Voice Lessons in Nutley, NJ

Instruments: Piano Voice Music

I was awarded as Best Musical Actress by HOLA 2020 in the production of El Barbero de Sevilla with New Camerata Opera in the role of Elena. In April 2020 I was to make my debut as Frasquita in Carmen at Rose Theater at Lincoln Center with MasterVoices which was canceled due to COVID19. At Opera Tampa I had my debut singing the title role in Maestro Anton Coppola's Lady Swanwhite, a world premiere. Read More

Instruments: Voice

I have a tried and true set of vocal building exercises (also known as "warmups") that I use with all of my students. These exercises help to strengthen students middle voices, extend their ranges, increase their agility, and increase their stamina. I combine these exercises with carefully assigned repertoire to promote growth and functional freedom. I love to have my students sing in many different genres because our voices are muscles, and I believe that they should be cross-trained so one can be as versatile and flexible as possible. Read More

Instruments: Voice

I am a passionate and supportive vocal coach who loves sharing my knowledge with my students. Seeing them grow and succeed makes me feel happy. In 2016 I graduated from Saarland University of Music with a Bachelor of Music degree in voice performance and vocal pedagogy. After graduation I had opportunities to sing in various concerts, opera and musical theatre productions in Germany, Luxembourg, Bulgaria, London, Nicaragua and New York. I am classical trained and have the ability to sing musical theatre, pop and chanson. Read More

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Banjo Ukulele Mandolin Double Bass

For beginning students, I typically start with the Hal Leonard Method Books. Once the student can get the basics down I start with basic rock and pop tunes, or whatever music the student happens to be interested in. Forintermediateor advanced players, I try to gage where the student wants to go with the instrument and try to help them any way I can with theory or performance. I try to keep the student engaged and having fun no matter what but at the same time becoming a better musician. Read More

Instruments: Piano Guitar Voice

Every time I see progress in my students is definitely the best feeling ever. Is more than rewarding to see how their abilities and talent has improve. I always want to make them feel the same passion I have for music and share it with them. I care a lot of what the desires of the students are so we can establish realistic goals and help them to accomplished it. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

I am incredibly fortunate to have access to the resources at NYU and to love teaching music more and more every day: I have had practical experience in woodwind, brass, string, voice, and percussion pedagogy, as well as music in early childhood and for students of all abilities. My teachers include Jason Noble (instrumental conducting), Paul Speiser (choral conducting), Kim McCord (childhood/special ed music pedagogy), Ethan Hein (electronic music pedagogy), and Christopher Bush (clarinet performance). Read More

Instruments: Piano Voice Keyboard

I believe that learning how to sing must take place in the studio, but the most important thing that I can do as a teacher is to make sure that the student knows how to transfer the skills learned in the classroom to real-world performing experiences. APPROACH I believe in a holistic approach to teaching, which involves connection to the text and acting. Though I cover many of these aspects in the studio, it is extremely beneficial for students to go outside of the studio and engage in physical courses such as yoga, Alexander technique, acting and dance. Read More