Voice Lessons in Clifton, MD

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

My approach seeks to breathe air under the wings of the students' interest and attention by making them a constant starting point, while also laying the groundwork of introspection for students to develop and apply their own practices of learning, exploration, and innovation going forward. My teaching methods focus on considering embodied experiences of music, as well as a range of philosophical considerations. Students will be encouraged to think about how feelings, subjectivities, sounds, and spaces interact in complex ways, along with a series of other metaphysical questions that I believe are essential to a holistic praxis of understanding and learning music. Read More

Instruments: Voice

I have taught tone deaf people to sing in pitch. I have taught people with no rhythm to do written rhythmic theory. Although... the most important lesson I have taught to my students is to believe in their own work ethic. You can achieve anything you put your mind to! I am experienced in teaching children of many backgrounds and ages, individuals with disabilities, and the aging population all at an intermediate level. Read More

Instruments: Voice

Hello, my name is Colin. I am a dynamic educator, performer and researcher. I teach private voice lessons in a variety of genres including both classical and contemporary commercial music. My students have competed in the NATS National Student Auditions successfully. I have passionate teaching style generates a fun collaborative environment. As an instructor, I follow the needs of each student finding an ideal approach best suited for the student’s needs. Read More

Instruments: Piano Guitar Voice

Michael T. Brown is a diverse performer, equally comfortable with everything from operatic literature to Scottish folk songs. On stage, he is regarded as a strong actor with a rich voice, and he is known for being a quick read. His opera roles have included Captain Fitzbattleaxe from Gilbert and Sullivan's Utopia Limited, Dr. Blind in Die Fledermaus, Monostatos in Magic Flute, Peterman in M. Choufleuri, and numerous chorus and supporting roles. Read More

Instruments: Voice

My approach as a teacher is to see what the voice is already doing and improve on the foundation that we already have. All music-making is positive music-making. My students love that I laugh and chat with them during our lessons. I primarily teach Musical theater and characterization, but I can also teach classical music and diction (languages). I believe that style, voice phenomenons, language/diction, artistic innovation, decision-making, characterization, and active choice-making are the best ways to get someone to make great music. Read More

Instruments: Piano Voice

My method varies greatly depending on the student. I don't use method books with voice students, since the voice is so personal. I don't believe there's any such thing as a "one size fits all" method--lessons should be designed to meet the needs of the individual. I know that most voice teachers wont teach kids younger than 12 or 13, and I also know that many parents are probably (rightly) suspicious of the teachers who do, for fear that theyll hurt kids' young voices. Read More

Instruments: Voice

For first time students, I immediately begin focusing on the aspect of breath related to the voice. I achieve this by utilizing exercises such as Lip Trills, Tongue rolling, and belly laughs. The is a fun, interesting, and above all effective way to show the student what muscles are working and where. From there, I begin to build upon warmups starting from the simple (e.g. 3-5 note scales) eventually leading to more difficult (e.g. octave runs with triplet passages). Read More