Bass Lessons in Hasbrouck Heights, NJ

Instruments: Bass Guitar Music

I started teaching bass 11 years ago to fellow students (music/non music students) at South Cheshire College in the North West of England. When I began my Bachelor of Arts Degree in Jazz at Middlesex University (London), I continued to teach privately. I also have experience teaching ensembles. I taught a rhythmic awareness class for 6+ people over a summer at Middlesex University. When I moved to the US I resumed my private teaching classes. Read More

Instruments: Piano Bass Guitar Double Bass Keyboard

For beginners, I normally start with simple melodies and exercises. Scales and tunes can be added at a certain point. From early on, I also focus on ear training - the essential part of music learning - so a student gradually learns to hear what he/she plays. Sight reading music is also incorporated in the process from early stages. As for adults, I discuss the particular person's interests and goals as well as assess his/her ability level in order to shape the learning process with maximum efficiency. Read More

Instruments: Drums Bass Guitar

My teaching experience dates back to my high school days, as I began teaching private lessons part time 15 years ago, and have been consistently teaching students in my home studio for the last 10 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of jazz and modern music can go a long way in helping students enjoy the drums and motivate them to practice and continue to learn. Read More

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Acoustic Guitar

I have been teaching in the areas of greater New York City and Long Island for the last 12 years. Making a student's musical aspirations has always been a great source of joy for me. Mainly, I focus on building a student's repertoire of his or her favorite music, so that practice can be a source of expression and actualization instead of obligation and drudgery. Once the student has started exploring their musical preferences, we can continue developing perfect technique, as well as practical improvisation and theory. Read More

Instruments: Guitar Voice Trumpet Trombone Bass Guitar Double Bass Euphonium Tuba

I began teaching trombone and improvisation when I was a junior in High School. Currently I am adept in Singing, Music Theory, Trombone, Bass (-classical) and Electronic Music, but I also practice Flute, Piano, Guitar,Percussion (congas) and Tap Dancing. I have been told that I have a very unconventional teaching style, but I prefer to call it simplicity. Patience is a virtue that I cherish, but I am also very persistent in teaching the ultimate realization to my student. Read More

Instruments: Piano Guitar Bass Guitar Lap Steel Guitar Banjo Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

No matter what the ability level and age, I try to find out what music the student is interested in. I do not teach from prefabricated books but rather teach songs to students and within those songs there are lessons. I have devised my own teaching methods which have been highly successful. For younger students, teaching traditionally can be extremely tedious and they can lose interest fast. I teach songs to my students and I find lessons within the songs. Read More

Instruments: Piano Guitar Bass Guitar

This will open doors down the road and will enhance his or her capacity for learning*, not just musically but in all areas of intellect. No singular student is typical. Therefore no teaching method is typical, nor is the approach to any given student. Technique, thought process, feel/emotion, pulse/rhythm,ear and theory are all explored to a degree that is comfortably absorbed by the individual. The degree of aptitude reflected by an individual student will commensurate to the challenge that I will offer in terms of a reasonable expectation for success or, more importantly, the great pleasure to be derived from making music, sharing that ability and the personal reward that comes with that sense of accomplishment in communicating with music. Read More