Voice Lessons in White Hall, MD

Instruments: Voice

My method is the chest mix head method. I teach lessons about chest, mix, and head voice and how to smoothly transition between them and eventually have them become one. I help students find their range, I teach proper breathing techniques and warm ups that are right for helping them reach their full voice potential and even assist with choosing the perfect song for auditions and give audition confidence prep tips from someone who has auditioned and made performance roles in musical theatre productions in Pittsburgh Pa. Read More

Instruments: Voice Saxophone Clarinet Ukulele Recorder Music

For a beginner student, I tend to use the Rubank method books there are several for specific instruments. This book is just a guide though the majority of my lessons are student based. I take into consideration their level and what they can accomplish in their own practice and dedication. For adults or advanced students I want to see where they are and what they need help or work with. Read More

Instruments: Piano Guitar Voice

Michael T. Brown is a diverse performer, equally comfortable with everything from operatic literature to Scottish folk songs. On stage, he is regarded as a strong actor with a rich voice, and he is known for being a quick read. His opera roles have included Captain Fitzbattleaxe from Gilbert and Sullivan's Utopia Limited, Dr. Blind in Die Fledermaus, Monostatos in Magic Flute, Peterman in M. Choufleuri, and numerous chorus and supporting roles. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

Recently I was hired as piano instructor for Quartertonez Music, in Washington DC. Also, I have had experience teaching and studying music education under my high school mentor, renowned music teacher Tim Savage; I was his student-teacher for a semester course at St. Lawrence University. Additionally, throughout my experience as his music student, his teaching approach has infused music education and facilitation lessons within the musical instruction itself. My past teaching experience also includes being a Drill Instructor for the Italian Department at Vassar College for two years during my time as an undergrad (I not only "ran drills" for students who had already started learning the material, but also had to compensate in a variety of ways for the unsuccessful, dysfunctional, or half-hearted engagement that is typical in a foreign language class). Read More

Instruments: Piano Voice Violin

My teaching experiences began in college where I'd work with fellow students in regards to perfecting their violin skills. After graduating college I worked a little bit with a middle school student. I encourage my students to practice at least 20 mins a day vs. playing for an hour and coming into practice. I believe you don't truly grasp the technique by doing that but this is dependent on the students. Read More

Instruments: Piano Guitar Voice

I first began teaching in high school at the suggestion of my own piano teacher. I loved the experience from the start - few things are more rewarding than watching a student develop their musical passion and skill from lesson to lesson. Aside from private lessons, I also interned with the Peabody Children's Chorus in MD. Under the instruction of the brilliant choirmaster Doreen Falby, I had the privilege of working with a group of motivated students aged 8-12 where we studied everything from conducting to vocal technique and put on concerts twice a year. Read More

Instruments: Voice

I prefer to start with vocal techniques such as efficient breathing, posture, diction, and overall vocal warm ups. This gives me a gage of what my students learning style is. Also, this gives me an idea of what the student needs to progress in a healthy singing! I typically start with a students favorite song within the genre theyre most interested in. I believe that a student will work to the fullest if they are truly passionate about the work they are learning. Read More