Lessons in Avon, CT

Instruments: Drums Mallet Percussion

My teaching experience spans back to when I was in High School. I came from a very fortunate music program that focused heavily on marching band and jazz music. I had helped many incoming freshmen develop the skills necessary to succeed in the music program and watched them blossom into very talented, hard working musicians. After high school I continued to teach students and help them prepare for outside ensemble auditions, college auditions, and working on college repertoire with fellow students. Read More

Instruments: Guitar Voice Drums Bass Guitar Electric Guitar Acoustic Guitar

In my lessons, my highest priority is meeting students at their level and making sure that our work is helping them to progress towards theirs goals as a musician/instrumentalist. With a combination of focus on musicality, technique, and developing a musical vocabulary, students will both improve their fundamental skills on their instrument, while also expanding their more general musical understanding, all within a safe, supportive, fun, and encouraging learning environment. Read More

Instruments: Drums Orchestral Percussion

For teaching any person percussion/ drums there are very many different skill sets to be developed and understood. Reading music, playing with appropriate technique, and foot to hand coordination all make up the universe which is percussion. Starting a young percussionist there would be usually two components of the lesson. The first would be Technique and One surface drumming (Reading Basic Rhythms and music notation). The second half of a lesson would be working on the designated percussion instrument of the student's preference. Read More

Instruments: Piano Guitar Voice Drums Bass Guitar Organ Synthesizer Banjo Ukulele Mallet Percussion Orchestral Percussion Latin Percussion Music Keyboard Electric Guitar Acoustic Guitar

The way I learned is the way I teach. I was taught the same way multiple ways and because of this I can give students different avenues to learn the same thing. So if they don't understand it in A, or B, I still have C, and D as a back up. I try to include the student to help navigate their own lesson plan and figure out what they want to focus on. Read More

Instruments: Guitar Drums Bass Guitar Harmonica

Hello folks, my name is Andy. I am a 23-year-old musician with a Bachelor of Arts degree from Framingham State University. I am predominantly a bass guitarist, with an affinity towards jazz, psychedelic rock, alternative, metal, prog, and sometimes just straight up pop. I greatly enjoy working with younger musicians and spreading the practice of musical exploration. I'm happy to work with musicians of all ages and levels of experience, with the intent of helping students develop the skills they'll need to meet their individual goals. Read More

Instruments: Piano Guitar Voice Drums Electric Guitar Acoustic Guitar

My method of teaching will both implement teaching students how to sight read but also more importantly how to play music by ear. I am very big on learning by ear because it is the way I learned music most of my life. For younger students I do want them to start learning how to sight read at a basic level because it will make it easier for them in the long run. Read More

Instruments: Drums Orchestral Percussion Conga Latin Percussion Djembe

Anthony Cirone's Portraits in Rhythm (a good 1st book of advanced snare drum etudes, using all previously earned skills, but forcing new applications and challenging passages).   Rock: Alfred's Beginning Drumset Method Books 1 & 2 THEN, Rockin' Bass Drum by J. Lombardo (a very old but classic book of very common and useful rock beats). repeat this book at least 20 times, using the following Right Hand patterns on HiHat, paradiddle stickings and odd-meter variations in lieu of the provided 8th notes: 1e&a 2e&a 3e&a 4e&a x--- x--- x--- x--- xxxx xxxx xxxx xxxx (all RH) xxxx xxxx xxxx xxxx (RLRL) xxx- xxx- xxx- xxx- x-xx x-xx x-xx x-xx -xxx -xxx -xxx -xxx xx-x xx-x xx-x xx-x x--x x--x x--x x--x -x-x -x-x -x-x -x-x  xx-- xx-- xx-- xx-- -xx- -xx- -xx- -xx- --xx --xx --xx --xx -x-- -x-- -x-- -x-- --x- --x- --x- --x-  ---x ---x ---x ---x Paradiddle variations (works for pages 6-28 only) RLRR LRLL RLRR LRLL RLLR LRRL RLLR LRRL RRLR LLRL RRLR LLRL RLRL LRLR RLRL LRLR Convert to 7/8 by eliminating the last 8th note in each example. Read More