Voice Lessons in Northwood, MD

Instruments: Piano Voice

KINDERGARTEN ACADEMY, Mechanicsburg Area School District, Mechanicsburg, PA 2018 Student Teaching. General Music • Teach general music lessons to several groups of children. • Develop basic music skills using singing, movement and instruments. • Design effective lesson plans for co-teaching. PAXTONIA ELEMENTARY SCHOOL, Central Dauphin School District, Harrisburg, PA LAWNTON ELEMENTARY SCHOOL, Central Dauphin School District, Harrisburg, PA PHILLIPS ELEMENTARY SCHOOL, Central Dauphin School District, Harrisburg, PA CHAMBERS HILL ELEMENTARY SCHOOL, Central Dauphin School District, Harrisburg, PA 2017 Student teaching. Read More

Instruments: Voice

My method is the chest mix head method. I teach lessons about chest, mix, and head voice and how to smoothly transition between them and eventually have them become one. I help students find their range, I teach proper breathing techniques and warm ups that are right for helping them reach their full voice potential and even assist with choosing the perfect song for auditions and give audition confidence prep tips from someone who has auditioned and made performance roles in musical theatre productions in Pittsburgh Pa. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

My teaching methods focus on building on the fundamentals of embodied proficiency with music (not just how to "read what's on the page", but first how to feel and delve into what's happening with all the moving parts and their many relationalities). For both children and adult students, before getting into structures and representations, the starting point will be the embodied feelings and experiences of and around music. In the first lesson, even my absolutely-beginner students will be having fun jamming, exploring and applying newly-learned things before we even talk about what a major scale is. Read More

Instruments: Piano Voice

For piano, I like the Piano Adventures Method by Faber but have also used Alfred and Bastien. I am very focused on a relaxed and precise technique, including proper rotation, articulation, flexibility, and strength, as well as teaching the ability to play without looking at the keys. For voice, I work to build a solid technique based on individual need and interest and choose songs accordingly. Proper breathing and body awareness, utilizing Alexander and Feldenkrais methods, as well as understanding of vowel and consonant articulation and of the intimate relationship between text and music is also essential. Read More

Instruments: Piano Voice

She is a newcomer to the DC area, and has previously lived, sung, and taught in Illinois, Indiana, and Vienna, Austria. Melissa has performed on both the undergraduate and graduate level (and beyond). Her experience includes operas, operettas, recitals, musicals, and choirs. She has performed in venues ranging from the Indianapolis Opera to the Notre Dame cathedral in Paris. Over the years she has performed in the United States, Canada, England, France, Italy, Germany, Switzerland, Austria, Russia, Lithuania, Latvia, Estonia, and Finland. Read More

Instruments: Voice Trumpet Saxophone Flute Clarinet Oboe

My greatest joy in teaching is seeing my students surpass me and go on to become musicians that love expressing their souls through song! It is my desire to see each student progress at their own rate without stress. first I make it a point to find out why they want to learn and where do they picture themselves going with this ability. Once we have established realistic goals for the student I like to encourage them to try out for competitions and music groups, so that they are exercising their talents effectively. Read More

Instruments: Piano Guitar Voice Cello Music Electric Guitar Acoustic Guitar

My teaching style is informed by trauma-informed care and a student-led philosophy. This means that I take into account the frustration that learning a new instrument can entail, and use therapeutic techniques to make sure my students are regulated during these moments of frustration. I provide structure and guidance for my students, but give them opportunities for free exploration, decision making, and leadership throughout a lesson. During lessons, I like to emphasize practice techniques and thinking outside the box when approaching difficult or new musical content. Read More